Author: Robert Taft
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Robert Taft
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 588

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Book Description
Account of the development of the art of photography in the United States from the first introduction of daguerreotypy to the appearance of the film camera and modern processes for book, magazine and newspaper illustration--Cover.

Author: Alan Trachtenberg
Publisher: Macmillan
ISBN: 9780374522490
Category : History
Languages : en
Pages : 356

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Book Description
Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.

Author: Robert Taft
Publisher: Peter Smith Pub Incorporated
ISBN: 9780844630465
Category : Photography
Languages : en
Pages :

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Book Description

Author: Mick Gidley
Publisher: Reaktion Books
ISBN: 1861898835
Category : Photography
Languages : en
Pages : 186

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Book Description
From Ansel Adams to Carleton Watkins, Diane Arbus to Weegee, Richard Avedon to James VanDerZee, American photographers have recorded their vast, multicultural nation in images that, for more than a hundred years, have come to define the USA. In Photography and the USA, Mick Gidley explores not only the medium of photography and the efforts to capture key events and moments through photographs, but also the many ways in which the medium has played a formative role in American culture. Photography and the USA encompasses the major movements, figures and works that are crucial to understanding American photography, but also pays attention to more obscure aspects of photography’s history. Focusing on works that reveal many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture. We encounter images that range from an anti-lynching demo in 1934 to Dorothea Lange’s poster “All races serve the crops in California;” an early photographic view of Niagara Falls against the painstaking detail of Edward Weston’s Pepper, No. 30; a fireman’s fight in the San Francisco earthquake of 1906 to the Ground Zero images of 2001 by Joel Meyerowitz; an 1890s “Wanted” image to Elliot Erwitt’s shot of the Nixon–Kruschchev “Kitchen Debate.” Organizing his narrative around the themes of history, technology, the document and the emblem, Mick Gidley not only presents a history of photography, but also reveals the complexities inherent in reading photographs themselves. A concise yet comprehensive overview of photography in the United States, this book is an excellent introduction to the subject for American Studies or visual arts students, or for anyone interested in US history or culture.

Author: Claude Hubert Cookman
Publisher: Northwestern University Press
ISBN: 0810123584
Category : Language Arts & Disciplines
Languages : en
Pages : 361

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Book Description
The traditional approach to studying American photojournalism explains the what and who of photojournalism -- what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.

Author: Peter E. Palmquist
Publisher: Stanford University Press
ISBN: 9780804738835
Category : Photography
Languages : en
Pages : 716

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Book Description
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.

Author: Tanya Sheehan
Publisher: Routledge
ISBN: 1317578961
Category : Photography
Languages : en
Pages : 254

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Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.

Author: Geoffrey Batchen
Publisher: MIT Press
ISBN: 9780262523240
Category : Photography
Languages : en
Pages : 254

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Book Description
Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.

Author: Richard Lowry
Publisher: Rizzoli Publications
ISBN: 0847845478
Category : History
Languages : en
Pages : 273

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Book Description
A new angle on Lincoln and his legacy, exploring the rich and suggestive dialogue between art, image, and politics at the time of the Civil War. Abraham Lincoln was one of the most photographed figures of his century. Richard Lowry explores Lincoln’s association with Alexander Gardner, the man who would create the most memorable and ultimately iconic images of the president, both in his studio and on the battlefields of the Civil War. Lowry’s book is an accessible and lively narrative of this symbiotic relationship and an examination of the emerging role of the media at a moment of national transformation. Lincoln was an early adopter of photographic technology and visionary in how he used it—as FDR was with radio, JFK with television, and Obama with the internet. By highlighting this very modern aspect of such a storied presidency, Lowry opens a new door on Lincoln’s relationship to politics and celebrity just as the mass culture of the image was taking root in America.