B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology PDF Download
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Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 666
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 944
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Book Description
Author: Jacob Gould Schurman
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 684
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Book Description
An international journal of general philosophy.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1162
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Book Description
Author: Jacqueline Lichtenstein
Publisher: Getty Publications
ISBN: 9780892368921
Category : Art
Languages : en
Pages : 236
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Book Description
Beginning in the seventeenth century, the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture, touch or sight, color or design, ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels, decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes, Roger de Piles, Denis Diderot, Charles Baudelaire, and Émile Zola, among others, The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years.
Author: Pascal Touoyem
Publisher: African Books Collective
ISBN: 9956553611
Category : Political Science
Languages : en
Pages : 327
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Book Description
Comment penser la puissance africaine et les enjeux de la transition hgmonique globale au 21e sicle ? Telle est la question thmatique centrale de cet ouvrage qui se veut un cahier de recherche doctrinale en polmologie et en irnologie endognes, dans un contexte o la mondialisation des enjeux scuritaires signifie pour lAfrique, un reclassement gostratgique du continent o le maintien de la paix et la rsolution des conflits sont devenus un terrain daffirmation de puissance. Analytique et oprationnelle, cette publication est le fruit de nombreuses expriences de terrain, de missions denseignements, de travaux ditoriaux, de publications scientifiques et de confrences internationales.
Author: Aachen. Stadtbibliothek
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
Author: Gurminder Kaur Bhogal
Publisher: Oxford University Press
ISBN: 0190696095
Category : Music
Languages : en
Pages : 169
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Book Description
Debussy himself had little regard for Clair de Lune, and scholars have thus far followed suit--until now. Claude Debussy's Clair de Lune is the first book wholly dedicated to an historical, cultural, and analytical investigation of the French composer's famous composition for piano. Author Gurminder Kaur Bhogal explores why, over any other piece in Debussy's repertoire for piano, Clair de Lune achieved stardom in the decades following the composer's death, and how, as the third movement of the Suite Bergamasque, it managed to almost fully eclipse the other movements. Drawing on a broad range of excerpts from classical and popular music, commercials, film, and video games, Bhogal examines the various ways in which listeners have engaged with the piece. She also places it in its proper artistic context, through analysis alongside the poetry of Paul Verlaine and the paintings of Jean-Antoine Watteau. A wide range of aural, visual, and video examples energize the narrative, and demonstrate how Clair de Lune has come to achieve an iconic status within and beyond Debussy's oeuvre.
Author: Cesar Grana
Publisher: Taylor & Francis
ISBN: 1000939685
Category : Art
Languages : en
Pages : 190
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Book Description
This outstanding collection of hitherto unpublished work, written over the last fifteen years of the author's life, reveals the development and maturation of his ideas about sociology and art, and specifically about the relationship between them. Grafia sees in the artistic traditions of Western society the sociological sources of our sense of cultural form, as well as cultural and intellectual meaning. He discusses theories of art and theories of artists as they have changed over time, although the book is neither a history of art nor a criticism of specific artistic works. Rather, it is a defense of the sociology of art.Grafia believes that the difficult and ambitious questions in the sociology of art are not merely questions of the proper role or status of the artist, or the recognition of art as an ornament, perhaps the supreme ornament, of our culture. He believes that what the sociologist must come to terms with is the view of art as the representation, indeed the revelation of what is most telling and pervasive in culture itself. This perspective assumes that the most serious claims made for art are in fact inseparable from the unique claims that are made about art. Art can make visible what is implicit in our lives. Art can put before us a statement of what we are but do not always recognize in oursleves. Art is the mask and mimicry through which society gestures to us its ultimate and most poignant meanings. Grafia contends that this vision of art derives from Hegelian aesthetics, and he believes that this grand view-whether one takes an idealist, a literary, or a Marxist-materialist position-also implies a dramatically changed conception of society itself.The essays cover a variety of subjects, from Marx, museums, and modern literature, to Durkheim, Daniel Bell, and bullfighting-the last being the apotheosis of cultural expression rendered into artistic form. Throughout, Grafia considers questions of the social origins of our artistic and intellectual traditions, the influence of these traditions on our ways of thinking about society, and their pervasiveness as standards for social meaning.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 982
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Author: Christine Vial Kayser
Publisher: Vernon Press
ISBN: 1648898416
Category : Art
Languages : en
Pages : 793
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Book Description
This book analyses the dynamic relationship between art and subjective consciousness, following a phenomenological, pragmatist and enactive approach. It brings out a new approach to the role of the body in art, not as a speculative object or symbolic material but as the living source of the imaginary. It contains theoretical contributions and case studies taken from various artistic practices (visual art, theatre, literature and music), Western and Eastern, the latter concerning China, India and Japan. These contributions allow us to nourish the debate on embodied cognition and aesthetics, using theory–philosophy, art history, neuroscience–and the authors’ personal experience as artists or spectators. According to the Husserlian method of “reduction” and pragmatist introspection, they postulate that listening to bodily sensations–cramps, heartbeats, impulsive movements, eye orientation–can unravel the thread of subconscious experience, both active and affective, that emerge in the encounter between a subject and an artwork, an encounter which, following John Dewey, we deem to be a case study for life in general. Ce livre analyse la relation dynamique entre l’art et la conscience subjective, selon une approche phénoménologique, pragmatiste et enactive. Il vise à faire émerger une nouvelle approche du rôle du corps dans l’art, non pas comme objet spéculatif ou matériau symbolique, mais comme source vivante de l’imaginaire. Les contributions théoriques et les études de cas sont prises à diverses pratiques artistiques (arts visuels, théâtre, littérature et musique), occidentales et orientales, ces dernières concernant la Chine, l’Inde et le Japon. Selon la méthode husserlienne de « réduction », en écho à l’introspection pragmatiste, les textes témoignent que l’écoute des sensations corporelles – crampes, battements de cœur, mouvements pulsionnels, orientation des yeux – mises en jeu par l’œuvre, permet de dénouer le fil de l’expérience inconsciente, à la fois kinesthésique et affective, qui émerge dans la rencontre entre un sujet et une œuvre d’art, une rencontre comprise, à la manière de Dewey, comme un cas d’école de la vie en général.
