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Author: Matthew David
Publisher: SAGE Publications
ISBN: 1847870058
Category : Social Science
Languages : en
Pages : 201
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Book Description
Have the music and movie industries lost the battle to criminalize downloading? This penetrating and informative book provides readers with the perfect systematic critical guide to the file-sharing phenomenon. Combining inter-disciplinary resources from sociology, history, media and communication studies and cultural studies, David unpacks the economics, psychology and philosophy of file-sharing. The book carefully situates the reader in a field of relevant approaches including Network Society Theory, Post-structuralism and ethnographic research. It uses this to launch into a fascinating enquiry into: * the rise of file-sharing, * the challenge to intellectual property law posed by new technologies of communication, * the social psychology of cyber crime * and the response of the mass media and multi-national corporations. The book concludes with a balanced, eye-opening assessment of alternative cultural modes of participation and their relationship to cultural capitalism. This is a landmark work in the sociology of popular culture and cultural criminology. It fuses a deep knowledge of the music industry and the new technologies of mass communication with a powerful perspective on how multinational corporations seek to monopolize markets, how international and state agencies defend property, while a global multitude undermine and/or reinvent both.
Author: Matthew David
Publisher: SAGE Publications
ISBN: 1847870058
Category : Social Science
Languages : en
Pages : 201
Get Book Here
Book Description
Have the music and movie industries lost the battle to criminalize downloading? This penetrating and informative book provides readers with the perfect systematic critical guide to the file-sharing phenomenon. Combining inter-disciplinary resources from sociology, history, media and communication studies and cultural studies, David unpacks the economics, psychology and philosophy of file-sharing. The book carefully situates the reader in a field of relevant approaches including Network Society Theory, Post-structuralism and ethnographic research. It uses this to launch into a fascinating enquiry into: * the rise of file-sharing, * the challenge to intellectual property law posed by new technologies of communication, * the social psychology of cyber crime * and the response of the mass media and multi-national corporations. The book concludes with a balanced, eye-opening assessment of alternative cultural modes of participation and their relationship to cultural capitalism. This is a landmark work in the sociology of popular culture and cultural criminology. It fuses a deep knowledge of the music industry and the new technologies of mass communication with a powerful perspective on how multinational corporations seek to monopolize markets, how international and state agencies defend property, while a global multitude undermine and/or reinvent both.
Author: Barry Mazor
Publisher: Chicago Review Press
ISBN: 1613733887
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
This is the first biography of Ralph Peer, the adventurous—even revolutionary—A&R man and music publisher who saw the universal power locked in regional roots music and tapped it, changing the breadth and flavor of popular music around the world. It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music. The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ‘n’ roll. But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be. This enhanced e-book includes 49 of the greatest songs Ralph Peer was involved with, from groundbreaking numbers that changed the history of recorded music to revelatory obscurities, all linked to the text so that the reader can hear the music while reading about it.
Author: Jim Rogers
Publisher: A&C Black
ISBN: 1623560012
Category : Social Science
Languages : en
Pages : 245
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Book Description
Challenges the conventional wisdom that the internet is 'killing' the music industry.
Author: Georgios Vazeos
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Steve Gordon
Publisher: backbeat books
ISBN: 9780879308445
Category : Business & Economics
Languages : en
Pages : 296
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Book Description
Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.
Author: Patrik Wikström
Publisher: John Wiley & Sons
ISBN: 074565522X
Category : Social Science
Languages : en
Pages : 273
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Book Description
The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the music industry in the new millennium. Wikström provides an international overview of the music industry and its future prospects in the world of global entertainment. They illuminate the workings of the music industry, and capture the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. The Music Industry will become a standard work on the music industry at the beginning of the 21st century. It will be of great interest to students and scholars of media and communication studies, cultural studies, popular music, sociology and economics. It will also be of great value to professionals in the music industry, policy makers, and to anyone interested in the future of music.
