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Author: Alex Alonso
Publisher: Oxford University Press
ISBN: 0198859651
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
"Paul Muldoon was looking west long before he left Ireland for the United States in 1987, and his transatlantic departure would prove to be a turning point in his life and work. In America, where he now lives as a US citizen, Muldoon's creative repertoire has extended into song writing, libretti, and literary criticism, while his poetry collections have themselves extended to outlandish proportions, typified in recent years by a level of formal intensity that is unique in modern poetry. To leave Northern Ireland, though, is not necessarily to leave it behind. Muldoon has spoken of his 'sense of belonging to several places at once', and in the United States his work has found another creative gear, new modes of performance facilitated by his Irish émigré status. This book approaches the protean work of his American period, focusing on Muldoon's expansive structural imagination, his investment in Eros and errors, the nimbleness of his allusive practice as both a reader and writer, and the mobility of his transatlantic position. It draws on archival research to produce provocative new readings of Muldoon's later works. Exploring the poetic and literary-critical 'long forms' that are now his hallmark, this book places the most significant works of Muldoon's American period under the microscope, and opens up the intricate formal schemes of a poet Mick Imlah credits as having 'reinvented the possibilities of rhyme for our time'"--
Author: Alex Alonso
Publisher: Oxford University Press
ISBN: 0198859651
Category : Literary Criticism
Languages : en
Pages : 236
Get Book
Book Description
"Paul Muldoon was looking west long before he left Ireland for the United States in 1987, and his transatlantic departure would prove to be a turning point in his life and work. In America, where he now lives as a US citizen, Muldoon's creative repertoire has extended into song writing, libretti, and literary criticism, while his poetry collections have themselves extended to outlandish proportions, typified in recent years by a level of formal intensity that is unique in modern poetry. To leave Northern Ireland, though, is not necessarily to leave it behind. Muldoon has spoken of his 'sense of belonging to several places at once', and in the United States his work has found another creative gear, new modes of performance facilitated by his Irish émigré status. This book approaches the protean work of his American period, focusing on Muldoon's expansive structural imagination, his investment in Eros and errors, the nimbleness of his allusive practice as both a reader and writer, and the mobility of his transatlantic position. It draws on archival research to produce provocative new readings of Muldoon's later works. Exploring the poetic and literary-critical 'long forms' that are now his hallmark, this book places the most significant works of Muldoon's American period under the microscope, and opens up the intricate formal schemes of a poet Mick Imlah credits as having 'reinvented the possibilities of rhyme for our time'"--
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374602964
Category : Poetry
Languages : en
Pages : 192
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Book Description
The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection. A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374713642
Category : Poetry
Languages : en
Pages : 128
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Book Description
Another wild, expansive collection from the eternally surprising Pulitzer Prize–winning poet Smuggling diesel; Ben-Hur (the movie, yes, but also Lew Wallace's original book, and Seosamh Mac Grianna's Gaelic translation); a real trip to Havana; an imaginary trip to the Château d'If: Paul Muldoon's newest collection of poems, his twelfth, is exceptionally wide-ranging in its subject matter—as we've come to expect from this master of self-reinvention. He can be somber or quick-witted—often within the same poem: The mournful refrain of "Cuthbert and the Otters" is "I cannot thole the thought of Seamus Heaney dead," but that doesn't stop Muldoon from quipping that the ancient Danes "are already dyeing everything beige / In anticipation, perhaps, of the carpet and mustard factories." If this masterful, multifarious collection does have a theme, it is watchfulness. "War is to wealth as performance is to appraisal," he warns in "Recalculating." And "Source is to leak as Ireland is to debt." Heedful, hard-won, head-turning, heartfelt, these poems attempt to bring scrutiny to bear on everything, including scrutiny itself. One Thousand Things Worth Knowing confirms Nick Laird's assessment, in The New York Review of Books, that Muldoon is "the most formally ambitious and technically innovative of modern poets," an experimenter and craftsman who "writes poems like no one else."
Author: Nicholson Baker
Publisher: Simon and Schuster
ISBN: 1416572449
Category : Fiction
Languages : en
Pages : 258
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Book Description
"The Anthologist" captures all the warmth, wit, and extraordinary prose stylethat have made Baker--a National Book Critics Circle Award-winning author--anAmerican master.
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 1466879807
Category : Poetry
Languages : en
Pages : 124
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Book Description
Paul Muldoon's ninth collection of poems, his first since Hay (1998), finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, in which he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr. and Mrs. Stanley Joscelyne, un unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's "A Prayer for My Daughter" with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flimflammers, fixers, and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age. Moy Sand and Gravel is the winner of the 2003 Pulitzer Prize for Poetry.
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 0374721432
Category : Poetry
Languages : en
Pages : 144
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Book Description
A new collection from the Pulitzer Prize–winning poet Though Frolic and Detour is Paul Muldoon’s thirteenth collection, it shows all the energy and ambition we might generally associate with a first book. Here, the poet brings his characteristic humor and humanity to the chickadee, the house wren, the deaths of Leonard Cohen and C. K. Williams, the Irish Rising, the Great War, and how “a streak of ragwort / may yet shine / as an off-the-record / remark becomes the party line.” Frolic and Detour reminds us that the sidelong glance is the sweetest, the tangential approach the most telling, and shows us why Paul Muldoon was described by Nick Laird, writing in The New York Review of Books, as “the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.”
Author: Paul Muldoon
Publisher: Farrar, Straus and Giroux
ISBN: 1429923911
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
In The End of the Poem, Paul Muldoon, "the most significant English-language poet born since the Second World War" (The Times Literary Supplement), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography—and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other. At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, The End of the Poem is a vigorous and accessible approach to looking at poetry anew.
Author: Jefferson Holdridge
Publisher: The Liffey Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
"The Poetry of Paul Muldoon introduces the student and general reader to the critical discussion surrounding Muldoon's oeuvre, as well as to his major themes. It examines the poet's meditations on culture and nature, human and animal, speculations on the act of perception, figures fragmented by the Troubles, and philosophical considerations of colonisation. It then discusses what rank among the most beautiful and intricate elegies of our time. For Muldoon, art's complicity in suffering is a political, self-indicting question, which his best poems endeavour to answer. If sometimes this Pulitzer Prize winner insists that art has a positive role to play, at other times he fears that it merely feeds off the carnage. This critical book shows how, for Muldoon, art should not merely repeat the devastation of the world - although he is afraid that it does, and engages in bitter moral despair that places his work among the very best any contemporary poet has written. The Poetry of Paul Muldoon unearths difficult questions of form with a metaphysical significance that is suitable to our times."--BOOK JACKET.
Author: Paul Muldoon
Publisher: Faber & Faber
ISBN: 0571263860
Category : Poetry
Languages : en
Pages : 146
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Book Description
Paul Muldoon's collection Hay refines, and re-defines, a lyrical strain in which an ostensible lightness of touch still has the strength to bear the weightiest subject matter. At once conventional and cutting edge, beautiful and bleak, Hay is a book that demonstrates fully the range of Muldoon's poetic intelligence and imagination.
Author: Ruben Moi
Publisher: BRILL
ISBN: 9004355111
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.
