Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
The Salon of 1846
Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
French 19th Century Painting and Literature: with Special Reference to the Relevance of Literary Subject-matter to French Painting
Author: Ulrich Finke
Publisher: Manchester University Press
ISBN: 9780719004131
Category : Art
Languages : en
Pages : 420
Book Description
Publisher: Manchester University Press
ISBN: 9780719004131
Category : Art
Languages : en
Pages : 420
Book Description
Alexandre Cabanel
Author: Andreas Blühm
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
One of the foremost artists of 19th century France, Alexandre Cabanel (1823 - 1889), will be featured in his first exhibition at the Wallraf in Spring 2011. In cooperation with Musée Fabre in Montpellier, the Wallraf in Cologne will present over 60 works by a man who rose from the rank of a lowly carpenter's son to become court painter to Napoleon III. In order to give these graceful works by the last of the great salon painters just the right ambience, the Wallraf has secured the services of a distinguished compatriot of Cabanel: Star designer Christian Lacroix has been commissioned to design a special interior exclusively for the exhibition. Lacroix studied at the Academy of Arts in Montpellier the hometown of Cabanel and regards the painter as one of his all-time favourites. Exhibition: Wallraf-Richartz Museum, Köln (4.2-15.5.2011).
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
One of the foremost artists of 19th century France, Alexandre Cabanel (1823 - 1889), will be featured in his first exhibition at the Wallraf in Spring 2011. In cooperation with Musée Fabre in Montpellier, the Wallraf in Cologne will present over 60 works by a man who rose from the rank of a lowly carpenter's son to become court painter to Napoleon III. In order to give these graceful works by the last of the great salon painters just the right ambience, the Wallraf has secured the services of a distinguished compatriot of Cabanel: Star designer Christian Lacroix has been commissioned to design a special interior exclusively for the exhibition. Lacroix studied at the Academy of Arts in Montpellier the hometown of Cabanel and regards the painter as one of his all-time favourites. Exhibition: Wallraf-Richartz Museum, Köln (4.2-15.5.2011).
Corot
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997696
Category : Painting, French
Languages : en
Pages : 497
Book Description
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870997696
Category : Painting, French
Languages : en
Pages : 497
Book Description
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
Book Description
Dreams of Happiness
Author: Neil McWilliam
Publisher: Princeton University Press
ISBN: 1400887240
Category : Art
Languages : en
Pages : 401
Book Description
Responding to the decline of the monarchy and the church in post-revolutionary France, theorists representing a wide spectrum of leftist ideologies proposed comprehensive blueprints for society that assigned a crucial role to aesthetics. In this full-length investigation of social romanticism, Neil McWilliam explores the profound impact of radical philosophies on contemporary aesthetics and art criticism, and traces efforts to conscript the arts for doctrinal ends. He highlights the complexity and diversity of systems such as Saint-Simonianism, Fourierism, Republicanism, and Christian Socialism--movements that set out to exploit the ameliorative effect of aesthetic form on human consciousness--and challenges the previous linking of social art to narrow didacticism. This book seeks an understanding both of the conventions of artistic judgment and reception and of the aims and significance of radical political ideologies. Drawing on a broad spectrum of previously neglected journalistic criticism, visual material, and archival sources, together with key political texts by figures such as Saint-Simon, Philippe Buchez, and Pierre Leroux, this work reveals an important facet of radical history and modifies received understandings of French art in the wake of Romanticism. In the process it probes the role of culture within oppositional political practice, arguing that the ultimate failure to realize a social art exposes the limits of the radicals' break with dominant discourse and their hesitancy in forging links with a culturally disenfranchised working class. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400887240
Category : Art
Languages : en
Pages : 401
Book Description
Responding to the decline of the monarchy and the church in post-revolutionary France, theorists representing a wide spectrum of leftist ideologies proposed comprehensive blueprints for society that assigned a crucial role to aesthetics. In this full-length investigation of social romanticism, Neil McWilliam explores the profound impact of radical philosophies on contemporary aesthetics and art criticism, and traces efforts to conscript the arts for doctrinal ends. He highlights the complexity and diversity of systems such as Saint-Simonianism, Fourierism, Republicanism, and Christian Socialism--movements that set out to exploit the ameliorative effect of aesthetic form on human consciousness--and challenges the previous linking of social art to narrow didacticism. This book seeks an understanding both of the conventions of artistic judgment and reception and of the aims and significance of radical political ideologies. Drawing on a broad spectrum of previously neglected journalistic criticism, visual material, and archival sources, together with key political texts by figures such as Saint-Simon, Philippe Buchez, and Pierre Leroux, this work reveals an important facet of radical history and modifies received understandings of French art in the wake of Romanticism. In the process it probes the role of culture within oppositional political practice, arguing that the ultimate failure to realize a social art exposes the limits of the radicals' break with dominant discourse and their hesitancy in forging links with a culturally disenfranchised working class. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Delacroix and the Rise of Modern Art
Author: Patrick J. Noon
Publisher: National Gallery London
ISBN: 9781857095753
Category : Art
Languages : en
Pages : 0
Book Description
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)
Publisher: National Gallery London
ISBN: 9781857095753
Category : Art
Languages : en
Pages : 0
Book Description
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)
The Mirror of Art
Author: Charles Baudelaire
Publisher: Forgotten Books
ISBN: 9780331665666
Category :
Languages : en
Pages : 0
Book Description
Excerpt from The Mirror of Art: Critical Studies But this, of course, is not all. To find the simplest and most revealing exposition of Baudelaire's critical attitude, it is best to turn to a long article which he wrote some fifteen years later in defence of Wagner. 'all great poets naturally and fatally become critics', he wrote there. 'i pity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331665666
Category :
Languages : en
Pages : 0
Book Description
Excerpt from The Mirror of Art: Critical Studies But this, of course, is not all. To find the simplest and most revealing exposition of Baudelaire's critical attitude, it is best to turn to a long article which he wrote some fifteen years later in defence of Wagner. 'all great poets naturally and fatally become critics', he wrote there. 'i pity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elective Affinities
Author: Catriona MacLeod
Publisher: Rodopi
ISBN: 9042026189
Category : Art
Languages : en
Pages : 422
Book Description
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
Publisher: Rodopi
ISBN: 9042026189
Category : Art
Languages : en
Pages : 422
Book Description
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
Ingres and the Studio
Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Art
Languages : en
Pages : 332
Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Art
Languages : en
Pages : 332
Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.