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Author: Martin Brady
Publisher: Rodopi
ISBN: 9042032480
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Preliminary Material -- Acknowledgements -- Authors' Note -- Introduction -- Politics, Poetics, Film: The Beginnings of a Collaboration -- Parallel Texts: Language into Image in The Goalkeeper's Fear of the Penalty -- Accompanied by Text: From Short Letter, Long Farewell to Alice in the Cities -- Mute Stories and Blind Alleys: Text, Image and Allusion in Wrong Move -- Leafing through Wings of Desire -- Conclusion -- Filmographies -- Bibliography -- Index.
Author: Martin Brady
Publisher: Rodopi
ISBN: 9042032480
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Preliminary Material -- Acknowledgements -- Authors' Note -- Introduction -- Politics, Poetics, Film: The Beginnings of a Collaboration -- Parallel Texts: Language into Image in The Goalkeeper's Fear of the Penalty -- Accompanied by Text: From Short Letter, Long Farewell to Alice in the Cities -- Mute Stories and Blind Alleys: Text, Image and Allusion in Wrong Move -- Leafing through Wings of Desire -- Conclusion -- Filmographies -- Bibliography -- Index.
Author: Matei Calinescu
Publisher: John Benjamins Publishing
ISBN: 902727858X
Category : Philosophy
Languages : en
Pages : 277
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Book Description
The great diversity of contexts in which the term Postmodernism is currently encountered reflects the remarkable success of a coinage that has been in circulation for only about forty years. It has been used by philosophers, sociologists, art critics and literary historians to become, finally, a household word in the language of advertising and politics. Before letting it fade to a derelict cliché, an attempt is made in this volume of essays to use its potential as a cultural concept for the analysis and understanding of contemporary literature and thought.
Author: Deborah L. Madsen
Publisher: BRILL
ISBN: 9004647287
Category : Art
Languages : en
Pages : 626
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Book Description
This is the first bibliography of Postmodernism to take account of work published in all subject areas and in all languages. Deborah Madsen has identified a new first occurrence of the term in 1926, preceding by more than twenty years the first occurence documented by the Oxford English Dictionary. In a chronological listing, books, articles, notes, letters and working papers on Postmodernism are described with full bibliographical details. Reviews of major books are documented and full contents listings are given for special issues of journals devoted to Postmodernism. An appendix includes books on Postmodernism announced for publication in 1995. This bibliography brings together in one place all secondary material published on Postmodernism. All disciplines are included, from anthropology to zoology: architecture, cultural studies, dance, drama, feminism, fiction, geography, history, legal studies, literary theory, mathematics, medicine, music, pedagogical theory, philosophy, photography and film, poetry, politics, religion, sociology, the visual and plastic arts, and others. The bibliography also documents items in a range of languages other than English: Chinese, French, German, Italian, Japanese, Russian, Slovanian, Spanish, and the Scandinavian languages. Access to the information contained in the bibliography is made easy with a comprehensive index providing guidance according to author, subject, language, and key words. Postmodernism: A Bibliography, 1926-1994 is an essential reference text for anyone working in the area of contemporary culture studies.
Author: Johannes Willem Bertens
Publisher: John Benjamins Publishing
ISBN: 9789027234452
Category : Art
Languages : en
Pages : 622
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Book Description
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism.
Author: David N. Coury
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Since his now famous appearance on the literary stage in 1968 novelist, playwright and poet, Peter Handke has remained on the forefront of the literary vanguard, having earned the praise and recognition of critics in Europe and North America alike. In fact, in a review essay of September 2000, The New York Review of Books called him the premier prose stylist in the German language, and one of post-war Europe's most recognisable literary figures. Since the publication of his early theatrical works, Handke has gone on to publish over twenty-five prose novels, as well as additional works for the theatre, collections of poetry, diaries and essays. His works have ranged in style from the French influenced nouveau roman of the late 1960s to works characteristic of the New Subjectivity movement in West Germany in the 1970s, while his novels and stories of the 1980s and 1990s exhibited a new-found appreciation for narrative and issues of storytelling. He has also published a series of polemical essays on the war in Yugoslavia which have been criticised severely by scholars and intellectuals. has written, as well as on the thematic aspects of his work.
