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Author: Alistair Fair
Publisher: Liverpool University Press
ISBN: 1800855591
Category : Architecture
Languages : en
Pages : 192
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Book Description
Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day. Based on detailed archival research and with stunning new photography, this is the first book devoted to the work of Peter Moro and his colleagues in architectural practice. Ranging from the 1930s to the 1980s, it explores Moro’s belief in a rigorous modern architecture which was both functionally sound and aesthetically rich. It sheds new light on this important body of work, and enriches our understanding of the experience and diversity of modernism in Britain.
Author: Alistair Fair
Publisher: Liverpool University Press
ISBN: 1800855591
Category : Architecture
Languages : en
Pages : 192
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Book Description
Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day. Based on detailed archival research and with stunning new photography, this is the first book devoted to the work of Peter Moro and his colleagues in architectural practice. Ranging from the 1930s to the 1980s, it explores Moro’s belief in a rigorous modern architecture which was both functionally sound and aesthetically rich. It sheds new light on this important body of work, and enriches our understanding of the experience and diversity of modernism in Britain.
Author: Alistair Fair
Publisher: Oxford University Press
ISBN: 0192534432
Category : History
Languages : en
Pages : 337
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Book Description
Modern Playhouses is the first detailed study of the major programme of theatre-building which took place in Britain between the 1950s and the 1980s. Drawing on a vast range of archival material - much of which had never previously been studied by historians - it sets architecture in a wide social and cultural context, presenting the history of post-war theatre buildings as a history of ideas relating not only to performance but also to culture, citizenship, and the modern city. During this period, more than sixty major new theatres were constructed in locations from Plymouth to Inverness, Aberystwyth to Ipswich. The most prominent example was the National Theatre in London, but the National was only the tip of the iceberg. Supported in many cases by public subsidies, these buildings represented a new kind of theatre, conceived as a public service. Theatre was ascribed a transformative role, serving as a form of 'productive' recreation at a time of increasing affluence and leisure. New theatres also contributed to debates about civic pride, urbanity, and community. Ultimately, theatre could be understood as a vehicle for the creation of modern citizens in a consciously modernizing Britain. Yet while recognizing, as contemporaries did, that the new theatres of the post war decades represented change, Modern Playhouses also asks how radically different these buildings really were, and what their 'mainstream' architecture reveals of the history of modern British architecture, and of post-war Britain.
Author: Bridget Cherry
Publisher: Yale University Press
ISBN: 9780300096514
Category : Architecture
Languages : en
Pages : 886
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Book Description
London 2: South is a uniquely comprehensive guide to the twelve southern boroughs. Its riverside buildings range from the royal splendours of Hampton Court and Greenwich and the Georgian delights of Richmond, to the monuments of Victorian commerce in Lambeth and Southwark. But the book also charts lesser known suburbs, from former villages such as Clapham to still rural, Edwardian Chislehurst, as well as the results of twentieth-century planners' dreams from Roehampton to Thamesmead. Full accounts are given of London landmarks as diverse as Southwark Cathedral, Soane's Dulwich Picture Gallery and the arts complex of the South Bank. The outer boroughs include diverse former country houses - Edward IV's Eltham Palace, the Jacobean Charlton House, and the Palladian Marble Hill. The rich Victorian churches and school buildings are covered in detail, as are the exceptional structures of Kew Gardens.
Author: Harriet Atkinson
Publisher: Manchester University Press
ISBN: 1526157403
Category : Art
Languages : en
Pages : 386
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Book Description
How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing resistance is the first study of exhibitions as communications in mid-twentieth century Britain.
Author: R. Baden Hellard
Publisher: Thomas Telford
ISBN: 9780727720436
Category : Business & Economics
Languages : en
Pages : 226
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Book Description
"Partnering" is a construction procurement method which aims to eliminate adversarial relations by removing the traditional barriers between client and contractor. This book is suitable for all involved in the commissioning of construction projects.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 582
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Book Description
Author: Muriel Emanuel
Publisher: Springer
ISBN: 134904184X
Category : Architecture
Languages : en
Pages : 935
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Book Description
Author: George Rowell
Publisher: Cambridge University Press
ISBN: 9780521319195
Category : Drama
Languages : en
Pages : 246
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Book Description
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
Author: Alistair Fair
Publisher:
ISBN: 9781800856516
Category :
Languages : en
Pages : 184
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Book Description
Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German �migr� who had worked with Berthold Lubetkin's famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain's finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day. Based on detailed archival research and with stunning new photography, this is the first book devoted to the work of Peter Moro and his colleagues in architectural practice. Ranging from the 1930s to the 1980s, it explores Moro's belief in a rigorous modern architecture which was both functionally sound and aesthetically rich. It sheds new light on this important body of work, and enriches our understanding of the experience and diversity of modernism in Britain.
Author: Royal Institute of British Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 634
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Book Description
