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Author: Antigoni Memou
Publisher: Manchester University Press
ISBN: 1526130505
Category : Social Science
Languages : en
Pages : 187
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Book Description
Now available for the first time in paperback, Photography and social movements is the first thorough study of photography’s interrelationship with social movements. Focusing on photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices - amateur and professional - and of previously unpublished archival material will add considerably to students’, researchers’ and scholars’ knowledge of both the visual imagery of political movements and the developing history of photographic representation.
Author: Antigoni Memou
Publisher: Manchester University Press
ISBN: 1526130505
Category : Social Science
Languages : en
Pages : 187
Get Book Here
Book Description
Now available for the first time in paperback, Photography and social movements is the first thorough study of photography’s interrelationship with social movements. Focusing on photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices - amateur and professional - and of previously unpublished archival material will add considerably to students’, researchers’ and scholars’ knowledge of both the visual imagery of political movements and the developing history of photographic representation.
Author: Antigoni Memou
Publisher:
ISBN: 9780719099991
Category : Documentary photography
Languages : en
Pages : 184
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Book Description
This is the fist book to examine the previously unstudied interrelation of photography and social movements, focusing on a series of three case studies, namely the student and worker uprising of May 1968 in Paris, the Zapatista indigenous movement in Mexico (since 1994), and theanti-capitalist protests in Genoa (2001). The study is groundbreaking in providing an interdisciplinary analysis of photographs of social movements, drawing upon original archival research and a wide range of photographic practices, both amateur and professional.The book explores how photographs of social movements function in a complex ideological web of transmission of political ideas and how their meaning relates to the way these photographs have been used. It follows the circulation of these photographs within various contexts, such as the communicationinstitutions that served the movements - including magazines, newspapers and the Internet - the mainstream press, and subsequent photographic publications and displays. The book argues that these often contradictory photographic representations, strive to prevail in the public domain, extending thepolitical or economic struggle to a representational level. This representational conflict is central to the book, which examines how photography contributes to the visibility and sustainability of these struggles and how it either challenges or reinforces stereotypical dominant narratives ofactivism and protest.
Author: Davor Konjikušić
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3422986480
Category : Photography
Languages : en
Pages : 423
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Book Description
Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. The photographs are used to trace the development of a movement that—while seemingly doomed to certain failure—nevertheless survived the most destructive war in human history. This book provides new answers to the question of photography’s role as a medium and its significance and use in social movements.
Author: Robert J. Doherty
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 100
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Book Description
Author: Leigh Raiford
Publisher: Univ of North Carolina Press
ISBN: 0807834300
Category : Social Science
Languages : en
Pages : 304
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Book Description
In Imprisoned in a Luminous Glare, Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary abou
Author: Noni Stacey
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224094
Category : Photography
Languages : en
Pages : 208
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Book Description
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network. Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Author: Donatella Della Porta
Publisher: Oxford University Press
ISBN: 0199678405
Category : Political Science
Languages : en
Pages : 865
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Book Description
The Handbook presents a most updated and comprehensive exploration of social movement research. It not only maps, but also expands the field of social movement studies, taking stock of recent developments in cognate areas of studies, within and beyond sociology and political science. While structured around traditional social movement concepts, each section combines the mapping of the state of the art with attempts to broaden our knowledge of social movements beyond classic theoretical agendas, and to identify the contribution that social movement studies can give to other fields of knowledge.
Author: Victoria W. Wolcott
Publisher: RIT Cary Graphic Arts Press
ISBN: 9780692137826
Category : Demonstrations
Languages : en
Pages : 0
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Book Description
This is a catalog that accompanies the multimedia photojournalism exhibit "Whose Streets? Our Streets!" featuring the work of 37 independent photographers who documented demonstrations, protests and riots in New York City between 1980 and 2000. The exhibit debuted at the Bronx Documentary Center in 2017. This expanded version of the catalog includes essays by historians Tamar W. Carroll and Victoria W. Wolcott that provide context for the photographs and explore the role of documentary photography in furthering social movements and democratic participation in urban governance.
Author: Mark Speltz
Publisher: Getty Publications
ISBN: 160606505X
Category : History
Languages : en
Pages : 164
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Book Description
The history of the civil rights movement is commonly illustrated with well-known photographs from Birmingham, Montgomery, and Selma—leaving the visual story of the movement outside the South remaining to be told. InNorth of Dixie, historian Mark Speltz shines a light past the most iconic photographs of the era to focus on images of everyday activists who fought campaigns against segregation, police brutality, and job discrimination in Chicago, Detroit, Los Angeles, Philadelphia, and many other cities. With images by photojournalists, artists, and activists, including Bob Adelman Charles Brittin, Diana Davies, Leonard Freed, Gordon Parks, and Art Shay, North of Dixie offers a broader and more complex view of the American civil rights movement than is usually presented by the media.North of Dixie also considers the camera as a tool that served both those in support of the movement and against it. Photographs inspired activists, galvanized public support, and implored local and national politicians to act, but they also provided means of surveillance and repression that were used against movement participants. North of Dixie brings to light numerous lesser-known images and illuminates the story of the civil rights movement in the American North and West.
Author: Renee Christine Romano
Publisher: University of Georgia Press
ISBN: 0820328146
Category : History
Languages : en
Pages : 410
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Book Description
The movement for civil rights in America peaked in the 1950s and 1960s; however, a closely related struggle, this time over the movement's legacy, has been heatedly engaged over the past two decades. How the civil rights movement is currently being remembered in American politics and culture--and why it matters--is the common theme of the thirteen essays in this unprecedented collection. Memories of the movement are being created and maintained--in ways and for purposes we sometimes only vaguely perceive--through memorials, art exhibits, community celebrations, and even street names. At least fifteen civil rights movement museums have opened since 1990; Mississippi Burning, Four Little Girls, and The Long Walk Home only begin to suggest the range of film and television dramatizations of pivotal events; corporations increasingly employ movement images to sell fast food, telephones, and more; and groups from Christian conservatives to gay rights activists have claimed the civil rights mantle. Contests over the movement's meaning are a crucial part of the continuing fight against racism and inequality. These writings look at how civil rights memories become established as fact through museum exhibits, street naming, and courtroom decisions; how our visual culture transmits the memory of the movement; how certain aspects of the movement have come to be ignored in its "official" narrative; and how other political struggles have appropriated the memory of the movement. Here is a book for anyone interested in how we collectively recall, claim, understand, and represent the past.
