Author: Edgar Allan Poe
Publisher: CreateSpace
ISBN: 9781500565404
Category : History
Languages : en
Pages : 26
Book Description
"The Philosophy of Furniture" is an essay written by American author Edgar Allan Poe published in 1840. An unusual work by Poe, whose more typical works include horror tales like "The Tell-Tale Heart," the essay is essentially Poe's theories on interior decorating. Poe begins by suggesting that the English are the "supreme" examples of internal decoration, above the Italians, French, Chinese, Scotch, Dutch, Spanish and Russians. "Yankees," he says, "are preposterous." He blames this American failing on a lack of aristocracy by blood, having instead "an aristocracy of dollars." Because of that, decoration in America has become a "mere parade of costly appurtenances" to create an "impression of the beautiful." He contrasts this with England, where wealth is not the loftiest ambition to constitute "nobility." As a result, Poe says, "there could be nothing more directly offensive to the eye of an artist than the interior of what is termed the United States... a well-furnished apartment." Because decorating rooms is a form of art, it should be judged similarly to any other work of art. The elements of a room should work well together, just as in a painting. Poe begins giving his advice, starting with curtains. Excessive drapery, he says, is "irreconcilable with good taste." Curtains should be chosen based on the general character of the room. He puts strong emphasis on carpets, which he calls "the soul of the apartment." From the carpet, the colors and forms of the rest of the room can be determined. He recommends patterns "of no meaning," as "the abomination of flowers or representations of well-known objects of any kind should not be endured." Carpets, curtains, tapestry, or even ottoman coverings and upholstery of any kind should be "rigidly Arabesque." Gaudy patterns "glorious with all hues" are a cloth version of a kaleidoscope and only serve worshipers of Mammon. Gas lighting is "inadmissible," Poe says, because it is harsh and unsteady. "No one having both brains and eyes will use it," he says. He also dismisses large chandeliers as "the quintessence of all that is false in taste or preposterous in folly." Edgar Allan Poe (born Edgar Poe; January 19, 1809 - October 7, 1849) was an American author, poet, editor, and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story, and is generally considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. Born in Boston, he was the second child of two actors. His father abandoned the family in 1810, and his mother died the following year. Thus orphaned, the child was taken in by John and Frances Allan, of Richmond, Virginia. Although they never formally adopted him, Poe was with them well into young adulthood. Tension developed later as John Allan and Edgar repeatedly clashed over debts, including those incurred by gambling, and the cost of secondary education for the young man. Poe attended the University of Virginia for one semester but left due to lack of money. Poe quarreled with Allan over the funds for his education and enlisted in the Army in 1827 under an assumed name. It was at this time his publishing career began, albeit humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to "a Bostonian." With the death of Frances Allan in 1829, Poe and Allan reached a temporary rapprochement. Later failing as an officer's cadet at West Point and declaring a firm wish to be a poet and writer, Poe parted ways with John Allan.
The Philosophy of Furniture
Author: Edgar Allan Poe
Publisher: CreateSpace
ISBN: 9781500565404
Category : History
Languages : en
Pages : 26
Book Description
"The Philosophy of Furniture" is an essay written by American author Edgar Allan Poe published in 1840. An unusual work by Poe, whose more typical works include horror tales like "The Tell-Tale Heart," the essay is essentially Poe's theories on interior decorating. Poe begins by suggesting that the English are the "supreme" examples of internal decoration, above the Italians, French, Chinese, Scotch, Dutch, Spanish and Russians. "Yankees," he says, "are preposterous." He blames this American failing on a lack of aristocracy by blood, having instead "an aristocracy of dollars." Because of that, decoration in America has become a "mere parade of costly appurtenances" to create an "impression of the beautiful." He contrasts this with England, where wealth is not the loftiest ambition to constitute "nobility." As a result, Poe says, "there could be nothing more directly offensive to the eye of an artist than the interior of what is termed the United States... a well-furnished apartment." Because decorating rooms is a form of art, it should be judged similarly to any other work of art. The elements of a room should work well together, just as in a painting. Poe begins giving his advice, starting with curtains. Excessive drapery, he says, is "irreconcilable with good taste." Curtains should be chosen based on the general character of the room. He puts strong emphasis on carpets, which he calls "the soul of the apartment." From the carpet, the colors and forms of the rest of the room can be determined. He recommends patterns "of no meaning," as "the abomination of flowers or representations of well-known