Petrarch and Boccaccio in the First Commentaries on Dante’s Commedia PDF Download
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Author: Luca Fiorentini
Publisher: Routledge
ISBN: 1000072428
Category : Business & Economics
Languages : en
Pages : 158
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Book Description
This text proposes a reinterpretation of the history behind the canon of the Tre Corone (Three Crowns), which consists of the three great Italian authors of the 14th century – Dante, Petrarch, and Boccaccio. Examining the first commentaries on Dante’s Commedia, the book argues that the elaboration of the canon of the Tre Corone does not date back to the 15th century but instead to the last quarter of the 14th century. The investigation moves from Guglielmo Maramauro’s commentary – circa 1373, and the first exegetical text in which we can find explicit quotations from Petrarch and Boccaccio – to the major commentators of the second half of the 14th century: Benvenuto da Imola, Francesco da Buti and the Anonimo Fiorentino. The work focuses on the conceptual and poetic continuity between Dante, Petrarch, and Boccaccio as identified by the first interpreters of the Commedia, demonstrating that contemporary readers and intellectuals immediately recognized a strong affinity between these three authors based on criteria not merely linguistic or rhetorical. The findings and conclusions of this work are of great interest to scholars of Dante, as well as those studying medieval poetry and Italian literature.
Author: Luca Fiorentini
Publisher: Routledge
ISBN: 1000072428
Category : Business & Economics
Languages : en
Pages : 158
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Book Description
This text proposes a reinterpretation of the history behind the canon of the Tre Corone (Three Crowns), which consists of the three great Italian authors of the 14th century – Dante, Petrarch, and Boccaccio. Examining the first commentaries on Dante’s Commedia, the book argues that the elaboration of the canon of the Tre Corone does not date back to the 15th century but instead to the last quarter of the 14th century. The investigation moves from Guglielmo Maramauro’s commentary – circa 1373, and the first exegetical text in which we can find explicit quotations from Petrarch and Boccaccio – to the major commentators of the second half of the 14th century: Benvenuto da Imola, Francesco da Buti and the Anonimo Fiorentino. The work focuses on the conceptual and poetic continuity between Dante, Petrarch, and Boccaccio as identified by the first interpreters of the Commedia, demonstrating that contemporary readers and intellectuals immediately recognized a strong affinity between these three authors based on criteria not merely linguistic or rhetorical. The findings and conclusions of this work are of great interest to scholars of Dante, as well as those studying medieval poetry and Italian literature.
Author: Lorenzo Mainini
Publisher: Taylor & Francis
ISBN: 1000985814
Category : Literary Criticism
Languages : en
Pages : 91
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Book Description
This book investigates certain recurrent structures in the history of the novel as a textual genre and as a narrative form typical of Western literature. From its origins, in the vernacular cultures of the twelfth and thirteenth centuries, the novel text seems to be characterised by certain stylistic procedures adopted to represent a new narrative framework, which has no direct terms of comparison in the previous literary tradition. Indeed, the novel, as a ‘textual machine’, often produces a ‘narrative manipulation’ of time and duration, to the point of establishing, along its development, a very close link between History, individual memory and a prospective narrative future. This book explores some structural and formal paths of the ‘novelistic machine’, through three exemplary cases: (1) the ‘name of the novel’ at the origins of the literary genre, with the invention of a new ‘novelistic technique’ (i.e. the conjointure) by Chrétien de Troyes (twelfth century); (2) the bookform, namely, ‘the book of novels’ as a concrete and material object that transmits the narrative text and involves itself within the fictional universe; (3) the literary topos of the ‘dreaming incipit’ and its long history from the Roman de la rose to Proust. This book will be of significant interest to students and scholars of medieval literature, the history of the novel and philology.
Author: Martin Eisner
Publisher: Cambridge University Press
ISBN: 1107513081
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.
Author: Manuele Gragnolati
Publisher: Oxford University Press
ISBN: 0198820747
Category : Literary Criticism
Languages : en
Pages : 778
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Book Description
Offers an original and innovative assessment of Dante's oeuvre and the medical context, Provides critical tools for approaching Dante and medieval culture, Engages with the multifaceted character of Dante and his works, Brings together a plurality of voices from different countries, disciplines, and traditions Book jacket.
