Author: Silvija Jestrovic
Publisher: Springer Nature
ISBN: 3030432904
Category : Performing Arts
Languages : en
Pages : 212
Book Description
This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
Performances of Authorial Presence and Absence
Author: Silvija Jestrovic
Publisher: Springer Nature
ISBN: 3030432904
Category : Performing Arts
Languages : en
Pages : 212
Book Description
This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
Publisher: Springer Nature
ISBN: 3030432904
Category : Performing Arts
Languages : en
Pages : 212
Book Description
This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
Aural/Oral Dramaturgies
Author: Duška Radosavljević
Publisher: Taylor & Francis
ISBN: 1000755940
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Publisher: Taylor & Francis
ISBN: 1000755940
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
The Performance of Celebrity: Creating, Maintaining and Controlling Fame
Author: Amber Anna Colvin
Publisher: BRILL
ISBN: 1848882548
Category : Social Science
Languages : en
Pages : 92
Book Description
This volume was first published by Inter-Disciplinary Press in 2013. In recent years the study of celebrity, of what constitutes fame, and how that fame is controlled and performed, has become an area of intense scholarly interest. This is due in part to the increased emphasis on social and cultural history and the presence of new and innovative sources, both of which have created new and exciting areas of study. The growing importance and recognition of the celebrity phenomenon has created a field that is both currently rich in literature and has the room for continued scholarship. The works in this volume address debates on the concept of celebrity, including the modernity of celebrity, the importance of the celebrity-audience relationship and the question of who controls celebrity personas. How, in essence, do celebrities “do fame?” This question is at the centre of this book, with the pieces included addressing this idea across a variety of academic disciplines, time periods, and methodological approaches.
Publisher: BRILL
ISBN: 1848882548
Category : Social Science
Languages : en
Pages : 92
Book Description
This volume was first published by Inter-Disciplinary Press in 2013. In recent years the study of celebrity, of what constitutes fame, and how that fame is controlled and performed, has become an area of intense scholarly interest. This is due in part to the increased emphasis on social and cultural history and the presence of new and innovative sources, both of which have created new and exciting areas of study. The growing importance and recognition of the celebrity phenomenon has created a field that is both currently rich in literature and has the room for continued scholarship. The works in this volume address debates on the concept of celebrity, including the modernity of celebrity, the importance of the celebrity-audience relationship and the question of who controls celebrity personas. How, in essence, do celebrities “do fame?” This question is at the centre of this book, with the pieces included addressing this idea across a variety of academic disciplines, time periods, and methodological approaches.
Music and Sound in European Theatre
Author: David Roesner
Publisher: Taylor & Francis
ISBN: 1040225373
Category : Performing Arts
Languages : en
Pages : 365
Book Description
The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
Publisher: Taylor & Francis
ISBN: 1040225373
Category : Performing Arts
Languages : en
Pages : 365
Book Description
The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
Theatre, activism, subjectivity
Author: Bishnupriya Dutt
Publisher: Manchester University Press
ISBN: 1526178540
Category : Performing Arts
Languages : en
Pages : 452
Book Description
Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture. It proposes a search for the Left not from totalising Leftist ideological positions and partisan politics but from ethical dimensions through smaller-scale Left-leaning struggles; not from the political to the aesthetic, but from the potentiality of art to offer new political imagination and critique; not from the individual subordinated to the collective, but from the dialectics of subjectivity and collectivity. This is not an attempt at a sweeping global overview of Leftist cultures either, but a collection that brings together culture-specific and comparative perspectives. This book searches for fragments of and on the Left, past and present, through which to rethink and patch a fragmented world.
Publisher: Manchester University Press
ISBN: 1526178540
Category : Performing Arts
Languages : en
Pages : 452
Book Description
Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture. It proposes a search for the Left not from totalising Leftist ideological positions and partisan politics but from ethical dimensions through smaller-scale Left-leaning struggles; not from the political to the aesthetic, but from the potentiality of art to offer new political imagination and critique; not from the individual subordinated to the collective, but from the dialectics of subjectivity and collectivity. This is not an attempt at a sweeping global overview of Leftist cultures either, but a collection that brings together culture-specific and comparative perspectives. This book searches for fragments of and on the Left, past and present, through which to rethink and patch a fragmented world.