objects of any kind should not be endured." Carpets, curtains, tapestry, or even ottoman coverings and upholstery of any kind should be "rigidly Arabesque." Gaudy patterns "glorious with all hues" are a cloth version of a kaleidoscope and only serve worshipers of Mammon. Gas lighting is "inadmissible," Poe says, because it is harsh and unsteady. "No one having both brains and eyes will use it," he says. He also dismisses large chandeliers as "the quintessence of all that is false in taste or preposterous in folly." Edgar Allan Poe (born Edgar Poe; January 19, 1809 - October 7, 1849) was an American author, poet, editor, and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story, and is generally considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. Born in Boston, he was the second child of two actors. His father abandoned the family in 1810, and his mother died the following year. Thus orphaned, the child was taken in by John and Frances Allan, of Richmond, Virginia. Although they never formally adopted him, Poe was with them well into young adulthood. Tension developed later as John Allan and Edgar repeatedly clashed over debts, including those incurred by gambling, and the cost of secondary education for the young man. Poe attended the University of Virginia for one semester but left due to lack of money. Poe quarreled with Allan over the funds for his education and enlisted in the Army in 1827 under an assumed name. It was at this time his publishing career began, albeit humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to "a Bostonian." With the death of Frances Allan in 1829, Poe and Allan reached a temporary rapprochement. Later failing as an officer's cadet at West Point and declaring a firm wish to be a poet and writer, Poe parted ways with John Allan.
Publisher: CreateSpace
ISBN: 9781500565404
Category : History
Languages : en
Pages : 26
Book Description
"The Philosophy of Furniture" is an essay written by American author Edgar Allan Poe published in 1840. An unusual work by Poe, whose more typical works include horror tales like "The Tell-Tale Heart," the essay is essentially Poe's theories on interior decorating. Poe begins by suggesting that the English are the "supreme" examples of internal decoration, above the Italians, French, Chinese, Scotch, Dutch, Spanish and Russians. "Yankees," he says, "are preposterous." He blames this American failing on a lack of aristocracy by blood, having instead "an aristocracy of dollars." Because of that, decoration in America has become a "mere parade of costly appurtenances" to create an "impression of the beautiful." He contrasts this with England, where wealth is not the loftiest ambition to constitute "nobility." As a result, Poe says, "there could be nothing more directly offensive to the eye of an artist than the interior of what is termed the United States... a well-furnished apartment." Because decorating rooms is a form of art, it should be judged similarly to any other work of art. The elements of a room should work well together, just as in a painting. Poe begins giving his advice, starting with curtains. Excessive drapery, he says, is "irreconcilable with good taste." Curtains should be chosen based on the general character of the room. He puts strong emphasis on carpets, which he calls "the soul of the apartment." From the carpet, the colors and forms of the rest of the room can be determined. He recommends patterns "of no meaning," as "the abomination of flowers or representations of well-known objects of any kind should not be endured." Carpets, curtains, tapestry, or even ottoman coverings and upholstery of any kind should be "rigidly Arabesque." Gaudy patterns "glorious with all hues" are a cloth version of a kaleidoscope and only serve worshipers of Mammon. Gas lighting is "inadmissible," Poe says, because it is harsh and unsteady. "No one having both brains and eyes will use it," he says. He also dismisses large chandeliers as "the quintessence of all that is false in taste or preposterous in folly." Edgar Allan Poe (born Edgar Poe; January 19, 1809 - October 7, 1849) was an American author, poet, editor, and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story, and is generally considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. Born in Boston, he was the second child of two actors. His father abandoned the family in 1810, and his mother died the following year. Thus orphaned, the child was taken in by John and Frances Allan, of Richmond, Virginia. Although they never formally adopted him, Poe was with them well into young adulthood. Tension developed later as John Allan and Edgar repeatedly clashed over debts, including those incurred by gambling, and the cost of secondary education for the young man. Poe attended the University of Virginia for one semester but left due to lack of money. Poe quarreled with Allan over the funds for his education and enlisted in the Army in 1827 under an assumed name. It was at this time his publishing career began, albeit humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to "a Bostonian." With the death of Frances Allan in 1829, Poe and Allan reached a temporary rapprochement. Later failing as an officer's cadet at West Point and declaring a firm wish to be a poet and writer, Poe parted ways with John Allan.