Author: Mark Mulligan
Publisher: MIDiA Research
ISBN:
Category : Music
Languages : en
Pages : 595
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Book Description
Awakening is the definitive account of the music industry in the digital era. It tells the inside story of how the music business grappled with the emergence of an entirely new digital economy with exclusive interviews with the people who shaped today’s industry. Mulligan’s gripping narrative switches between the seismic market trends to the highly personal accounts of artists and digital pioneers. It recounts the events that both spelt the end of the old industry and that are the foundation for the radical new successor that is about to emerge. Awakening is written by the leading music industry analyst Mark Mulligan and includes interviews with 60 of the music industry’s most important figures, including million selling artists and more than 20 CEOs. Alongside this unprecedented executive access, Awakening uses exclusive data presented across 60 charts and figures to chart the music industry’s digital journey and to lay out a vision of the future for the industry and artists alike. For anyone interested in the music industry and the lessons it provides for all businesses in the digital era, this is the only book you will ever need.
Author: Kris Halpern
Publisher:
ISBN:
Category : Music and the Internet
Languages : en
Pages : 86
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Book Description
Author: Martin Strang
Publisher: GRIN Verlag
ISBN: 3638890481
Category : Computers
Languages : en
Pages : 37
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Book Description
Essay from the year 2005 in the subject Communications - Multimedia, Internet, New Technologies, grade: High Distinction, Macquarie University (Centre for International Communication), course: New Media, 22 entries in the bibliography, language: English, abstract: This essay examines the usage of peer-to-peer (P2P) networks for music file-sharing and intends to analyse this usage in the context of current copyright policy. This will be achieved by addressing the following issues. Firstly, the history and principle of P2P networks will be outlined. Secondly, it will be analysed whether P2P file-sharing can be seen as an act of 'theft'. Thirdly, the paper will examine how P2P networks are used and what cultural significance they represent. Fourthly, the future of P2P networks will be debated and finally the results of this paper will be summarised and discussed.
Author: Sebastian Just
Publisher: GRIN Verlag
ISBN: 3346813789
Category : Computers
Languages : en
Pages : 32
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Book Description
Seminar paper from the year 2020 in the subject Communications - Multimedia, Internet, New Technologies, grade: 2,3, Humboldt-University of Berlin (Institut für Musikwissenschaft und Medienwissenschaft), language: English, abstract: The objective of this paper is to take a closer look at the development and behavior of Peer-to-Peer based file sharing networks while especially considering intellectual property law to assess the impact this disruptive technology had on the music industry. To do that this paper will first look at the shift from analogue to digital audio, which entailed significant changes for both the music industry and the consumer. Then it will focus on the first real Peer-to-Peer file sharing network "Napster", especially on why it came into being, how it worked and to what extend it interfered with copyright law. Afterwards it takes the period after "Napster's" shutdown in 2001 in consideration, in which various new Peer-to-Peer networks even more copyright-resistant emerged. It will be examined how these networks functioned compared to their predecessor, how the music industry and the state tried to take on these “digital enemies” and how Peer-to-Peer affected the music business. Eventually we will take a look at how the industry managed to adapt to the internet, treating it as a profitable platform rather than a dystopian technology. On the 3rd of April 1993, the World Wide Web was made available to the public. By connecting people all over the world, this technological milestone initiated drastic changes to how we are able to consume visual and acoustical entertainment. In 1999, the first ever file sharing network called "Napster" launched and illicitly enabled users to exchange copyrighted music for free. This was accomplished by using a peer-to-peer system, which takes advantage of the vast availability of the internet and the resultant high number of “peers”. Users register to the network and declare which files from their computer they are willing to share, enabling others to download the files directly from them rather than through a central sever. This sort of file transfer posed a challenge for the music industry, as their music was made publicly available with no one paying for it. In addition, Peer-to-Peer systems conflicted with the idea of intellectual property, which grants an author certain rights over his or her work in form of a copyright.
