Author: Jessica Findley
Publisher: Osmora Incorporated
ISBN: 2765906343
Category : Art
Languages : en
Pages : 116
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Book Description
Paul Signac was a neo-impressionist painter who, working with Georges Seurat, helped develop the pointillist style. Under Monet's influence Signac abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He loved to paint the water and experimented with various media. As well as oil paintings and watercolors he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and André Derain in particular, thus playing a decisive role in the evolution of Fauvism.
Author: Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 296
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Book Description
Author:
Publisher: Univ of California Press
ISBN:
Category : Expressionism (Art)
Languages : en
Pages : 584
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Book Description
Author: ?stein Sj?ad
Publisher: Routledge
ISBN: 135157793X
Category : Art
Languages : en
Pages : 190
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Book Description
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
Author: Abel G. Warshawsky
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Author: Jennifer Helvey
Publisher: Getty Publications
ISBN: 089236226X
Category : Art
Languages : en
Pages : 204
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Book Description
This lovely book tells the fascinating story of Vincent van Gogh's famous floral paintings.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 296
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
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Book Description
Author: Robert D. Denham
Publisher: McFarland
ISBN: 0786456582
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
