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Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 1136090533
Category : Photography
Languages : en
Pages : 284
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 1136090533
Category : Photography
Languages : en
Pages : 284
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Duchemin
Publisher: Rocky Nook, Inc.
ISBN: 1681985470
Category : Photography
Languages : en
Pages : 291
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Book Description
Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs.
Photographers often look at an image—one they’ve either already created or are in the process of making—and ask themselves a simple question: “Is this a good photograph?” It’s an understandable question, but it’s really not very helpful. How are you supposed to answer that? What does “good” even mean? Is it the same for everyone?
What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act of creating photographs? What if asking stronger questions allowed you to establish a more effective approach to your image-making? In The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs, photographer and author David duChemin helps you learn to ask better questions of your work in order to craft more successful photographs—photographs that express and connect, photographs that are strong and, above all, photographs that are truly yours.
From the big-picture questions—What do I want this image to accomplish?—to the more detail-oriented questions that help you get there—What is the light doing? Where do the lines lead? What can I do about it?—David walks you through his thought process so that you can establish your own. Along the way, he discusses the building blocks from which compelling photographs are made, such as gesture, balance, scale, contrast, perspective, story, memory, symbolism, and much more. The Heart of the Photograph is not a theoretical book. It is a practical and useful book that equips you to think more intentionally as a photographer and empowers you to ask more helpful questions of you and your work, so that you can produce images that are not only better than “good,” but as powerful and authentic as you hope them to be.
TABLE OF CONTENTS
Better Questions
PART ONE: A GOOD PHOTOGRAPH?
Is It Good?
The Audience's Good
The Photographer's Good
PART TWO: BETTER THAN GOOD
Better Subjects
PART THREE: BETTER EXPRESSION
Exploration and Expression
What Is the Light Doing?
What Does Colour Contribute?
What Role Do the Lines and Shapes Play?
What's Your Point of View?
What Is the Quality of the Moment?
Where Is the Story?
Where Is the Contrast?
What About Balance and Tension?
What Is the Energy?
How Can I Use Space and Scale?
Can I Go Deeper?
What About the Frame?
Do the Elements Repeat?
Harmony
Can I Exclude More?
Where Does the Eye Go?
How Does It Feel?
Where's the Mystery?
Remember When?
Can I Use Symbols?
Am I Being Too Literal?
PART FOUR: BETTER PHOTOGRAPHS
The Heart of the Photograph
Index
Author: Michael Freeman
Publisher: CRC Press
ISBN: 1136108297
Category : Photography
Languages : en
Pages : 424
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Book Description
Michael Freeman’s unrivalled compositional advice, first presented in the bestelling The Photographer's Eye, is explained in a new and deliberately visual manner in The Photographer's Eye: A Graphic Guide. Photography is a visual language in itself, and therefore lends perfectly to visual explanation. Drawing on his long professional experience as an editorial photographer, Michael Freeman shows exactly how images work by using a beguilingly simple technique. His unique style of illustration (which he does himself ) deconstructs photographs in a way that is clear, elegant and thoughtful. The information in this book can be absorbed in minutes, but last you a lifetime.
Author: Jacob W. Lewis
Publisher: Leuven University Press
ISBN: 9462702896
Category : Photography
Languages : en
Pages : 281
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Book Description
From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity—that is, the apparent ability to be everywhere at once. While photography’s distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever.
Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 024081827X
Category : Photography
Languages : en
Pages : 540
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Book Description
Hirsch presents an introductory book that clearly and concisely provides the instruction and building blocks necessary to create thought-provoking digitally based photographs. It is an idea book that features numerous classroom-tested assignments and exercises from leading photographic educators.
Author: Robin Kelsey
Publisher: Harvard University Press
ISBN: 0674426193
Category : Photography
Languages : en
Pages : 409
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Book Description
Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our understanding of photography and the work of some of its most brilliant practitioners. The effort to make photographic art has involved a call and response across generations. From the introduction of photography in 1839 to the end of the analog era, practitioners such as William Henry Fox Talbot, Julia Margaret Cameron, Alfred Stieglitz, Frederick Sommer, and John Baldessari built upon and critiqued one another’s work in their struggle to reconcile aesthetic aspiration and mechanical process. The root problem was the technology’s indifference, its insistence on giving a bucket the same attention as a bishop and capturing whatever wandered before the lens. Could such an automatic mechanism accommodate imagination? Could it make art? Photography and the Art of Chance reveals how daring innovators expanded the aesthetic limits of photography to create art for a modern world.
Author: Karl Lapp
Publisher: Karl Lapp
ISBN:
Category : Art
Languages : en
Pages : 115
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Book Description
This e-book costs significantly less than a pack of cigarettes in most countries. In case you don’t like the book, you won’t lose much. However, this small risk (because there are no reviews yet) is offset by a potentially huge benefit. You move from the usual superficial and cursory view to an analytical one. You get used to paying attention to every detail and finding the best way to take meaningful photos. You from a selective perception to a more realistic perception of the world. Even without a camera. This is possible because the book provides a brief overview of all the key influencing factors in photography. You learn to see and pay attention to the things you didn’t even consciously notice before. But that is not all. You become curious and start to question and analyse what you see or your finished photos. And gather information about them. This turns photography into an existing, fascinating and valuable experience. The book requires only basic knowledge. It is like a short, steep, somewhat arduous path, at the end of which you will gain an unexpected overview and insight. It makes sense to read the booklet repeatedly until you have internalised the individual points. Then you can directly apply, what you have learned in practice.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 870
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Book Description
Author: Carson Graves
Publisher: CRC Press
ISBN: 1136094784
Category : Photography
Languages : en
Pages : 222
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Book Description
Whether you are a novice or an expert in the darkroom, the second edition of The Elements of Black-and-White Printing will give you the tools necessary to control your print making. You will learn the proper techniques for exposing a print, how to choose the correct paper contrast, and ways to find the best combination of paper and developer for your images. In addition to explaining the procedures, this unique book contains exercises that help you calibrate these procedures with your own equipment with the materials you prefer. Photographers will find this book an essential resource in the darkroom. Elements of Black-and-White Printing will help you learn how to choose the right exposure and contrast for your negative; select papers, developers, and toners that complement each other; print negatives with extreme contrast ranges; salvage seemingly hopeless negatives and prints; print, develop, and store negatives and prints for maximun life; display your photographs in a way that enhances their message; properly align your enlarger; and more.
Author: Christina Z. Anderson
Publisher: Taylor & Francis
ISBN: 135198778X
Category : Photography
Languages : en
Pages : 451
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Book Description
Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-coloring, salt in combination with gum, and printing on fabric, Salted Paper Printing contextualizes the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods. Salted Paper Printing is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.