The Furniture of the World
Author: Guillermo Hurtado
Publisher: Brill
ISBN:
Category : History
Languages : en
Pages : 340
Book Description
Seventeen essays make up the body of this anthology. Most of the authors are Latin Americans (although some of them work in other regions), and thus we might say that this volume is, in a very approximate sense, a showcase of recent Latin-American ontology and metaphysics. The remaining authors--Pierre Aubenque, Barry Smith, Lorenzo Peña and James Hamilton--are distinguished teachers who have had important contacts with the Latin-American philosophical community. The articles in this anthology address some of the central questions in ontology and metaphysics: the possibility of a science of being (Aubenque), the different possible approaches to ontology (Hurtado), the recent application of ontology to informatics (Smith), guise theory and its Leibnizian antecedents (Herrera), the reduction of space and time to phenomenological properties (Rodríguez Larreta), the Newtonian ontology of space and time (Benítez and Robles), the relation between truth and the so-called "truth-makers" (Rodríguez Pereyra), the ontological position of the Pyrrhonic skeptic (Junqueira Smith), the limits and difficulties of metaphysical realism (Cabanchik, Pereda), the defense of physicalist or emergentist positions regarding the mental (Pérez), the metaphysical nature of persons (Naishtat), the ontology of cultural entities (Peña), political ontology (Nudler), the relation between ontology and literature (Hamilton), the ontology of art (Tomasini). Some of the works (e.g., those Aubenque and Robles) approach the question from a historical perspective: others examine the most recent philosophical literature on the problems focalized (e.g., those by Pérez and Rodríguez Pereyra), and others offer new approaches (e.g., those of Rodríguez Larreta, Peña or Nudler) to a specific problematic area.
Publisher: Brill
ISBN:
Category : History
Languages : en
Pages : 340
Book Description
Seventeen essays make up the body of this anthology. Most of the authors are Latin Americans (although some of them work in other regions), and thus we might say that this volume is, in a very approximate sense, a showcase of recent Latin-American ontology and metaphysics. The remaining authors--Pierre Aubenque, Barry Smith, Lorenzo Peña and James Hamilton--are distinguished teachers who have had important contacts with the Latin-American philosophical community. The articles in this anthology address some of the central questions in ontology and metaphysics: the possibility of a science of being (Aubenque), the different possible approaches to ontology (Hurtado), the recent application of ontology to informatics (Smith), guise theory and its Leibnizian antecedents (Herrera), the reduction of space and time to phenomenological properties (Rodríguez Larreta), the Newtonian ontology of space and time (Benítez and Robles), the relation between truth and the so-called "truth-makers" (Rodríguez Pereyra), the ontological position of the Pyrrhonic skeptic (Junqueira Smith), the limits and difficulties of metaphysical realism (Cabanchik, Pereda), the defense of physicalist or emergentist positions regarding the mental (Pérez), the metaphysical nature of persons (Naishtat), the ontology of cultural entities (Peña), political ontology (Nudler), the relation between ontology and literature (Hamilton), the ontology of art (Tomasini). Some of the works (e.g., those Aubenque and Robles) approach the question from a historical perspective: others examine the most recent philosophical literature on the problems focalized (e.g., those by Pérez and Rodríguez Pereyra), and others offer new approaches (e.g., those of Rodríguez Larreta, Peña or Nudler) to a specific problematic area.
