Author: Barbara Allen
Publisher: Reaktion Books
ISBN: 1789141176
Category : Nature
Languages : en
Pages : 229
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With its distinctive, comical walk, large bill, and association with the conservation movement, the pelican has attained iconic status. But as Barbara Allen reveals, this graceful skimmer of ocean waves has a checkered history. Originally classed as “unclean” in the King James Bible, the legend of the compassionate pelican was later appropriated by Christianity to symbolize Christ’s sacrifice. This majestic bird, gifted to British royalty in 1664, has been celebrated in art and literature, from Shakespeare’s King Lear to the writing of Edward Lear, and is the holder of three Guinness World Records. The pelican’s anatomy has been copied for paper plane construction, aircraft design, and in 3D imaging, and its resilience is as remarkable as its make-up: the pelican has rallied against threats of extinction, habitat destruction, and environmental disasters such as the Deepwater Horizon oil spill. A must-read book for all bird enthusiasts, Barbara Allen’s Pelican weaves together wildlife trivia, historical tales, and the latest research to provide an engaging, many-feathered account of this emblematic bird.
Author: Lisa H. Cooper
Publisher: Routledge
ISBN: 1351894617
Category : History
Languages : en
Pages : 308
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Book Description
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.
Author:
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Languages : en
Pages : 1154
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Author: ALBERT G. MACKEY, M.D.
Publisher:
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Category :
Languages : en
Pages : 1092
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Author: Albert Gallatin Mackey
Publisher:
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Category : Freemasonry
Languages : en
Pages : 532
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Author: Albert Gallatin Mackey
Publisher:
ISBN:
Category :
Languages : en
Pages : 1074
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Author: Albert Gallatin Mackey
Publisher:
ISBN:
Category :
Languages : en
Pages : 1122
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Category : Agricultural experiment stations
Languages : en
Pages : 700
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Author: Roger Nicholson
Publisher: Cambridge Scholars Publishing
ISBN: 1443881236
Category : Literary Criticism
Languages : en
Pages : 310
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This volume brings together essays that, individually and collectively, address the force of the literary text with regard to problematic identities. They work out of shared concerns with literary representations of this issue in different regions, nations and communities that often prove divided; they pursue questions related to textual identity, where the literary text itself is contested internally, or in its generic and historical relations. In sum, these studies actively test identity, as social or literary concept, discovering in difference the very condition of a useful, if paradoxical, sense of personal or textual coherence. What happens to us when we move between different cultures or different societies, defined in geographical or historical terms? What happens to texts and textual practices in these same circumstances? What happens to us when we are obliged to adapt to a new social order? Homi Bhabha speaks of “cultural difference” as calling into play what he calls “cultural translation.” What happens to identity, the narrative that fashions a continued sense of self, in this case? Difference, raised to alterity, demands that we accord functional and philosophical value not just to other aspects, but also to the aspect of the other. At the level of personal or textual agency, however, difference contests and threatens to subvert stable selfhood, composing a scene of conflict. Even so, it often proves to be instrumental in re-charging a sense of the cultural valence of the literary text – not least by virtue of its political implications. In this regard, the border – where difference materialises – has considerable presence in contributions to this volume, prompting appreciation of texts that work on or travel across such borders, however haphazardly and dangerously, but also those that compose “border textualities.”
Author: Albert Gallatin Mackey
Publisher:
ISBN:
Category : Freemasonry
Languages : en
Pages : 976
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