Perceptions of Byzantium and Its Neighbors PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Perceptions of Byzantium and Its Neighbors PDF full book. Access full book title Perceptions of Byzantium and Its Neighbors by Olenka Z. Pevny. Download full books in PDF and EPUB format.
Author: Olenka Z. Pevny
Publisher: Metropolitan Museum of Art
ISBN: 0870999710
Category : Art, Byzantine
Languages : en
Pages : 211
Get Book Here
Book Description
The thirteen papers in this volume were delivered at the international symposium held at The Metropolitan Museum of Art May 23-25, 1997, in the context of "The Glory of Byzantium" exhibition, which was on view from March 11 through July 6, 1997. One of the main purposes of this exhibition was to explore the Byzantine Empire's complex and varied relationship with its neighbors, recognizing the multi-national, multi-ethnic, and multi-cultural character of its artistic traditions. Whereas the symposium was conceived in close conjunction with the exhibition, its intent was somewhat different. It strove to acknowledge the international character and diversity of current scholarship on Byzantine art, and to present not only new material but also the variety of objectives, approaches, and methodologies that shape modern perceptions of the subject. Thus, the symposium was not restricted to a specific theme; instead, the participants were asked to address a broad range of aspects of the "Glory of Byzantium" exhibition. The contributors to this volume, all of whom are scholars of Byzantine art and culture, hail from ten different countries, including Austria, Bulgaria, Georgia, Greece, Hungary, Italy, Poland, the Russian Federation, Ukraine, and the United States of America. They all hold prominent positions in the leading scholarly or cultural institutions of their respective countries, and are distinguished experts in their fields of specialization, with established international reputations. Immediately apparent is that many of the authors are from Eastern Europe, and reside in lands that once were under the ecclesiastical and cultural sway of Byzantium. Yet, their perceptions of the Byzantine artistic legacy, which contributed to the cultural identity of their homelands, rarely are included in such English-language symposia and publications.
Author: Olenka Z. Pevny
Publisher: Metropolitan Museum of Art
ISBN: 0870999710
Category : Art, Byzantine
Languages : en
Pages : 211
Get Book Here
Book Description
The thirteen papers in this volume were delivered at the international symposium held at The Metropolitan Museum of Art May 23-25, 1997, in the context of "The Glory of Byzantium" exhibition, which was on view from March 11 through July 6, 1997. One of the main purposes of this exhibition was to explore the Byzantine Empire's complex and varied relationship with its neighbors, recognizing the multi-national, multi-ethnic, and multi-cultural character of its artistic traditions. Whereas the symposium was conceived in close conjunction with the exhibition, its intent was somewhat different. It strove to acknowledge the international character and diversity of current scholarship on Byzantine art, and to present not only new material but also the variety of objectives, approaches, and methodologies that shape modern perceptions of the subject. Thus, the symposium was not restricted to a specific theme; instead, the participants were asked to address a broad range of aspects of the "Glory of Byzantium" exhibition. The contributors to this volume, all of whom are scholars of Byzantine art and culture, hail from ten different countries, including Austria, Bulgaria, Georgia, Greece, Hungary, Italy, Poland, the Russian Federation, Ukraine, and the United States of America. They all hold prominent positions in the leading scholarly or cultural institutions of their respective countries, and are distinguished experts in their fields of specialization, with established international reputations. Immediately apparent is that many of the authors are from Eastern Europe, and reside in lands that once were under the ecclesiastical and cultural sway of Byzantium. Yet, their perceptions of the Byzantine artistic legacy, which contributed to the cultural identity of their homelands, rarely are included in such English-language symposia and publications.
Author: Olenka Z. Pevny
Publisher:
ISBN: 9780870999710
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author:
Publisher: BRILL
ISBN: 9004258159
Category : History
Languages : en
Pages : 603
Get Book Here
Book Description
Publicly performed rituals and ceremonies form an essential part of medieval political practice and court culture. This applies not only to western feudal societies, but also to the linguistically and culturally highly diversified environment of Byzantium and the Mediterranean basin. The continuity of Roman traditions and cross-fertilization between various influences originating from Constantinople, Armenia, the Arab-Muslim World, and western kingdoms and naval powers provide the framework for a distinct sphere of ritual expression and ceremonial performance. This collective volume, placing Byzantium into a comparative perspective between East and West, examines transformative processes from Late Antiquity to the Middle Ages, succession procedures in different political contexts, phenomena of cross-cultural appropriation and exchange, and the representation of rituals in art and literature. Contributors are Maria Kantirea, Martin Hinterberger, Walter Pohl, Andrew Marsham, Björn Weiler, Eric J. Hanne, Antonia Giannouli, Jo Van Steenbergen, Stefan Burkhardt, Ioanna Rapti, Jonathan Shepard, Panagiotis Agapitos, Henry Maguire, Christine Angelidi and Margaret Mullett.
Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0197572200
Category : History
Languages : en
Pages : 665
Get Book Here
Book Description
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
Author: Lara Frentrop
Publisher: Taylor & Francis
ISBN: 1000997251
Category : History
Languages : en
Pages : 189
Get Book Here
Book Description
Thousands of intact ceramic bowls and plates as well as fragments made in the medieval Byzantine empire survive to this day. Decorated with figural and non-figural imagery applied in a variety of techniques and adorned with colourful paints and glazes, the vessels can tell us much about those who owned them and those who looked at them. In addition to innumerable ceramic vessels, a handful of precious metal bowls and plates survive from the period. Together, these objects make up the art of dining in medieval Byzantium. This art of dining was effervescent, at turns irreverent and deadly serious, visually stunning and fun. It is suggestive of ways in which those viewing the objects used a quotidian and biologically necessary (f)act – that of eating – to reflect on their lives and deaths, their aspirations and their realities. This book examines the ceramic and metal vessels in terms of the information offered on the foods eaten, the foods desired and their status; the spectacle of the banquet; the relationship between word and image in medieval Byzantium; the dangers of taste; the emergence of new moral and social ideals; and the use of dining as a tool in constructing and enforcing hierarchy. This book is of appeal to scholarly and non-scholarly audiences interested in the art and material culture of the medieval period and in the social history of food and eating.