Maya Rao and Indian Feminist Theatre
Author: Bishnupriya Dutt
Publisher: Cambridge University Press
ISBN: 1009081454
Category : Drama
Languages : en
Pages : 117
Book Description
Maya Rao, performer, performance maker and feminist, has not only contributed to Indian feminist theatre, but is a trailblazer, who set new standards in solo performances, mapped an alternate career trajectory for women in theatre and, in the face of right-wing state repression in India, has engaged significantly in performance activism. This Element looks back at her early career in the 1980s when she was creating agit prop theatre for the feminist movement and forward to her performance activism in the twenty-first century, with detailed attention to Rao's acclaimed protest Walk, and her participation in the protests against the Citizenship Amendment Act. The study also encompasses her parallel work in the theatre, from early collaborations with feminist directors to her solo projects. The author traces her creative-political journey towards an egalitarian feminist future.
Publisher: Cambridge University Press
ISBN: 1009081454
Category : Drama
Languages : en
Pages : 117
Book Description
Maya Rao, performer, performance maker and feminist, has not only contributed to Indian feminist theatre, but is a trailblazer, who set new standards in solo performances, mapped an alternate career trajectory for women in theatre and, in the face of right-wing state repression in India, has engaged significantly in performance activism. This Element looks back at her early career in the 1980s when she was creating agit prop theatre for the feminist movement and forward to her performance activism in the twenty-first century, with detailed attention to Rao's acclaimed protest Walk, and her participation in the protests against the Citizenship Amendment Act. The study also encompasses her parallel work in the theatre, from early collaborations with feminist directors to her solo projects. The author traces her creative-political journey towards an egalitarian feminist future.
The Palgrave Handbook of Theatre and Migration
Author: Yana Meerzon
Publisher: Springer Nature
ISBN: 3031201965
Category : Performing Arts
Languages : en
Pages : 768
Book Description
The Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, and educators navigate the complex field of theatre and migration.
Publisher: Springer Nature
ISBN: 3031201965
Category : Performing Arts
Languages : en
Pages : 768
Book Description
The Palgrave Handbook of Theatre and Migration provides a wide survey of theatre and performance practices related to the experience of global movements, both in historical and contemporary contexts. Given the largest number of people ever (over one hundred million) suffering from forced displacement today, much of the book centres around the topic of refuge and exile and the role of theatre in addressing these issues. The book is structured in six sections, the first of which is dedicated to the major theoretical concepts related to the field of theatre and migration including exile, refuge, displacement, asylum seeking, colonialism, human rights, globalization, and nomadism. The subsequent sections are devoted to several dozen case studies across various geographies and time periods that highlight, describe and analyse different theatre practices related to migration. The volume serves as a prestigious reference work to help theatre practitioners, students, scholars, and educators navigate the complex field of theatre and migration.
Performing Drama/dramatizing Performance
Author: Michael Vanden Heuvel
Publisher: University of Michigan Press
ISBN: 9780472082483
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Examines how the intertwining paths of avant-garde theater and mainstream drama work to produce provocative new forms
Publisher: University of Michigan Press
ISBN: 9780472082483
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Examines how the intertwining paths of avant-garde theater and mainstream drama work to produce provocative new forms
The Varieties of Authorial Intention
Author: John Farrell
Publisher: Springer
ISBN: 3319489771
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
This book explores the logic and historical origins of a strange taboo that has haunted literary critics since the 1940s, keeping them from referring to the intentions of authors without apology. The taboo was enforced by a seminal article, “The Intentional Fallacy,” and it deepened during the era of poststructuralist theory. Even now, when the vocabulary of “critique” that has dominated the literary field is under sweeping revision, the matter of authorial intention has yet to be reconsidered. This work explains how “The Intentional Fallacy” confused different kinds of authorial intentions and how literary critics can benefit from a more up-to-date understanding of intentionality in language. The result is a challenging inventory of the resources of literary theory, including implied readers, poetic speakers, omniscient narrators, interpretive communities, linguistic indeterminacy, unconscious meaning, literary value, and the nature of literature itself.