Edgar Allan Poe: Poetry & Tales (LOA #19)
Author: Edgar Allan Poe
Publisher: Library of America
ISBN: 9780940450189
Category : Fiction
Languages : en
Pages : 1440
Book Description
The Library of America presents “the first truly dependable collection of Poe’s poetry and tales”—featuring well-known works like ‘The Raven’ and ‘The Fall of the House of Usher’, plus a selection of rarely published writings (New York Review of Books). Edgar Allan Poe’s poetry is famous both for the musicality of “To Helen” and “The City in the Sea” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.” “The Fall of the House of Usher” and “The Cask of Amontillado” show his mastery of Gothic horror; “The Pit and the Pendulum” is a classic of terror and suspense. Poe invented the modern detective story in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “rationation.” Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and “The Duc De L'Omelette”), his only attempt at drama, “Politian”—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand. A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world's most disturbing, powerful, and inventive writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Publisher: Library of America
ISBN: 9780940450189
Category : Fiction
Languages : en
Pages : 1440
Book Description
The Library of America presents “the first truly dependable collection of Poe’s poetry and tales”—featuring well-known works like ‘The Raven’ and ‘The Fall of the House of Usher’, plus a selection of rarely published writings (New York Review of Books). Edgar Allan Poe’s poetry is famous both for the musicality of “To Helen” and “The City in the Sea” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.” “The Fall of the House of Usher” and “The Cask of Amontillado” show his mastery of Gothic horror; “The Pit and the Pendulum” is a classic of terror and suspense. Poe invented the modern detective story in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “rationation.” Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and “The Duc De L'Omelette”), his only attempt at drama, “Politian”—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand. A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world's most disturbing, powerful, and inventive writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Ordinary Objects
Author: Amie Lynn Thomasson
Publisher: Oxford University Press
ISBN: 0199764441
Category : Philosophy
Languages : en
Pages : 253
Book Description
'Ordinary Objects' shows how to develop a common-sense ontology and defend it against a variety of eliminativist arguments. The text argues that the apparently diverse eliminativist arguments rest on a few shared assumptions, and that questioning these gives us reason to reevaluate the proper methods and limits of metaphysics.
Publisher: Oxford University Press
ISBN: 0199764441
Category : Philosophy
Languages : en
Pages : 253
Book Description
'Ordinary Objects' shows how to develop a common-sense ontology and defend it against a variety of eliminativist arguments. The text argues that the apparently diverse eliminativist arguments rest on a few shared assumptions, and that questioning these gives us reason to reevaluate the proper methods and limits of metaphysics.
A Philosophy Of Interior Design
Author: Stanley Abercrombie
Publisher: Routledge
ISBN: 0429982291
Category : Philosophy
Languages : en
Pages : 260
Book Description
This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting.
Publisher: Routledge
ISBN: 0429982291
Category : Philosophy
Languages : en
Pages : 260
Book Description
This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting.
Treatise on Basic Philosophy
Author: Mario BUNGE
Publisher: Springer
ISBN: 9789027705723
Category : Science
Languages : en
Pages : 0
Book Description
In this Introduction we shall sketch a profile of our field of inquiry. This is necessary because semantics is too often mistaken for lexicography and therefore dismissed as trivial, while at other times it is disparaged for being concerned with reputedly shady characters such as meaning and allegedly defunct ones like truth. Moreover our special concern, the semantics of science, is a newcomer - at least as a systematic body - and therefore in need of an introduction. l. GOAL Semantics is the field of inquiry centrally concerned with meaning and truth. It can be empirical or nonempirical. When brought to bear on concrete objects, such as a community of speakers, semantics seeks to answer problems concerning certain linguistic facts - such as disclosing the interpretation code inherent in the language or explaning the speakers' ability or inability to utter and understand new sentences ofthe language. This kind of semantics will then be both theoretical and experimental: it will be a branch of what used to be called 'behavioral science'.
Publisher: Springer
ISBN: 9789027705723
Category : Science
Languages : en
Pages : 0
Book Description
In this Introduction we shall sketch a profile of our field of inquiry. This is necessary because semantics is too often mistaken for lexicography and therefore dismissed as trivial, while at other times it is disparaged for being concerned with reputedly shady characters such as meaning and allegedly defunct ones like truth. Moreover our special concern, the semantics of science, is a newcomer - at least as a systematic body - and therefore in need of an introduction. l. GOAL Semantics is the field of inquiry centrally concerned with meaning and truth. It can be empirical or nonempirical. When brought to bear on concrete objects, such as a community of speakers, semantics seeks to answer problems concerning certain linguistic facts - such as disclosing the interpretation code inherent in the language or explaning the speakers' ability or inability to utter and understand new sentences ofthe language. This kind of semantics will then be both theoretical and experimental: it will be a branch of what used to be called 'behavioral science'.
