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Author: Judith Fletcher
Publisher: Cambridge University Press
ISBN: 113950035X
Category : History
Languages : en
Pages : 291
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Book Description
Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of speech act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority.
Author: Judith Fletcher
Publisher: Cambridge University Press
ISBN: 113950035X
Category : History
Languages : en
Pages : 291
Get Book Here
Book Description
Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of speech act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority.
Author: Alan H. Sommerstein
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110384876
Category : History
Languages : en
Pages : 461
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Book Description
The oath was an institution of fundamental importance across a wide range of social interactions throughout the ancient Greek world, making a crucial contribution to social stability and harmony; yet there has been no comprehensive, dedicated scholarly study of the subject for over a century. This volume of a two-volume study explores the nature of oaths as Greeks perceived it, the ways in which they were used (and sometimes abused) in Greek life and literature, and their inherent binding power.
Author: Judith Fletcher
Publisher: Bloomsbury Publishing
ISBN: 1350144584
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Classical Greek Tragedy offers a comprehensive survey of the development of classical Greek tragedy combined with close readings of exemplary texts. Reconstructing how audiences in fifth-century BCE Athens created meaning from the performance of tragedy at the dramatic festivals sponsored by the city-state and its wealthiest citizens, it considers the context of Athenian political and legal structures, gender ideology, religious beliefs, and other social forces that contributed to spectators' reception of the drama. In doing so it focuses on the relationship between performers and watchers, not only Athenian male citizens, but also women and audiences throughout the ancient Mediterranean world. This book traces the historical development of these dynamics through three representative tragedies that span a 50 year period: Aeschylus' Seven Against Thebes, Sophocles' Oedipus Tyrannus, and Euripides' Helen. Topics include the role of the chorus; the tragic hero; recurring mythical characters and subject matter; Aristotelian assessments of the components of tragedy; developments in the architecture of the theater and their impact on the interactions of characters, and the spaces they occupy. Unifying these discussions is the observation that the genre articulates a reality beyond the visible stage action that intersects with the characters' existence in the present moment and resonates with the audience's religious beliefs and collective psychology. Human voices within the performance space articulate powerful forces from an invisible dimension that are activated by oaths, hymns, curses and prayers, and respond in the form of oracles and prophecies, forms of discourse which were profoundly meaningful to those who watched the original productions of tragedy.
Author: Alan H. Sommerstein
Publisher: Walter de Gruyter
ISBN: 311028538X
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
The oath was an institution of fundamental importance across a wide range of social interactions throughout the ancient Greek world, making a crucial contribution to social stability and harmony; yet there has been no comprehensive, dedicated scholarly study of the subject for over a century. This volume of a two-volume study explores how oaths functioned in the working of the Greek city-state (polis) and in relations between different states as well as between Greeks and non-Greeks.
Author: Matthew Dillon
Publisher: Pen and Sword Military
ISBN: 1473889510
Category : History
Languages : en
Pages : 294
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Book Description
Essays examining the influence of gods, oracles, and omens in the wars of the Archaic and Classical Greek world. Religion was integral to the conduct of war in the ancient world and the Greeks were certainly no exception. No campaign was undertaken, no battle risked, without first making sacrifice to propitiate the appropriate gods (such as Ares, god of War) or consulting oracles and omens to divine their plans. Yet the link between war and religion is an area that has been regularly overlooked by modern scholars examining the conflicts of these times. This volume addresses that omission by drawing together the work of experts from across the globe. The chapters have been carefully structured by the editors so that this wide array of scholarship combines to give a coherent, comprehensive study of the role of religion in the wars of the Archaic and Classical Greek world. Aspects considered in depth will include: Greek writers on religion and war; declarations of war; fate and predestination, the sphagia and pre-battle sacrifices; omens, oracles and portents, trophies and dedications to cult centers; militarized deities; sacred truces and festivals; oaths and vows; religion & Greek military medicine. Praise for Religion & Classical Warfare: Archaic and Classical Greece “Comprised of ten erudite and impressively informative articles by experts in the field of Greek antiquity. . . . A work of meticulous and detailed scholarship, Religion & Classical Warfare: Archaic and Classical Greece must be considered as a core addition to community, college, and university library Antiquarian Greek History collections and supplemental curriculum studies lists.” —Midwest Book Review
Author: Emma M. Griffiths
Publisher: Oxford University Press
ISBN: 0192560573
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, children exert a dramatic force that transcends their limited physical presence, and are in fact theatrically complex creations who pose a danger to the major characters. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than their immediate emotional effects: children are never killed because of their immediate weakness, but because of their potential strength. This re-evaluation of the significance of child characters in Greek tragedy draws on a fresh examination of the evidence for child actors in fifth-century Athens, which concludes that the physical presence of children was a significant factor in their presentation. However, child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama: as such, case studies of particular plays and playwrights are underpinned by detailed analysis of staging considerations, opening up new avenues for interpretation and challenging traditional models of children in tragedy.
Author: Graley Herren
Publisher: McFarland
ISBN: 1476663343
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and formats, including two transcripts, 10 research papers and six book reviews. This year's highlight is the keynote conversation featuring Pulitzer Prize-winning playwright David Lindsay-Abaire. This volume is the twelfth in a series dedicated to presenting the latest research in the fields of comparative drama, performance and dramatic textual analysis.
Author: Laura K. McClure
Publisher: John Wiley & Sons
ISBN: 1119257506
Category : Literary Criticism
Languages : en
Pages : 642
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Book Description
A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.
Author: Adam B. Seligman, Maria Schnitter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111324680
Category :
Languages : en
Pages : 264
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Book Description
Author: Susan Ashbrook Harvey
Publisher: SBL Press
ISBN: 1930675968
Category : Religion
Languages : en
Pages : 325
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Book Description
Celebrate a trailblazer in the areas of women and re Celebrate a trailblazer in the areas of women and religion, Jews and Judaism, and earliest Christianity in the ancient Mediterranean Ross Kraemer is Professor Emerita in the Department of Religious Studies at Brown University. This volume of essays, conceived and produced by students, colleagues, and friends bears witness to the breadth of her own scholarly interests. Contributors include Theodore A. Bergren, Debra Bucher, Lynn Cohick, Mary Rose D’Angelo, Nathaniel P. DesRosiers, Robert Doran, Jennifer Eyl, Paula Fredriksen, John G. Gager, Maxine Grossman, Kim Haines-Eitzen, Susan Ashbrook Harvey, Jordan Kraemer, Robert A. Kraft, Shira L. Lander, Amy-Jill Levine, Susan Marks, E. Ann Matter, Renee Levine Melammed, Susan Niditch, Elaine Pagels, Adele Reinhartz, Jordan Rosenblum, Sarah Schwarz, Karen B. Stern, Stanley K. Stowers, Daniel Ullucci, Arthur Urbano, Heidi Wendt, and Benjamin G. Wright. Features: Articles that examine both ancient and modern texts in cross-cultural and trans-historical perspective Twenty-eight original essays on ancient Judaism, Christianity, and women in the Greco-Roman world
