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Author: Daiva Račiūnaitė-Vyčinienė
Publisher: Cambridge Scholars Publishing
ISBN: 1527559238
Category : Music
Languages : en
Pages : 644
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Book Description
Sutartinės, the especially ancient form of, often sacred, Lithuanian music, is enjoying a renaissance, mostly in Lithuania’s cities. Since UNESCO recognized these unique dissonant sounds originating from Lithuania’s Aukštaitija ‘Uplands’ ethnographic region as part of our Intangible Cultural Heritage in 2010, in-depth studies have flourished. This book presents the latest analogies discovered in distant examples of the genesis and ethnogenesis of foreign folk music examples, not only in neighboring lands but as far away as the Ainu subculture of Japan. It presents the latest findings and analyses of the hymns once said to be conveyed by laumės, mythical beings later demoted to witches during this music’s demise. This study supplements perceptions from Lithuanian and foreign ethno-musicologists with data from ethnology, archaeology, linguistics and other sciences and areas of scholarship, and thereby encourages even more studies in this field.
Author: Daiva Račiūnaitė-Vyčinienė
Publisher: Cambridge Scholars Publishing
ISBN: 1527559238
Category : Music
Languages : en
Pages : 644
Get Book Here
Book Description
Sutartinės, the especially ancient form of, often sacred, Lithuanian music, is enjoying a renaissance, mostly in Lithuania’s cities. Since UNESCO recognized these unique dissonant sounds originating from Lithuania’s Aukštaitija ‘Uplands’ ethnographic region as part of our Intangible Cultural Heritage in 2010, in-depth studies have flourished. This book presents the latest analogies discovered in distant examples of the genesis and ethnogenesis of foreign folk music examples, not only in neighboring lands but as far away as the Ainu subculture of Japan. It presents the latest findings and analyses of the hymns once said to be conveyed by laumės, mythical beings later demoted to witches during this music’s demise. This study supplements perceptions from Lithuanian and foreign ethno-musicologists with data from ethnology, archaeology, linguistics and other sciences and areas of scholarship, and thereby encourages even more studies in this field.
Author: Matthew Hoch
Publisher: Rowman & Littlefield
ISBN: 1538112280
Category : Music
Languages : en
Pages : 569
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Book Description
In recent decades, world music styles have been making increasing inroads into Western popular music, music theater, choral concerts, and even concert hall performances. So You Want to Sing World Music is an essential compendium of these genres and provides technical approaches to singing non-Western styles. Matthew Hoch gathers a cohort of expert performers and teachers to address singing styles from across the globe, including Tuvan throat singing, Celtic pop and traditional Irish singing, South African choral singing, Brazilian popular music genres, Hindustani classical singing, Native American vocal music, Mexican mariachi, Lithuanian sutartinės, Georgian polyphony, Egyptian vocal music, Persian āvāz, and Peking opera. Additional chapters offer resources for soloists and choral directors as well as primers on voice science, vocal health, and audio enhancement technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing World Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Author: Ardian Ahmedaja
Publisher: Cambridge Scholars Publishing
ISBN: 1443852155
Category : Music
Languages : en
Pages : 380
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Book Description
In music making “in company”, the protagonists have to follow the rules of interaction and create the cohesion of “being together”. At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the “individuals in company” leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and local discourse give shape to creative processes in multipart music making and to the definition of the individual, collective and collaborative dimensions in this context. Focusing on the “creators” rather than on the “produced object”, the studies included in this volume explore the diversity of the roles, powers, symbolism, meanings and values given to the “polyphony of voices” in secular and religious traditions based on extensive fieldwork experience. The contributors to this volume also consider the UNESCO’s Intangible Cultural Heritage List in this context, as well as the role of local, national and international awards. By understanding “culture as a drug”, whose absorption is realised within interacting cells, culture appears as a cellular network and music as quite an efficient device for its functioning.
Author:
Publisher:
ISBN:
Category : Propaganda, American
Languages : en
Pages : 832
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Book Description
Author: Blair A. Ruble
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 750
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Book Description
Author: Blair A. Ruble
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 760
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Book Description
Author: Daiva Račiūnaitė-Vyčinienė
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 360
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Book Description
Literaturverz. S. 333 - [349].
Author: Alex J. Novikoff
Publisher: University of Pennsylvania Press
ISBN: 0812208633
Category : History
Languages : en
Pages : 336
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Book Description
Scholastic disputation, the formalized procedure of debate in the medieval university, is one of the hallmarks of intellectual life in premodern Europe. Modeled on Socratic and Aristotelian methods of argumentation, this rhetorical style was refined in the monasteries of the early Middle Ages and rose to prominence during the twelfth-century Renaissance. Strict rules governed disputation, and it became the preferred method of teaching within the university curriculum and beyond. In The Medieval Culture of Disputation, Alex J. Novikoff has written the first sustained and comprehensive study of the practice of scholastic disputation and of its formative influence in multiple spheres of cultural life. Using hundreds of published and unpublished sources as his guide, Novikoff traces the evolution of disputation from its ancient origins to its broader impact on the scholastic culture and public sphere of the High Middle Ages. Many examples of medieval disputation are rooted in religious discourse and monastic pedagogy: Augustine's inner spiritual dialogues and Anselm of Bec's use of rational investigation in speculative theology laid the foundations for the medieval contemplative world. The polemical value of disputation was especially exploited in the context of competing Jewish and Christian interpretations of the Bible. Disputation became the hallmark of Christian intellectual attacks against Jews and Judaism, first as a literary genre and then in public debates such as the Talmud Trial of 1240 and the Barcelona Disputation of 1263. As disputation filtered into the public sphere, it also became a key element in iconography, liturgical drama, epistolary writing, debate poetry, musical counterpoint, and polemic. The Medieval Culture of Disputation places the practice and performance of disputation at the nexus of this broader literary and cultural context.
Author: Simon Broughton
Publisher: Rough Guides
ISBN: 9781858286358
Category : Fiction
Languages : en
Pages : 792
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Book Description
First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.
Author: Elfriede Reissig
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 399012997X
Category : Music
Languages : en
Pages : 346
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Book Description
This volume presents fifteen musicological perspectives on the creativity of women composers and the question of 'femininity' in Southeastern-European musical cultures from 1918 on. In the questions about and beyond a 'female aesthetics', socio-cultural approaches to the lives of creative women prove to be indispensable for contemporary musicological gender research, because highly complex facts of musical life and social realities in political systems cannot be separated from each other. By this means the exclusion and marginalization of women composers in the national and international music establishment, as well as strategies for overcoming these systems, are made visible and brought to consciousness. This volume therefore focusses on the social, cultural, and biological preconditions of cultural action, and intends to arouse curiosity for multi-layered realities; it aims to increase the reception of the compositional oeuvre of women composers from Southeastern Europe by the global music scene, the musicological discourse, and an engaged audience.
