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Author: Peter Wollen
Publisher: Verso Books
ISBN: 1789608155
Category : Performing Arts
Languages : en
Pages : 485
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Book Description
In this new collection of essays on film, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of 'Time in Film and Video Art' to a study of 'Riff-Raff Realism' in British films. There are provocative discussions of the works of established auteur directors such as Howard Hawks and Alfred Hitchcock and of the film-making careers of such experimental movie-makers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner. Other essays deal with the relationship of film to the other arts, such as dance and architecture, and explore the interaction between film and anthropology. This is not a theoretical book but it is one that suggests many new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, Stalinism, love of speed and digital technology. Full of fascinating new insights, Peter Wollen's new book is based on the premise that there are no fixed ways of writing about film but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the twentieth century's major art-form.
Author: Peter Wollen
Publisher: Verso Books
ISBN: 1789608155
Category : Performing Arts
Languages : en
Pages : 485
Get Book Here
Book Description
In this new collection of essays on film, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of 'Time in Film and Video Art' to a study of 'Riff-Raff Realism' in British films. There are provocative discussions of the works of established auteur directors such as Howard Hawks and Alfred Hitchcock and of the film-making careers of such experimental movie-makers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner. Other essays deal with the relationship of film to the other arts, such as dance and architecture, and explore the interaction between film and anthropology. This is not a theoretical book but it is one that suggests many new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, Stalinism, love of speed and digital technology. Full of fascinating new insights, Peter Wollen's new book is based on the premise that there are no fixed ways of writing about film but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the twentieth century's major art-form.
Author:
Publisher:
ISBN: 9781945483035
Category : Celebrities
Languages : en
Pages :
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Book Description
Author: Vanessa R. Schwartz
Publisher: University of Chicago Press
ISBN: 0226742431
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Looks at the influence of French culture on a variety of motion pictures in the 1950s and 1960s, including "Gigi" and "Funny Face."
Author: Jens Ulff-Møller
Publisher: University Rochester Press
ISBN: 9781580460866
Category : Art
Languages : en
Pages : 244
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Book Description
It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anthony Sadler
Publisher: PublicAffairs
ISBN: 1610397347
Category : Biography & Autobiography
Languages : en
Pages : 257
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Book Description
An ISIS terrorist planned to kill more than 500 people. He would have succeeded except for three American friends who refused to give in to fear. On August 21, 2015, Ayoub El-Khazzani boarded train #9364 in Brussels, bound for Paris. There could be no doubt about his mission: he had an AK-47, a pistol, a box cutter, and enough ammunition to obliterate every passenger on board. Slipping into the bathroom in secret, he armed his weapons. Another major ISIS attack was about to begin. Khazzani wasn't expecting Anthony Sadler, Alek Skarlatos, and Spencer Stone. Stone was a martial arts enthusiast and airman first class in the US Air Force, Skarlatos was a member of the Oregon National Guard, and all three were fearless. But their decision-to charge the gunman, then overpower him even as he turned first his gun, then his knife, on Stone-depended on a lifetime of loyalty, support, and faith. Their friendship was forged as they came of age together in California: going to church, playing paintball, teaching each other to swear, and sticking together when they got in trouble at school. Years later, that friendship would give all of them the courage to stand in the path of one of the world's deadliest terrorist organizations. The 15:17 to Paris is an amazing true story of friendship and bravery, of near tragedy averted by three young men who found the heroic unity and strength inside themselves at the moment when they, and 500 other innocent travelers, needed it most.
Author: Leah Lehmbeck
Publisher: Delmonico Books
ISBN: 9781636810218
Category : Art
Languages : en
Pages : 192
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Book Description
How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations--with works by the Lumiere brothers, Mélies, Chéret and more City of Cinematraces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world. Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome--all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé. At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.
Author: Jenna Conwisar
Publisher: New Year Publishing
ISBN: 1935547356
Category : Family & Relationships
Languages : en
Pages : 24
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Book Description
In her third travel related book; Paris and her sister explore Southern California while attending a family event with her cousins. Their adventures include visiting the Santa Monica Pier, San Diego, Hollywood and Hearst Castle.
Author: Tiane Doan Na Champassak
Publisher:
ISBN: 9782492175183
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Peter Wollen
Publisher: Indiana University Press
ISBN: 9780253181411
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
"Without doubt, it is the best study of cinema published in English for years." --Cinema "... a major achievement... drawing on the results of aesthetic inquiry--from Shaftesbury and Lessing to Jakobson and the formalists--in order to relate the cinema to wider areas of linguistic theory and theory of art." --Times Literary Supplement
