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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 307
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 307
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Author: Bettina Gockel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110661489
Category : Photography
Languages : en
Pages : 334
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Book Description
The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.
Author: David Bate
Publisher:
ISBN: 9781789382006
Category : Other (Philosophy)
Languages : en
Pages : 303
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Book Description
The "other" is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies. This volume brings together photography and written essays that relate to aspects of otherness and visual work. Presented together, the images and critical writings work in concert to construct a new social perspective on questions of otherness and alterity and to highlight photography as a form of critical practice. In a departure from existing conceptions of otherness in postcolonial discourse, 'Photography as Critical Practice' places emphasis on the human condition not as a liberal concept, but as something formed and framed by a broader dimension of social, sexual, and cultural otherness. In this way, the book provides a fascinating new vista on the otherness of photography.
Author: Ariella Azoulay
Publisher: Princeton University Press
ISBN: 1935408372
Category : Photography
Languages : en
Pages : 586
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Book Description
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
Author: Gregg Mitman
Publisher: University of Chicago Press
ISBN: 022612925X
Category : Science
Languages : en
Pages : 292
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Book Description
Imagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists’ renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation—from the initial recording of images, to their acquisition and storage, to their circulation—has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
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Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Author: Sanford Weiss
Publisher: CRC Press
ISBN: 1000316548
Category : Law
Languages : en
Pages : 731
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Book Description
Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately represent the evidence. With the rise in importance of forensic science, crime and accident scene documentation has likewise increased in importance—not the least of which has been forensic photography. The need to use accepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography. Contributing authors from various backgrounds—each experts in their field—have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence and expert witness testimony in the courtroom. Handbook of Forensic Photography is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals—including medical examiners, odontologists, engineers, and forensic anthropologists—who frequently need to capture investigative photographs in the course of investigations.
Author:
Publisher:
ISBN:
Category : Graphic arts
Languages : en
Pages : 484
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Book Description