Author: Douwe Wessel Fokkema
Publisher: John Benjamins Publishing
ISBN: 9027222061
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
Author: Garvin H. C. Perram
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Aesthetics
Languages : en
Pages : 356
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Book Description
The genesis of Peter Handke's controversial -poetics- is investigated through an examination of key "Elfenbeinturm" essays and ORF -Bucherecke- manuscripts in which Handke's early literary preoccupations were most evident. From this a coherent and comprehensive view of the theoretical foundations of his literary concerns and practice emerges. This is followed by a detailed analysis of characteristic elements present in Handke's early narrative prose texts: "Die Hornissen, Der Hausierer, Die Angst des Tormanns beim Elfmeter, Wunschloses Ungluck" and the collection of short stories "Begrussung des Aufsichtsrats." This investigation of the early texts reveals a common triadic relationship between the highly intrusive foregrounding of the narrative constituent of these texts, the manner in which the literary reality is realized, and their central thematic concern. Handke's rather enigmatic and somewhat neglected early prose works are made very much more accessible through the insights afforded by this book."
Author: Nathaniel Lewis
Publisher: U of Nebraska Press
ISBN: 9780803229389
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts?and thus of the very nature?of western writing. ø Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region?s writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures?but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. ø With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.
Author: Wintle Justin
Publisher: Routledge
ISBN: 1134094531
Category : History
Languages : en
Pages : 906
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Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salmon Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida, Julia Kristeva with Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Richard Arthur Firda
Publisher: New York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Peter Handke is probably the most versatile and controversial of the postwar generation of German-speaking writers. His status as Austria's most renowned living author - a dubious honor, in his opinion - owes as much to his artistic range (plays, novels, a memoir, film scripts, radio plays, poems, and essays) as it does to his reputation for flouting literary and theatrical convention. Handke was only 24 when, in 1966, he challenged the strategic direction of the Gruppe 47 - by then an "establishment" coalition, of German-speaking writers and artists - and later that year assaulted what he considered the "lies" of the theater in Publikumsbeschimpfung (Offending the Audience), rejecting the 1960s' theatrical norms of illusion, subjectivity, and political indoctrination. In his works of the intervening 27 years Handke has sought to show how visual perception, verbal expression, and memory can distort reality. In this comprehensive assessment of Handke's writing, Richard Arthur Firda attributes the author's international readership (many of Handke's books were translated into English before he turned 40) to his career-long flair for publicity, a talent for sensing the future direction of not only the marketplace but also the avant-garde. Firda maintains that such works as Handke's phenomenally successful Die Angst des Tormanns beim Elfmeter (1972; The Goalie's Anxiety at the Penalty Kick) have linked him intimately with the European postmodern aesthetic, with the cutting edge of literary experimentation. Although the failure of language as valid communication is a theme common to all Handke's work, Firda argues that Handke in fact uses language as a precision tool - so much so thatlanguage would seem the only discernible "hero" of his explorations. In Kaspar (1968), for instance - perhaps Handke's best-known play - a mute is successfully subjected to "speech torture", but his mastery of words does not guarantee lasting control over the objects words signify, and in the end the conventions of language succumb to chaos. Firda sees Handke's 1966 refutation of the Gruppe 47 as a watershed event in the shaping of postwar European literature. Whereas the Gruppe 47 sought to renew German language and literature on moral and ethical issues and staunchly defended German literature as a means for social regeneration, Handke found inspiration in the likes of French prose theoretician Alain Robbe-Grillet and theater of the absurd dramatists Eugene Ionesco and Samuel Beckett. According to Firda, Handke admits feeling the need to find "another country", another Austria, and he expects to find this country in "language", as revealed in the process of writing. Having lived abroad in Frankfurt, Dusseldorf, Berlin, and Paris for many years, Handke seems more a writer of modern Europe than of his native Austria. This introduction to the writings of such a complex writer should prove essential reading to students interested in the literature of the new Europe.
