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Author: Paul Auster
Publisher: Sun and Moon Press
ISBN:
Category : Fiction
Languages : en
Pages : 112
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Book Description
The second book in the acclaimed New York Trilogy--a detective story that becomes a haunting and eerie exploration of identity and deception. It is a story of hidden violence that culminates in an inevitable but unexpectedly shattering climax.
Author: Paul Auster
Publisher: Sun and Moon Press
ISBN:
Category : Fiction
Languages : en
Pages : 112
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Book Description
The second book in the acclaimed New York Trilogy--a detective story that becomes a haunting and eerie exploration of identity and deception. It is a story of hidden violence that culminates in an inevitable but unexpectedly shattering climax.
Author: Ilana Shiloh
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Paul Auster published his first prose work, the autobiographical The Invention of Solitude, in 1982; since then his fiction has gained ever growing popular and critical acclaim. This book is a stimulating pioneering study of eight works that make up the Auster canon: The Invention of Solitude, the three novellas that comprise The New York Trilogy, and the novels In the Country of Last Things, Moon Palace, The Music of Chance, and Leviathan. Focusing on the quest - which she sees as the master narrative of all of Auster's novels - Shiloh examines Auster's writing in a multi-layered context of literary and philosophical paradigms relevant to his practice, such as the American tradition of the «open road, » the generic conventions of detective fiction, postmodernist concepts of the subject, Sartre's and Camus's existentialist theories, and Freud's and Lacan's psychoanalytic models, all of which offer enriching and insightful perspectives on Auster's poetics.
Author: Elspeth Barker
Publisher: Simon and Schuster
ISBN: 1668004615
Category : Fiction
Languages : en
Pages : 208
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Book Description
"Originally published in Great Britain in 1991 by Hamish Hamilton Ltd."--Title page verso.
Author: Paul Auster
Publisher: Penguin
ISBN: 0143039830
Category : Fiction
Languages : en
Pages : 322
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Book Description
The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster. This Penguin Classics Deluxe Edition includes an introduction from author and professor Lucy Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers. “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.” Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Paul Auster
Publisher: Seven Stories Press
ISBN: 1609807782
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.
Author: Matthias Kugler
Publisher: diplom.de
ISBN: 3832418520
Category : Literary Collections
Languages : en
Pages : 168
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Book Description
Inhaltsangabe:Abstract: Paul Auster's New York Trilogy, published in one volume for the first time in England in 1988 and in the U.S. in 1990 has been widely categorised as detective fiction among literary scholars and critics. There is, however, a striking diversity and lack of consensus regarding the classification of the trilogy within the existing genre forms of the detective novel. Among others, Auster's stories are described as: metaanti-detective-fiction; mysteries about mysteries; a strangely humorous working of the detective novel; very soft-boiled; a metamystery; glassy little jigsaws; a mixture between the detective story and the nouveau roman; a metaphysical detective story; a deconstruction of the detective novel; antidetective-fiction; a late example of the anti-detective genre; and being related to 'hard-boiled' novels by authors like Hammett and Chandler. Such a striking lack of agreement within the secondary literature has inspired me to write this paper. It does not, however, elaborate further an this diversity of viewpoints although they all seem to have a certain validity and underline the richness and diversity of Auster's detective trilogy; neither do I intend to coin a new term for Auster's detective fiction. I would rather place The New York Trilogy within a more general and open literary form, namely postmodern detective fiction. This classifies Paul Auster as an American writer who is part of the generation that immediately followed the 'classical literary movement' of American postmodernism' of the 60s and 70s. His writing demonstrates that he has been influenced by the revolutionary and innovative postmodern concepts, characterised by the notion of 'anything goes an a planet of multiplicity' as well as by French poststructuralism. He may, however, be distinguished from a 'traditional' postmodern writer through a certain coherence in the narrative discourse, a neo-realistic approach and by showing a certain responsibility for social and moral aspects going beyond mere metafictional and subversive elements. Many of the ideas of postmodernism were formulated in theoretical literary texts of the 60s and 70s and based an formal experiments include the attempt of subverting the ability of language to refer truthfully to the world, and a radical turning away from coherent narrative discourse and plot. These ideas seem to have been intemalized by the new generation of postmodern writers of the 80s to such [...]
Author: Paul Auster
Publisher: Macmillan
ISBN: 9780312428952
Category : Fiction
Languages : en
Pages : 260
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Book Description
Originally published: New York: Henry Holt, 2003.
Author: Patricia Merivale
Publisher: University of Pennsylvania Press
ISBN: 0812205456
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Although readers of detective fiction ordinarily expect to learn the mystery's solution at the end, there is another kind of detective story—the history of which encompasses writers as diverse as Poe, Borges, Robbe-Grillet, Auster, and Stephen King—that ends with a question rather than an answer. The detective not only fails to solve the crime, but also confronts insoluble mysteries of interpretation and identity. As the contributors to Detecting Texts contend, such stories belong to a distinct genre, the "metaphysical detective story," in which the detective hero's inability to interpret the mystery inevitably casts doubt on the reader's similar attempt to make sense of the text and the world. Detecting Texts includes an introduction by the editors that defines the metaphysical detective story and traces its history from Poe's classic tales to today's postmodernist experiments. In addition to the editors, contributors include Stephen Bernstein, Joel Black, John T. Irwin, Jeffrey T. Nealon, and others.
Author: Petra Eckhard
Publisher: transcript Verlag
ISBN: 3839418410
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences.
Author: Toni Rudat
Publisher: GRIN Verlag
ISBN: 3638766233
Category : Language Arts & Disciplines
Languages : en
Pages : 42
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, RWTH Aachen University, 13 entries in the bibliography, language: English, abstract: PAUL AUSTER s novel ′City of Glass′ published in 1985 appeared during the period of the postmodern era.1 Although it is considerably discussed at what time the beginnings of the postmodern era is to be set, it is irrefutable that City of Glass belongs to postmodern literature. To analyse in how far PAUL AUSTER s City of Glass serves as a representative of the postmodern era and to show the reader in what way postmodern qualities are converted into the writings of that time, the main part of this paper will be divided up into two sections. The first section serves to define the coming up of this movement and the qualities it possesses within the genre of detective fiction. Furthermore some important idealistic features like the idea of reality and identity have to be taken into consideration. The short introduction of the two identity-constituting models by ERIKSON and MEAD will provide a better overview of the idea of identity formation. Within the second section the novel itself will be taken into consideration. Therefore it is necessary to take a close look at the main character Daniel Quinn and his character development the crisis of his identity in the course of the novel respectively. Besides another striking factor, namely the appearance of doublings and triplings of characters, has to be clarified as well as the role of the narrator. The conclusion at the end of the paper is supposed then to show to what extent City of Glass belongs to postmodern literature and which peculiarities of postmodern writings have been included in this novel. Since there are just a few recent publications on Paul Auster and his novels three of them namely, An Art of Desire: Reading Paul Auster by BERND HERZOGENRATH, Crisis: The Works of Paul Auster by CARSTEN SPRINGER and the pu
