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Author: Stephen K. Scher
Publisher: Taylor & Francis
ISBN: 9780815320746
Category : Antiques & Collectibles
Languages : en
Pages : 268
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Book Description
The papers published in this book were delivered at two conferences held in conjunction with the exhibition, " The Currency of Fame: Portrait Medals of the Renaissance"
Author: Stephen K. Scher
Publisher: Taylor & Francis
ISBN: 9780815320746
Category : Antiques & Collectibles
Languages : en
Pages : 268
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Book Description
The papers published in this book were delivered at two conferences held in conjunction with the exhibition, " The Currency of Fame: Portrait Medals of the Renaissance"
Author: Stephen K. Scher
Publisher: Routledge
ISBN: 1134821948
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The papers published in this book were delivered at two conferences held in conjunction with the exhibition, " The Currency of Fame: Portrait Medals of the Renaissance"
Author: Stephen K. Scher
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Stephen K. Scher
Publisher: Routledge
ISBN: 9780203775172
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The papers published in this book were delivered at two conferences held in conjunction with the exhibition, " The Currency of Fame: Portrait Medals of the Renaissance"
Author: Victor David Brenner
Publisher:
ISBN:
Category : Medals
Languages : en
Pages : 56
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Book Description
Author: Gareth D. Williams
Publisher: Oxford University Press
ISBN: 0190272309
Category : Literary Collections
Languages : en
Pages : 457
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Book Description
This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.
Author: Raymond B. Waddington
Publisher: University of Toronto Press
ISBN: 9780802088147
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Author: Brian Madigan
Publisher: BRILL
ISBN: 9004293493
Category : History
Languages : en
Pages : 235
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Book Description
An examination of the methodology of the first book that attempted to use coins as historical documents, in the contexts of contemporary humanist and artistic responses to Classical Antiquity.
Author: Samuel Clark
Publisher: McGill-Queen's Press - MQUP
ISBN: 077359857X
Category : History
Languages : en
Pages : 537
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Book Description
Honorific rewards are all about status and illustrate status processes in a way that few other social phenomena do. Why do we have so many honorific awards and prizes? Although they are a major feature of modern societies, they have received little scholarly attention. Samuel Clark argues that answering this question requires a separate historical analysis of different awards and prizes. He presents a comprehensive explanation of the origins and evolution of state honours in the British Isles, France, and the Low Countries. Examining cultural, social, and political changes that led to the massive growth in state honours and shaped their characteristics, Distributing Status also demonstrates their functions as instruments of cultural power, collective power, disciplinary power, and status power. Clark supports his conclusions with a cross-cultural statistical analysis of twenty societies. Lucid and logical, Distributing Status explicates an important historical change in Western Europe while at the same time contributing to several bodies of sociological literature, including evolutionary theory, theories of collective action, writings on discipline in modern societies, and studies of status processes.
Author: Harry Newman
Publisher: Routledge
ISBN: 1317118324
Category : Literary Collections
Languages : en
Pages : 326
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Book Description
Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
