Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520281470
Category : Art
Languages : en
Pages : 268
Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
The Photographic Object 1970
Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520281470
Category : Art
Languages : en
Pages : 268
Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Publisher: Univ of California Press
ISBN: 0520281470
Category : Art
Languages : en
Pages : 268
Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Victorian Studies
Author: Sharon W. Propas
Publisher: Routledge
ISBN: 1317216482
Category : History
Languages : en
Pages : 270
Book Description
First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.
Publisher: Routledge
ISBN: 1317216482
Category : History
Languages : en
Pages : 270
Book Description
First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.
Japanese Photobooks of the 1960s and '70s
Author: 金子隆一
Publisher: Aperture Direct
ISBN:
Category : Photography
Languages : en
Pages : 334
Book Description
During the 1960s and 70s in Japan, the photobookthrough a combination of excellence in design, printing, and materialsovertook prints as a popular mode of artistic dissemination. This process has expanded to an extent where any discussion of Japanese photography now has to include the book work. Today, the most famous workssuch as Nobuyoshi Arakis Sentimental Journey and Eikoh Hosoes Man and Womancontinue to inspire artists internationally. Japanese Photobooks of the 1960s and 70s presents forty definitive publications from the era, piecing together an otherwise invisible history that has played out in tandem with photography as a medium. Included are some of the most influential works along with forgotten gems, placed within a larger historical and sociological context. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text and sidebars highlighting important editors, designers, themes, and periodicals. Lavishly produced, this unique publication is an ode to the distinct character and influence of the Japanese photobook.
Publisher: Aperture Direct
ISBN:
Category : Photography
Languages : en
Pages : 334
Book Description
During the 1960s and 70s in Japan, the photobookthrough a combination of excellence in design, printing, and materialsovertook prints as a popular mode of artistic dissemination. This process has expanded to an extent where any discussion of Japanese photography now has to include the book work. Today, the most famous workssuch as Nobuyoshi Arakis Sentimental Journey and Eikoh Hosoes Man and Womancontinue to inspire artists internationally. Japanese Photobooks of the 1960s and 70s presents forty definitive publications from the era, piecing together an otherwise invisible history that has played out in tandem with photography as a medium. Included are some of the most influential works along with forgotten gems, placed within a larger historical and sociological context. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text and sidebars highlighting important editors, designers, themes, and periodicals. Lavishly produced, this unique publication is an ode to the distinct character and influence of the Japanese photobook.
Entre Nous: Bohemian Chic in the 1960s and 1970s
Author: Pierre Passebon
Publisher: Rizzoli Publications
ISBN: 2080204114
Category : Photography
Languages : en
Pages : 0
Book Description
Glamorous fashion editor Mary Russell's personal photographs capture the effervescence of the 1960s and 1970s from within the international fashion and art scenes. As Paris fashion correspondent for Glamour, Vogue, Women's Wear Daily, and the New York Times, and as photo stylist for Helmut Newton, David Bailey, Lord Snowdon, Francesco Scavullo, and Henry Clarke, Mary Russell both captured the mood and became part of the international clique of elite bohemians who ruled the world of art and fashion. Participating in fashion history as it happened, Russell traveled from couture events to glamorous holidays with the people who invented cool modernity, mining the élan of the period and exploding the boundaries between reportage and fashion. Published here for the first time and accompanied by Russell's personal memoirs, this collection includes intimate portraits of Andy Warhol's visit to Paris with the Factory, Yves Saint Laurent and Pierre Bergé's circle, Jane Birkin, Peter Beard, Gunter Sachs, and others.
Publisher: Rizzoli Publications
ISBN: 2080204114
Category : Photography
Languages : en
Pages : 0
Book Description
Glamorous fashion editor Mary Russell's personal photographs capture the effervescence of the 1960s and 1970s from within the international fashion and art scenes. As Paris fashion correspondent for Glamour, Vogue, Women's Wear Daily, and the New York Times, and as photo stylist for Helmut Newton, David Bailey, Lord Snowdon, Francesco Scavullo, and Henry Clarke, Mary Russell both captured the mood and became part of the international clique of elite bohemians who ruled the world of art and fashion. Participating in fashion history as it happened, Russell traveled from couture events to glamorous holidays with the people who invented cool modernity, mining the élan of the period and exploding the boundaries between reportage and fashion. Published here for the first time and accompanied by Russell's personal memoirs, this collection includes intimate portraits of Andy Warhol's visit to Paris with the Factory, Yves Saint Laurent and Pierre Bergé's circle, Jane Birkin, Peter Beard, Gunter Sachs, and others.
Photography
Author: Trenton Hamilton
Publisher: Encyclopaedia Britannica
ISBN: 1680483641
Category : Juvenile Nonfiction
Languages : en
Pages : 211
Book Description
Photography is generally considered to have had its birth in 1839, when Louis-Jacques-Mandé Daguerre first revealed his photographic process to the public. Increasingly, cameras have become more automated and electronic over the years. In spite of the increasing sophistication of the equipment, however, the photographer's eye continues to be all-important. Photography remains a unique human act. This compendium focuses on the technology of photography, the camera and its parts, types of lenses, shutters and speeds, films and filters, making photographs, exposing film, lighting, darkroom techniques and processing, printing photographs, and some of the practical applications of the medium.
Publisher: Encyclopaedia Britannica
ISBN: 1680483641
Category : Juvenile Nonfiction
Languages : en
Pages : 211
Book Description
Photography is generally considered to have had its birth in 1839, when Louis-Jacques-Mandé Daguerre first revealed his photographic process to the public. Increasingly, cameras have become more automated and electronic over the years. In spite of the increasing sophistication of the equipment, however, the photographer's eye continues to be all-important. Photography remains a unique human act. This compendium focuses on the technology of photography, the camera and its parts, types of lenses, shutters and speeds, films and filters, making photographs, exposing film, lighting, darkroom techniques and processing, printing photographs, and some of the practical applications of the medium.
Reports
Author: United States Information Agency. Office of Research
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1176
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1176
Book Description
The Photographic Object 1970
Author: Mary Statzer
Publisher: Univ of California Press
ISBN: 0520963288
Category : Art
Languages : en
Pages : 269
Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Publisher: Univ of California Press
ISBN: 0520963288
Category : Art
Languages : en
Pages : 269
Book Description
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
Photographic Literature
Author: Albert Boni
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 570
Book Description
After Daguerre: Masterworks of French Photography (1848–1900) from the Bibliothèque Nationale
Author: Bernard Marbot
Publisher: Metropolitan Museum of Art
ISBN:
Category : Photography
Languages : en
Pages : 190
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Photography
Languages : en
Pages : 190
Book Description
Art Market Research
Author: Tom McNulty
Publisher: McFarland
ISBN: 0786466715
Category : Art
Languages : en
Pages : 333
Book Description
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Publisher: McFarland
ISBN: 0786466715
Category : Art
Languages : en
Pages : 333
Book Description
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.