Publisher: Springer
ISBN: 3319489771
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
This book explores the logic and historical origins of a strange taboo that has haunted literary critics since the 1940s, keeping them from referring to the intentions of authors without apology. The taboo was enforced by a seminal article, “The Intentional Fallacy,” and it deepened during the era of poststructuralist theory. Even now, when the vocabulary of “critique” that has dominated the literary field is under sweeping revision, the matter of authorial intention has yet to be reconsidered. This work explains how “The Intentional Fallacy” confused different kinds of authorial intentions and how literary critics can benefit from a more up-to-date understanding of intentionality in language. The result is a challenging inventory of the resources of literary theory, including implied readers, poetic speakers, omniscient narrators, interpretive communities, linguistic indeterminacy, unconscious meaning, literary value, and the nature of literature itself.
Performances of Ancient Jewish Letters
Author: Marvin Lloyd Miller
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647550930
Category : Religion
Languages : en
Pages : 318
Book Description
This ambitious and engaging book sets itself the task of combining a wide range of approaches to cast new light on the form and function of several ancient Jewish letters in a variety of languages. The focus of The Performance of Ancient Jewish Lettersis on applying a new emerging field of performance theory to texts and arguing that letters and other documents were not just read in silence, as is normal today, but were "performed," especially when they were addressed to a community. A distinctive feature of this book consists of being one of the first to apply the approach of performance criticism to ancient Jewish letters. Previous treatments of ancient letters have not given enough consideration to their oral context; however, this book prompts the reader to "listen" sympathetically with the audience. The Performance focuses close attention on the ways in which the engagement of the audience during the performance of a text might be read from traces present in the text itself. This book invites the audience to hear a fresh reading of a family letter from Hermopolis, concerning ugly tunics and castor oil; festal letters, about issues surrounding the celebration of Passover, Purim and Hanukkah; a diaspora letter on how to live in a foreign land; and also an official letter concerning the building of the Jerusalem temple. These letters will help us understand a text from the Dead Sea Scrolls, namely, MMT. Marvin L. Miller argues for the centrality of performance in the life of Jews of the Second Temple period, an area of study that has been traditionally neglected. The Performanceadvances the fields of orality and epistolography and supplements other scholars' works in those fields.
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647550930
Category : Religion
Languages : en
Pages : 318
Book Description
This ambitious and engaging book sets itself the task of combining a wide range of approaches to cast new light on the form and function of several ancient Jewish letters in a variety of languages. The focus of The Performance of Ancient Jewish Lettersis on applying a new emerging field of performance theory to texts and arguing that letters and other documents were not just read in silence, as is normal today, but were "performed," especially when they were addressed to a community. A distinctive feature of this book consists of being one of the first to apply the approach of performance criticism to ancient Jewish letters. Previous treatments of ancient letters have not given enough consideration to their oral context; however, this book prompts the reader to "listen" sympathetically with the audience. The Performance focuses close attention on the ways in which the engagement of the audience during the performance of a text might be read from traces present in the text itself. This book invites the audience to hear a fresh reading of a family letter from Hermopolis, concerning ugly tunics and castor oil; festal letters, about issues surrounding the celebration of Passover, Purim and Hanukkah; a diaspora letter on how to live in a foreign land; and also an official letter concerning the building of the Jerusalem temple. These letters will help us understand a text from the Dead Sea Scrolls, namely, MMT. Marvin L. Miller argues for the centrality of performance in the life of Jews of the Second Temple period, an area of study that has been traditionally neglected. The Performanceadvances the fields of orality and epistolography and supplements other scholars' works in those fields.