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Author: Georgina Paul
Publisher: Camden House
ISBN: 1571134239
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency, rational control and self-containment, the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and "phallocentric," in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel Malina (1971) and Max Frisch's Mein Name sei Gantenbein (1964); Frisch's Homo Faber (1957) and Christa Wolf's St rfall (1987); Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre (both 1983); and Heiner M ller's Die Hamletmaschine (1977) and Christa Wolf's Kassandra (1983). Finally, Barbara K hler's eight-poem cycle "Elektra. Spiegelungen" (written 1984-85; published 1991) is considered as offering a way past the "impasse" of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.
Author: Georgina Paul
Publisher: Camden House
ISBN: 1571134239
Category : Biography & Autobiography
Languages : en
Pages : 270
Get Book Here
Book Description
Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency, rational control and self-containment, the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and "phallocentric," in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel Malina (1971) and Max Frisch's Mein Name sei Gantenbein (1964); Frisch's Homo Faber (1957) and Christa Wolf's St rfall (1987); Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre (both 1983); and Heiner M ller's Die Hamletmaschine (1977) and Christa Wolf's Kassandra (1983). Finally, Barbara K hler's eight-poem cycle "Elektra. Spiegelungen" (written 1984-85; published 1991) is considered as offering a way past the "impasse" of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.
Author: Clare Bielby
Publisher: Camden House
ISBN: 1571134395
Category : History
Languages : en
Pages : 236
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Book Description
Studies representations of women and death by women to see whether and how they differ from patriarchal versions.
Author: Carola Daffner
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110378280
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
In the last few decades, the phrase “spatial turn” has received increased attention in German Studies, inspired by developments within the discipline of geography. The volume German Women Writers and the Spatial Turn: New Perspectives engages the analytical category of space and the spatial turn in the context of German women’s writing. The collection of essays divides its discussion of spatiality in German literature into sections that reflect privileged sites within the current scholarly debates around space. Essays look to such issues as environmentalism, globalization, migration and immigration, concerns of belonging, points of encounter, spaces and places of (im-)mobility, topographies of departure and arrival, movement, motion, or shifting identities. German Women Writers and the Spatial Turn: New Perspectives continues the challenge to understand the representation of space and place in German language texts by focusing on how spatial theory figures into the realm of feminist thinking and writing.
Author: Wendell G. Johnson
Publisher: Bloomsbury Publishing USA
ISBN: 1440864543
Category : History
Languages : en
Pages : 463
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Book Description
Modern Germany explores life, society, and history in this comprehensive thematic encyclopedia, spanning such topics as geography, pop culture, the media, and gender. Germany and its capital, Berlin, were the fulcrum of geopolitics in the twentieth century. After the Second World War, Germany was a divided nation. Many German citizens were born and educated and continued to work in eastern Germany (the former German Democratic Republic). This title in the Understanding Modern Nations series seeks to explain contemporary life and traditional culture through thematic encyclopedic entries. Themes in the book cover geography; history; politics and government; economy; religion and thought; social classes and ethnicity; gender, marriage, and sexuality; education; language; etiquette; literature and drama; art and architecture; music and dance; food; leisure and sports; and media and pop culture. Within each theme, short topical entries cover a wide array of key concepts and ideas, from LGBTQ issues in Germany to linguistic dialects to the ever-famous Oktoberfest. Geared specifically toward high school and undergraduate German students, readers interested in history and travel will find this book accessible and engaging.
Author: Emily Jeremiah
Publisher: Camden House
ISBN: 1571135367
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Explores nationality, gender, and postmodern subjectivity in the work of five German-speaking women writers who embody a "nomadic ethics." How can postmodern subjectivity be ethically conceived? What can literature contribute to this project? What role do "gender" and "nation" play in the construction of contemporary identities? Nomadic Ethics broaches these questions, exploring the work of five women writers who live outside of the German-speaking countries or thematize a move away from them: Birgit Vanderbeke, Dorothea Grünzweig, Antje Rávic Strubel, Anna Mitgutsch, and Barbara Honigmann. It draws on work by Rosi Braidotti, Sara Ahmed, and Judith Butler to develop a nomadic ethics, and examines how the writers under discussion conceptualize contemporary German and Austrian identities -- especially but not only gender identities -- in instructive ways. The book engages with a number of critical issues in contemporary German studies: globalization; green thought; questions of gender and sexuality; East (and West) German identities; Austrianness; the postmemory of the Holocaust; and Jewishness. In this way, Nomadic Ethics offers a valuable contribution to debates about the nature of German studies itself, as well as insightful readings of the individual authors and texts concerned. Emily Jeremiah is Lecturer in German, Royal Holloway, University of London.
