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Author: William L. Godshalk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110889854
Category : Literary Criticism
Languages : de
Pages : 200
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Book Description
Keine ausführliche Beschreibung für "Patterning in Shakespearean Drama" verfügbar.
Author: William L. Godshalk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110889854
Category : Literary Criticism
Languages : de
Pages : 200
Get Book Here
Book Description
Keine ausführliche Beschreibung für "Patterning in Shakespearean Drama" verfügbar.
Author: William Leigh Godshalk
Publisher:
ISBN: 9783111797434
Category :
Languages : de
Pages : 200
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Book Description
Author: Irving Ribner
Publisher: Routledge
ISBN: 1136568883
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama
Author: William Leigh Godshalk
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 210
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Book Description
Author: Godshalk, William Leigh
Publisher: Hague : Mouton
ISBN:
Category :
Languages : en
Pages : 197
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Book Description
Author: Robert Lanier Reid
Publisher: University of Delaware Press
ISBN: 9780874137255
Category : Drama
Languages : en
Pages : 208
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Book Description
Since about 1960, when five-act division in Shakespeare's plays was strongly disputed, most critics have focused on individual scenes rather than holistic form. This book argues for Shakespeare's use of five acts, arranged in three cycles to form a 2-1-2 pattern. It also examines the role of multiple plots and centers of consciousness, especially in the festive comedies and romances. Additionally, it traces Shakespeare's gradual mastery of the art of epiphany, compares it to Spenser's complementary focus on transcendent reality, and traces in Macbeth the dark mode of Shakespeare's dramaturgical pattern.
Author: John William Draper
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Author: Rolf Soellner
Publisher: Ohio State University Press
ISBN: 0814201717
Category : Drama
Languages : en
Pages : 488
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Book Description
Author: BRADD. SHORE
Publisher: Routledge
ISBN: 9781032017174
Category :
Languages : en
Pages : 296
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Book Description
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author: David M. Bevington
Publisher: University of Delaware Press
ISBN: 9780874131291
Category : Drama
Languages : en
Pages : 316
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Book Description
This collection of essays represents, in the view of the editors, the best critical work represented at the World Shakespeare Congress in 1976. The work of leading Shakespeareans is represented, along with the work of several younger scholars and critics on a wide variety of subjects.
