Pasticcio opera in Britain PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Pasticcio opera in Britain PDF full book. Access full book title Pasticcio opera in Britain by Peter Morgan Barnes. Download full books in PDF and EPUB format.
Author: Peter Morgan Barnes
Publisher: Manchester University Press
ISBN: 1526165171
Category : Music
Languages : en
Pages : 303
Get Book Here
Book Description
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
Author: Peter Morgan Barnes
Publisher: Manchester University Press
ISBN: 1526165171
Category : Music
Languages : en
Pages : 303
Get Book Here
Book Description
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
Author: Alison DeSimone
Publisher: Liverpool University Press
ISBN: 1942954786
Category : Music
Languages : en
Pages : 336
Get Book Here
Book Description
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.
Author: Berthold Over
Publisher: transcript Verlag
ISBN: 3839448859
Category : Art
Languages : en
Pages : 799
Get Book Here
Book Description
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Author: Paul Francis Rice
Publisher: Boydell & Brewer
ISBN: 1580465323
Category : Biography & Autobiography
Languages : en
Pages : 416
Get Book Here
Book Description
The remarkable career of Venanzio Rauzzini (1746-1810) sheds new light on changing musical tastes in late eighteenth-century Britain. Rauzzini was a leading soprano castrato who sang in the premiere of Mozart's Lucio Silla in 1772. Mozart was so pleased with the singer that he composed the famous motet Exsultate Jubilate for him. This book examines Rauzzini's career in Britain, starting with his three seasons as a principal singer at the King's Theatre in London (1774-77). Rauzzini was the first castrato to make Britain his home, and he enjoyed a multifaceted career there as a singer, concert director, composer (operas, chamber music, and songs), and voice teacher. Rauzzini's leadership of the Bath subscription concerts from 1780-1810 reveals the degree to which shifts in the social demographics of Bath over this period caused him to reevaluate his compositional choices, especially in light of the patriotic fervor that swept the nation during the protracted war with France. Furthermore, the recovery of much of the repertory performed during these concerts provides specific insights into issues of concert management at the time. Paul F. Rice, Professor of Musicology in the School of Music, Memorial University of Newfoundland, is the author of four previous books and has edited scores for CD recordings on the Naxos, Dorian, and Centaur labels.
Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351557408
Category : Music
Languages : en
Pages : 299
Get Book Here
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Author: Richard W. Bevis
Publisher: Routledge
ISBN: 1317870921
Category : Literary Criticism
Languages : en
Pages : 356
Get Book Here
Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Get Book Here
Book Description
Author: Patricia Fumerton
Publisher: Routledge
ISBN: 1317176375
Category : Literary Criticism
Languages : en
Pages : 332
Get Book Here
Book Description
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
Author: Shirley Strum Kenny
Publisher: Associated University Presses
ISBN: 9780918016652
Category : Performing Arts
Languages : en
Pages : 322
Get Book Here
Book Description
Fifteen outstanding scholars of theater, music, art, and literature explore the interrelations of eighteenth-century British theater and the various art forms that it incorporated into itself. The essays examine the theater's increasing reliance on set designers, costumers, musicians and composers, poets, dramatists, and librettists, focusing on the ways in which this dependence fundamentally changed the theater. Illustrated.
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1443861960
Category : Music
Languages : en
Pages : 195
Get Book Here
Book Description
Venanzio Rauzzini (1746–1810) enjoyed a multi-faceted career as a singer, composer and concert director. He began his career in Rome in 1765 as a soprano castrato, and quickly established his operatic credentials in various Italian centres before undertaking leading roles in Vienna and Munich. He returned to the Italian peninsula in 1772 and created the role of Cecilio in the premiere of W.A. Mozart’s opera, Lucio Silla on 26 December. Mozart was so pleased with Rauzzini’s singing that he composed the motet, Exultate jubilate, for the singer. Rauzzini accepted the invitation to become the primo uomo at the King’s Theatre in London for the 1774–75 season of Italian operas. Such was his success that the contract was extended for a further two seasons. Rauzzini remained in Britain rather than returning to the Continent. He continued to sing professionally, directed concerts in both London and Bath, and was a prolific composer. Rauzzini directed the subscriptions concerts in Bath from 1777–1810, raising their prestige to the equal of any in London. Furthermore, he was one of the most sought-after voice teachers in Britain. The cantata, Piramo e Tisbe, was drawn from his opera of the same name that was given its first London performance on 16 March 1775. Rauzzini’s opera proved to be a favourite with both audiences and other singers, and it was revived in London in 1776 and 1781. The composer never published the complete opera, but extended excerpts from it were published in 1775 that created a cantata for the title characters. Not only did the arrangement preserve the principal elements of the story, it likely had greater utility as a performance score than would the publication of the full opera. The overture of the opera has been appended to this edition of the cantata.