Guerilla Furniture Design
Author: Will Holman
Publisher: Storey Publishing, LLC
ISBN: 161212304X
Category : Crafts & Hobbies
Languages : en
Pages : 193
Book Description
Build stylish and functional furniture from salvaged materials. This innovative guide presents dozens of strategies for upcycling scrap cardboard, metal, plastic, or wood into dependable shelving units, sturdy tables, and fun lamps. With directions for 35 easy and inexpensive projects that include a Cardboard Cantilever Chair, a License Plate Bowl, a Conduit Coatrack, and much more, you’ll be inspired to start filling your home with unique high-style furniture that makes sense for both your wallet and the environment.
Publisher: Storey Publishing, LLC
ISBN: 161212304X
Category : Crafts & Hobbies
Languages : en
Pages : 193
Book Description
Build stylish and functional furniture from salvaged materials. This innovative guide presents dozens of strategies for upcycling scrap cardboard, metal, plastic, or wood into dependable shelving units, sturdy tables, and fun lamps. With directions for 35 easy and inexpensive projects that include a Cardboard Cantilever Chair, a License Plate Bowl, a Conduit Coatrack, and much more, you’ll be inspired to start filling your home with unique high-style furniture that makes sense for both your wallet and the environment.
The Annotated Poe
Author: Edgar Allan Poe
Publisher: Harvard University Press
ISBN: 0674055292
Category : Fiction
Languages : en
Pages : 436
Book Description
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
Publisher: Harvard University Press
ISBN: 0674055292
Category : Fiction
Languages : en
Pages : 436
Book Description
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
Donald Judd Writings
Author: Donald Judd
Publisher: Judd Foundation/David Zwirner Books
ISBN: 1941701353
Category : Art
Languages : en
Pages : 1057
Book Description
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
Publisher: Judd Foundation/David Zwirner Books
ISBN: 1941701353
Category : Art
Languages : en
Pages : 1057
Book Description
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
The Soul of a Tree
Author: George Nakashima
Publisher: National Geographic Books
ISBN: 1568363958
Category : Art
Languages : en
Pages : 0
Book Description
On a farmlike compound near New Hope, Pennsylvania, George Nakashima, his family, and fellow wood-workers create exquisite furniture from richly grained, rare timber. Tables, desks, chairs, and cabinets from this simple workshop grace the homes and mansions and executive boardrooms of people who prize such excellence. In this lavishly illustrated volume, George Nakashima allows us in intimate look at his artistry, his philosophy, his life. It is the portrait of an artisan who strives to find the ideal use for each plank in order to "create an object of utility to man and, if nature smiles, an object of lasting beauty." The author's search for the meaning of life took him as a young man to Paris, Tokyo, and Pondicherry, India. In India, he found the inner peace for which he had been searching and began to find ways to work with timber. He writes movingly about the grandeur of ancient trees and stunning figured woods and explains how he selects and prepares his materials. Above all, he impresses us with his devotion to discovering the inherent beauty of wood so that noble trees might have a second life as furniture. The Soul of a Tree looks at the world through the eyes of an artist and evokes the joy of living in harmony with nature.
Publisher: National Geographic Books
ISBN: 1568363958
Category : Art
Languages : en
Pages : 0
Book Description
On a farmlike compound near New Hope, Pennsylvania, George Nakashima, his family, and fellow wood-workers create exquisite furniture from richly grained, rare timber. Tables, desks, chairs, and cabinets from this simple workshop grace the homes and mansions and executive boardrooms of people who prize such excellence. In this lavishly illustrated volume, George Nakashima allows us in intimate look at his artistry, his philosophy, his life. It is the portrait of an artisan who strives to find the ideal use for each plank in order to "create an object of utility to man and, if nature smiles, an object of lasting beauty." The author's search for the meaning of life took him as a young man to Paris, Tokyo, and Pondicherry, India. In India, he found the inner peace for which he had been searching and began to find ways to work with timber. He writes movingly about the grandeur of ancient trees and stunning figured woods and explains how he selects and prepares his materials. Above all, he impresses us with his devotion to discovering the inherent beauty of wood so that noble trees might have a second life as furniture. The Soul of a Tree looks at the world through the eyes of an artist and evokes the joy of living in harmony with nature.