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Author: Kosme De Baranano
Publisher:
ISBN: 9783906915005
Category : Art and literature
Languages : en
Pages : 181
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Book Description
Published to accompany the exhibition ?Philip Guston and The Poets? at Gallerie dell?Accademia (May ? September 2017), this monograph exposes the artist?s oeuvre to critical literary interpretation. The exhibition draws parallels between humanist themes reflected in both Guston?s paintings and drawings as well as in the language and prose discerned in five of the twentieth century?s most prominent literary figures: D. H. Lawrence, W. B. Yeats, Wallace Stevens, Eugenio Montale and T. S. Eliot. The enormous influence that Italy itself had upon Guston and his work is also examined.0Spanning a 50-year period, ?Philip Guston and The Poets?, edited by curator Prof. Dr. Kosme de Barañano, features approximately 40 major paintings and 40 prominent drawings dating from 1930 through to 1980, the last of which were created in the final years of Guston?s life. 00Exhibition: Gallerie dell?Accademia, Venice, Italy (10.05.-03.09.2017).
Author: Philip Guston
Publisher:
ISBN:
Category : Abstract impressionism
Languages : en
Pages : 54
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Book Description
Author: Debra Bricker Balken
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 88
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Book Description
Focuses on drawings that grew out of Guston's (1912-1980) interactions and collaborations with poets during the last decade of his life. Long associated with the New York School of painters, in the late 1960s Guston turned from abstract work and began integrating lines, passages and, in some cases,
Author: Paul Maziar
Publisher: AC Books
ISBN: 9781939901163
Category :
Languages : en
Pages : 325
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Book Description
Literary Nonfiction. Art. Essays on art; artist profiles; digressions on art and culture. ONE FOOT IN THE OTHER WORLD represents the first years of poet Paul Maziar's work as an art writer. The essays in this volume include Ann Craven: In Search of Lost Time; Soutine & Sander's Pastry Chefs; Robert Frank's The Americans; Katherine Bradford's Luminous Nocturnes; A Beautiful Space That Slips Away: Philippe Soupault and the French Avant-Garde and many more.
Author: Debra Bricker Balken
Publisher: University of Chicago Press
ISBN: 0226036227
Category : Humor
Languages : en
Pages : 104
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Book Description
In 1971, as the race for the presidency heated up, the artist Philip Guston (1913-1980) created a series of caricatures of Richard Nixon titled Philip Guston's Poor Richard. Produced two years before Watergate and three years before Nixon's resignation, these provocative, searing condemnations of a corrupt head of state are remarkable, prescient political satire. The drawings mock Nixon's physical attributes—his nose is rendered as an enlarged phallus throughout-as well as his notoriously dubious, shifty character. Debra Bricker Balken's book is the first book—length publication of these drawings. A visual narrative of Nixon's life, the drawings trace Nixon from his childhood, through his ascent to power, to his years in the White House. They incorporate Henry Kissinger (a pair of glasses), Spiro Agnew (a cone-head), and John Mitchell (a dolt smoking a pipe). They depict Nixon and his cohorts in China, plotting strategy in Key Biscayne, and shamelessly pandering to African Americans, hippies, and elderly tourists. As Balken discusses in her accompanying essay, these drawings also reflect a dramatic transformation in Guston's work. In response to social unrest and the Vietnam War, he began to question the viability of a private art given to self-expression. His betrayal of aesthetic abstraction in favor of imagery imbued with personal and political meaning largely engendered the renewal of figuration in painting in America in the 1970s. These drawings not only represent one of the few instances of an artist in the late twentieth century engaging caricature in his work, they are also a witty, acerbic take on a corrupt figure and a scandalous political regime.
Author: Ross Feld
Publisher: New York Review of Books
ISBN: 168137661X
Category : Biography & Autobiography
Languages : en
Pages : 189
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Book Description
In this warm and vibrant work of memoir and criticism, a young writer forges a friendship with Philip Guston, one of the most influential and controversial painters of the twentieth century. The late work of Philip Guston has had a profound influence on painters today, but as Guston’s star has risen, it has been forgotten how scandalous these paintings, with their cartoonish imagery and almost fumbling application of paint, were initially deemed to be. The 1970 show at the Marlborough Gallery in which Guston, abandoning the delicate abstract expressionism for which he was known, revealed his new style, was critically savaged. In the aftermath of this drubbing, he retreated to his studio in Woodstock, New York—in part to nurse his wounds but, more important, to go on painting exactly as he saw fit. Ross Feld, a young poet, novelist, and critic, was one of the rare critics to respond favorably to Guston’s late work. Guston answered with a grateful note, and a new friendship was soon born. Guston in Time, written not long before Feld’s early death from cancer, is a portrait of Guston the man; and of his wife, Musa, a major figure not only in his life but in his work; a reckoning with his supremely individual achievement as an artist; and a work of art in its own right. A retrospective of Guston’s work, Philip Guston Now, will be on view at the Museum of Fine Arts, Boston, from May 1 to September 11, 2022; at the Museum of Fine Arts, Houston, from October 23, 2022, to January 15, 2023; at the National Gallery of Art, Washington, D.C., from February 26 to August 27, 2023; and at the Tate Modern, London, from October 3, 2023 to February 4, 2024.