Author: Robert G. Ousterhout
Publisher: Oxford University Press
ISBN: 0190272740
Category : Architecture
Languages : en
Pages : 810
Get Book Here
Book Description
Aside from Hagia Sophia, the monuments of the Byzantine East are poorly understood today. This is in sharp contrast to the well-known architectural marvels of Western Europeâs Middle Ages. In this landmark survey, distinguished art historian Robert Ousterhout introduces readers to the rich and diverse architectural traditions of the medieval Eastern Mediterranean. The focus of the book is the Byzantine (or East Roman) Empire (324-1453 CE), with its capital in Constantinople, although the framework expands chronologically to include the foundations of Christian architecture in Late Antiquity and the legacy of Byzantine culture after the fall of Constantinople in 1453. Geographically broad as well, this study includes architectural developments in areas of Italy, the Caucasus, the Near East, the Balkans, and Russia, as well as related developments in early Islamic architecture. Alternating chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, the book presents the architectural developments in a way that makes them accessible, interesting, and intellectually stimulating. In doing so, it also explains why medieval architecture in the East followed such a different trajectory from that of the West. Lavishly illustrated with hundreds of color photographs, maps, and line drawings, Eastern Medieval Architecture will establish Byzantine traditions to be as significant and admirable as those more familiar examples in Western Europe, and serve as an invaluable resource for anyone interested in architectural history, Byzantium, and the Middle Ages.
Author: John Burke
Publisher: BRILL
ISBN: 900434487X
Category : History
Languages : en
Pages : 650
Get Book Here
Book Description
"Byzantine Narrative: Papers in Honour of Roger Scott"--"Copyright"--"Dedication" -- "Contents" -- "Introduction" -- "Roger Scott" -- "List of Illustrations" -- "KEYNOTE PAPERS" -- "Novelisation in Byzantium: Narrative after the Revival of Fiction" -- "Narrating Justinian: From Malalas to Manasses" -- "NARRATIVE IN HISTORIANS, CHRONICLES & FICTION" -- "To Narrate the Events of the Past: On Byzantine Historians, and Historians on Byzantium" -- "Tradition and Originality in Photius' Historical Reading" -- "Narrating the Trials and Death in Exile of Pope Martin I and Maximus the Confessor" -- "The Use of Metaphor in Michael Psellos' Chronographia" -- "War and Peace in the Alexiad" -- "Moralising History: the Synopsis Historiarum of John Skylitzes" -- "The Representation of Augustae in John Skylitzes' Synopsis Historiarum" -- "The Madrid Skylitzes as an Audio-Visual Experiment" -- "The Goths and the Bees in Jordanes: A Narrative of No Return" -- "From 'Fallen Woman' to Theotokos: Music, Women's Voices and Byzantine Narratives of Gender Identity" -- "How the Entertaining Tale of Quadrupeds became a Tale: Grafting Narrative" -- "Lamenting the Fall or Disguising a Manifesto? The Poem Conquest of Constantinople" -- "A Probable Solution to the Problem of the Chronicle of the Turkish Sultans" -- "NARRATIVE IN BYZANTINE ART" -- "The Narration of Christ' s Passion in Early Christian Art" -- "Observations on the Paintings of the Exodus Chapel, Bagawat Necropolis, Kharga Oasis, Egypt" -- "The Column of Arcadius: Retlections of a Roman Narrative Tradition" -- "Biblical Narrative in the Mosaics of Bishop Theodore's Cathedral, Aquileia" -- "Plato, Plutarch and the Sibyl in the Fresco Decoration of the Episcopal Church of the Virgin Ljeviška in Prizren" -- "Narrativity in Armenian Manuscript Illustration
Author: John Haldon
Publisher: John Wiley & Sons
ISBN: 1119344603
Category : History
Languages : en
Pages : 576
Get Book Here
Book Description
With original essays by leading scholars, this book explores the social history of the medieval eastern Roman Empire and offers illuminating new insights into our knowledge of Byzantine society. Provides interconnected essays of original scholarship relating to the social history of the Byzantine empire Offers groundbreaking theoretical and empirical research in the study of Byzantine society Includes helpful glossaries of sociological/theoretical terms and Byzantine/medieval terms
Author: Maria Alessia Rossi
Publisher: Taylor & Francis
ISBN: 1003844898
Category : History
Languages : en
Pages : 428
Get Book Here
Book Description
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.
Author: Vlada Stankovic
Publisher: Lexington Books
ISBN: 1498513263
Category : History
Languages : en
Pages : 249
Get Book Here
Book Description
This book represents the first attempt to analyze historical and cultural developments in late medieval and early modern southeastern Europe as a set of mutually intertwined regional histories, burdened by the strong dichotomy between the almighty center—Constantinople—and the periphery that is rarely visible in both contemporary sources and modern scholarship. This mosaic of original studies is devoted to various regions of the Byzantine Balkans and their historical, artistic, and ideological idiosyncrasies, mirroring the complex character and composite and fragmented structure of this vast region. The focal points of the book are the two captures of Constantinople in 1204 and 1453, and the contributors analyze the significance of these catastrophic events on the political destiny of medieval Balkan societies, the mechanisms of adapting to the new political order, and the ever-present interconnectedness of a lower, regional elite across southeastern Europe that had remained strong even after the Ottoman conquest.