Author: Victoria Kirkham,
Publisher: University of Chicago Press
ISBN: 022607921X
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
Long celebrated as one of “the Three Crowns” of Florence, Giovanni Boccaccio (1313–75) experimented widely with the forms of literature. His prolific and innovative writings—which range beyond the novella, from lyric to epic, from biography to mythography and geography, from pastoral and romance to invective—became powerful models for authors in Italy and across the Continent. This collection of essays presents Boccaccio’s life and creative output in its encyclopedic diversity. Exploring a variety of genres, Latin as well as Italian, it provides short descriptions of all his works, situates them in his oeuvre, and features critical expositions of their most salient features and innovations. Designed for readers at all levels, it will appeal to scholars of literature, medieval and Renaissance studies, humanism and the classical tradition; as well as European historians, art historians, and students of material culture and the history of the book. Anchored by an introduction and chronology, this volume contains contributions by prominent Boccaccio scholars in the United States, as well as essays by contributors from France, Italy, and the United Kingdom. The year 2013, Boccaccio’s seven-hundredth birthday, will be an important one for the study of his work and will see an increase in academic interest in reassessing his legacy.
Author: Ambra Moroncini
Publisher: Quod Manet
ISBN:
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
The “intangible power” of literature, which, in Umberto Eco’s words, “allows us to travel through a textual labyrinth (be it an entire encyclopaedia or the complete works of William Shakespeare) without necessarily ‘unravelling’ all the information it contains”, may be clearly identifiable in our contemporary age of intertextuality and, most importantly, of interdisciplinarity. It suffices to think of the countless film adaptations of Shakespeare’s works, or of the popular appeal of Dan Brown’s global bestsellers, the so-called Robert Langdon book series, which has made original (and contentious) use of literary and artistic masterpieces such as Dante’s Divine Comedy and Leonardo da Vinci’s The Last Supper. What is more, the investigation of literature’s verbality through the lenses of cinematic and media perspectives has greatly benefitted from scholarly insights into dialogism, heteroglossia, polyphony, and historiophoty, opening new aural and visual windows of interpretation and knowledge. With these considerations in mind, this book explores the enduring presence of some of the most revolutionary early modern voices and works in our contemporary time. It embraces a rich diversity of literary genres (from poetry to storytelling, novels, fairy tales, and historical colonial chronicles, while also considering musical theatre compositions), and broadens the scope of research to the world of media, with cutting edge insights into contemporary films, TV series, and videogames. It presents innovative scholarly perspectives on how early modern works and themes are explored, remediated and refashioned today to address cultural, political, and social issues germane to our global moment.
Author: Joseph Luzzi
Publisher: Princeton University Press
ISBN: 0691156778
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
"A new volume in the Lives of Great Religious Books series, this book explores the creation and cultural afterlives of Dante Alighieri's Divine Comedy"--
Author: Elisa Brilli
Publisher: Reaktion Books
ISBN: 1789148030
Category : Biography & Autobiography
Languages : en
Pages : 515
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Book Description
From two leading scholars, a thrilling and rich investigation of the life and work of Dante Alighieri. Numerous books have attempted to chronicle the life of Dante Alighieri, yet essential questions remain unanswered. How did a self-taught Florentine become the celebrated author of the Divine Comedy? Was his exile from Florence so extraordinary? How did Dante make himself the main protagonist in his works, in a literary context that advised against it? And why has his life interested so many readers? In Dante’s New Lives, eminent scholars Elisa Brilli and Giuliano Milani answer these questions and many more. Their account reappraises Dante’s life and work by assessing archival and literary evidence and examining the most recent scholarship. The book is a model of interdisciplinary biography, as fascinating as it is rigorous.
Author: Alison Baird Lovell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513591
Category : History
Languages : en
Pages : 288
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Book Description
This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.
Author: Zygmunt G. Baranski
Publisher:
ISBN: 9780268048778
Category :
Languages : en
Pages : 426
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Book Description
Since the beginnings of Italian vernacular literature, the nature of the relationship between Francesco Petrarch (1304-1374) and his predecessor Dante Alighieri (1265-1321) has remained an open and endlessly fascinating question of both literary and cultural history. In this volume nine leading scholars of Italian medieval literature and culture address this question involving the two foundational figures of Italian literature. Through their collective reexamination of the question of who and what came between Petrarch and Dante in ideological, historiographical, and rhetorical terms, the authors explore the emergence of an anti-Dantean polemic in Petrarch's work. That stance has largely escaped scrutiny, thanks to a critical tradition that tends to minimize any suggestion of rivalry or incompatibility between them. The authors examine Petrarch's contentious and dismissive attitude toward the literary authority of his illustrious predecessor; the dramatic shift in theological and philosophical context that occurs from Dante to Petrarch; and their respective contributions as initiators of modern literary traditions in the vernacular. Petrarch's substantive ideological dissent from Dante clearly emerges, a dissent that casts in high relief the poets' radically divergent views of the relation between the human and the divine and of humans' capacity to bridge that gap.