Author: Katherine Stone
Publisher: Boydell & Brewer
ISBN: 157113994X
Category : History
Languages : en
Pages : 244
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Book Description
In recent years, historians have revealed the many ways in which German women supported National Socialism-as teachers, frontline auxiliaries, and nurses, as well as in political organizations. In mainstream culture, however, the women of the period are still predominantly depicted as the victims of a violent twentieth century whose atrocities were committed by men. They are frequently imagined as post hoc redeemers of the nation, as the "rubble women" who spiritually and literally rebuilt Germany. This book investigates why the question of women's complicity in the Third Reich has struggled to capture the historical imagination in the same way. It explores how female authors from across the political and generational spectrum (Ingeborg Bachmann, Christa Wolf, Elisabeth Plessen, Gisela Elsner, Tanja D ckers, Jenny Erpenbeck) conceptualize the role of women in the Third Reich. As well as offering innovative re-readings of celebrated works, this book provides instructive interpretations of lesser-known texts that nonetheless enrich our understanding of German memory culture. Katherine Stone is Assistant Professor in German Studies at the University of Warwick.
Author: Frauke Matthes
Publisher: Springer Nature
ISBN: 3031103181
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
The complex nexus between masculinity and national identity has long troubled, but also fascinated the German cultural imagination. This has become apparent again since the fall of the Iron Curtain and the turn of the millennium when transnational developments have noticeably shaped Germany’s self-perception as a nation. This book examines the social and political impact of transnationalism with reference to current discourses of masculinity in novels by five contemporary male German-language authors. Specifically, it analyses how conceptions of the masculine interact with those of nationality, ethnicity, and otherness in the selected texts and assesses the new masculinities that result from those interactions. Exploring how local discourses of masculinity become part of transnational contexts in contemporary writing, the book moves a consideration of masculinities from a "native" into a transnational sphere.
Author: Karen Leeder
Publisher: Cambridge University Press
ISBN: 1316462390
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
This volume is the first to address the culture of the German Democratic Republic (GDR) as a historical entity, but also to trace the afterlife of East Germany in the decades since the fall of the Berlin Wall. An international team of outstanding scholars offers essential and thought-provoking essays, combining a chronological and genre-based overview from the beginning of the GDR in 1949 to the unification in 1990 and beyond, with in-depth analysis of individual works. A final chapter traces the resonance of the GDR in the years since its demise and analyses the fascination it engenders. The volume provides a 'rereading' of East Germany and its legacy as a cultural phenomenon free from the prejudices that prevailed while it existed, offering English translations throughout, a guide to further reading and a chronology.
Author: Robert Blankenship
Publisher: Boydell & Brewer
ISBN: 157113574X
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
The many fictional suicides in the literature of the German Democratic Republic have been greatly misunderstood. The common assumption is that authoritarian oppression in East Germany led to an anomalous abundance of real suicides, so that fictional suicides in GDR literature constitute a simple, realistic reflection of East German society. Robert Blankenship challenges this assumption by providing both a history of suicide in GDR literature and close readings of individual texts, revealing that suicides in GDR literature, rather than simply reflecting historical suicides, contain rich literary attributes such as intertextuality, haunting, epistolarity, and unorthodox narrative strategies. Such literariness offered subversive potential beyond suggesting that real people killed themselves in a communist country. This first book-length study of fictional suicides in East German literature provides insight into the complex and dynamic rhetoric of the GDR. Blankenship's underlying claim is that GDR literature ought to be read as literature, with literary methodology, not despite the country's politically and rhetorically charged nature, but precisely because of it. Suicide in East German Literature will be of interest to scholars of GDR literature, humanities-oriented scholars of suicide, and those who are interested in the complex relationship between literature and history. ROBERT BLANKENSHIP is Assistant Professor of German at California State University, Long Beach.
Author: Georgina Paul
Publisher: Rodopi
ISBN: 9401210152
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
In her 2007 poem cycle Niemands Frau, Barbara Köhler returns to Homer’s Odyssey, not to retell it, but to take up some of the threads it has woven into the cultural tradition of the West – and to unravel them, just as Penelope, the wife of the hero who called himself Nobody, unravelled each night the web she re-wove by day. Köhler’s return to the Odyssey takes place under the sign of a grammatical shift, from ‘er’ to ‘sie’, from the singular hero to a plurality of female voices – Nausicaa, Circe, Calypso, Ino Leucothea, Helen and Penelope herself – with implications for thinking about identity, power and knowledge, about gender and relationality, but also about the corporeality and multivocality which underlies the ‘virtual reality’ of the printed text. The eight essays in this volume explore Köhler’s iridescent poem cycle from a variety of different angles: its context in contemporary German refigurations of the classical; its engagement with Homer and the classical tradition; its contribution to feminist philosophy of the subject and a female ‘dialectic of enlightenment’; its incorporation of the voices of poetic predecessors; and the surprising alliance it uncovers between poetry and quantum theory.
