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Author: Francis Haskell
Publisher: Yale University Press
ISBN: 9780300025408
Category : Art
Languages : en
Pages : 564
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Book Description
Fusing the social and economic history with the cultural and artistic achievements of seventeenth and eighteenth century Italy, this book presents a unique and invaluable perspective on the period.
Author: Francis Haskell
Publisher: Yale University Press
ISBN: 9780300025408
Category : Art
Languages : en
Pages : 564
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Book Description
Fusing the social and economic history with the cultural and artistic achievements of seventeenth and eighteenth century Italy, this book presents a unique and invaluable perspective on the period.
Author: David Chambers
Publisher: Springer
ISBN: 1349006238
Category : History
Languages : en
Pages : 252
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: Margaretta M. Lovell
Publisher: University of Pennsylvania Press
ISBN: 0812219910
Category : Art
Languages : en
Pages : 351
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Book Description
"Lovell delights, astonishes, and challenges us with her insightful new readings of early American paintings and material culture objects."--"Journal of the Early Republic"
Author: Francis Haskell
Publisher:
ISBN:
Category : Art and society
Languages : en
Pages :
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Book Description
Author: Julian Gardner
Publisher: Variorum Publishing
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
These papers investigate the revival of painting and mosaic in Rome in the second half of the 13th century and the contribution of Rome to the birth of modern painting. Their concern is with the interrelationships between pictures and their social, political and religious context. In this way, the early work of Giotto and the development of the Italian altarpiece are reconsidered, with particular attention being paid to questions of structure, setting and patronage. The work of Simone Martini for the Angevin Court at Naples and the promotion of the cult of new saints by visual means is examined within the context of the European politics of canonisation. Finally, Professor Gardner considers the artistic role of the Mendicant orders, in particular the Franciscans and the Dominicans, and their self-promotion by visual images.
Author: Dean A. Porter
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
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Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Author: Brigitte Corley
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 384
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Book Description
Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, the site of an important university and seat of a major archbishopric, it had a cosmopolitan population of painters, illuminators, sculptors and goldsmiths and a patrician class who were sophisticated collectors and knowledgeable patrons of art. This book - the first such study in English - traces the development of the Cologne school of painting over two centuries. It begins with the period before 1400, when the adaption of French ideas to the indige- nous tradition produced an elegant, genteel art, characterized by elongated figures and graceful gestures. A change was heralded by the Veronica Master's introduction of the International Courtly Style around 1400, with its sophisticated iconography, costly pigments, exquisite punchwork, gesso jewels and precious brocade fabrics, and by the Dombild Master's introduction around 1440 of Eyckian proportions and realism. In the final phase of this development, the Master of the St Bartholomew Altarpiece opened the door to the Renaissance with his highly distinctive style and innovative iconography. The book is fully illustrated and accompanied by a translation of the guild regulations; a biographical index of archbishops and lay patrons; and a hand- list of cited panels grouped according to location.
Author: Thierry Coudert
Publisher: Rizzoli Publications
ISBN: 2080204297
Category : Design
Languages : en
Pages : 0
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Book Description
Aristocrats, millionaires, painters, fashion designers, choreographers, and musicians of the café society fox-trot aboard cruise liners and mingle at dazzling parties in Paris. Exclusive, extravagant, and beautiful, these cosmopolitan socialites were the patrons who galvanized the phenomenal success of the greatest creators of the early twentieth century. It was a whirlwind of sumptuously decorated villas and yachts, up-and-coming haute couture and jewelry designers, and elite evening parties, immortalized by fashion photographers like Cecil Beaton. Combining elegance and fantasy, the members of the café society enjoyed a sophisticated, avant-garde lifestyle. Some of the century’s most original talents—from Cole Porter to Yves Saint Laurent—stepped into the limelight via the café society. Through archival photographs and period documents, this volume recounts in historical detail the intrigue and impact generated around the world by this stylish jet-set.
Author: Patrizia Cavazzini
Publisher: Penn State Press
ISBN: 0271032154
Category : Art
Languages : en
Pages : 258
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Book Description
Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini&’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists&’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.