Author: Clark Coolidge
Publisher: Geoffrey Young
ISBN: 9781879645011
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Bill Berkson
Publisher: Coffee House Press
ISBN: 1566893852
Category : Poetry
Languages : en
Pages : 153
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Book Description
Praise for Bill Berkson: "A serene master of syntactical sleight and transformer of the mundane into the marvelous."—Publishers Weekly Wide-ranging and experimental, Expect Delays confronts past and present with rare equilibrium, eyeballing mortality while appreciating the richness and surprise, as well as the inevitable griefs, inherent in the time allowed. Dress Trope Critics should wear white jackets like lab technicians; curators, zoo keepers' caps; and art historians, lead aprons to protect them from impending radiant fact. Bill Berkson is a poet, critic, and professor emeritus at the San Francisco Art Institute.
Author: Musa Mayer
Publisher: Hauser & Wirth Publishers
ISBN: 9783906915470
Category : Figurative drawing, American
Languages : en
Pages : 188
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Book Description
Guston disagreed, famously saying: 'I got sick and tired of all that purity--I wanted to tell stories!' And what stories he told, with his Klansmen, ominous but somehow familiar, perhaps even ourselves under those hoods, as suggested in 'Untitled' (1971), which features a fleshy head enclosed by two hooded figures. This was not the path of refinement a leading abstract expressionist painter should be taking, yet Guston pushed forward: challenging tradition and expectations, guided solely by his own intuition and determination. Guston and his wife left for Italy immediately after the 1970 Marlborough opening, taking up residency at the American Academy in Rome over the next seven months. He spent the first two months brooding, despairing at the reviews and the rigidity of the art world, and revisiting the great art of the past that had first moved him to paint as a young man. .
Author: Musa Mayer
Publisher:
ISBN: 9783906915029
Category : Pen drawing, American
Languages : en
Pages : 247
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Book Description
Philip Guston?s late figurative paintings were met with overwhelmingly negative critical response when first shown at Marlborough Gallery in New York City in October 1970. After the opening, Guston fled to Italy with his wife, spending eight months at the American Academy in Rome. The following spring, Guston returned to a wounded America, still at war in Vietnam, devastated by the assassinations of its leaders, and divided by antiwar protests and the social and political upheavals begun in the 1960s. It was Richard Nixon?s first term as president.0Guston?s outpouring of satirical drawings was inspired partly by conversations with his friend Philip Roth, at work on his own scathing Nixon satire, ?Our Gang?. ?When I came back from Europe in the summer of 1971,? Guston later said, ?I was pretty disturbed about everything in the country politically, the administration specifically, and I started doing cartoon characters. And one thing led to another, and so for months I did hundreds of drawings and they seemed to form a kind of story line, a sequence.? Completed during July and August 1971, these drawings were not publicly shown for three decades.0In 1975, after the Watergate scandal led to Nixon being forced to resign under threat of impeachment, Guston created more drawings and a final painting with Nixon as subject: ?San Clemente?. This book gathers this extraordinary body of work for the first time in its entirety.00Exhibition: Hauser & Wirth, New York, USA (01.11.2016-28.01.2017) / Hauser & Wirth, London, UK (19.05.-29.07.2017).
Author: Craig Burnett
Publisher: MIT Press
ISBN: 1846381339
Category : Art
Languages : en
Pages : 95
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Book Description
An illustrated examination of Philip Guston's comic and complex painting The Studio. Throughout his career, Philip Guston's work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like The Studio came his most radical shift. Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to articulate a vision that was at once comic, crude, and complex. In The Studio, Guston offers a darkly comic portrait of the artist as a hooded Ku Klux Klansman, painting a self-portrait. In this concise and generously illustrated book, Craig Burnett examines The Studio in detail. He describes the historical and personal motivations for Guston's return to figuration and the (mostly negative) critical reaction to the work from Hilton Kramer and others. He looks closely at the structure of The Studio, and at the influence of Piero della Francesca, Manet, and Krazy Kat, among others; and he considers the importance of the column of smoke in the painting—as a compositional device and as a ghost of abstraction and metaphysics. The Studio signals not only Guston's own artistic evolution but a broader shift, from the medium-centric and teleological claim of modernism to the discursive, carnivalesque, and mucky world of postmodernism.
