Author: James Cannon
Publisher: Routledge
ISBN: 1317021738
Category : History
Languages : en
Pages : 312
Book Description
Since the mid-1970s, the colloquial term zone has often been associated with the troubled post-war housing estates on the outskirts of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris from the 1840s to the 1940s. This unusual territory, although marginal in a social and geographical sense, came to occupy a central place in Parisian culture. Previous studies have focused on its urban and social history, or on particular ways in which it was represented during particular periods. By bringing together and analysing a wider range of sources from the duration of the zone’s existence, this study offers a rich and nuanced account of how the area was perceived and used by successive generations of Parisian novelists (including Zola and Flaubert), poets, songwriters, artists, photographers, film-makers, politicians and town-planners. More generally, it aims to raise awareness of a neglected aspect of Parisian cultural history while pointing to links between current and past perceptions of the city’s periphery.
The Paris Zone
Author: James Cannon
Publisher: Routledge
ISBN: 1317021738
Category : History
Languages : en
Pages : 312
Book Description
Since the mid-1970s, the colloquial term zone has often been associated with the troubled post-war housing estates on the outskirts of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris from the 1840s to the 1940s. This unusual territory, although marginal in a social and geographical sense, came to occupy a central place in Parisian culture. Previous studies have focused on its urban and social history, or on particular ways in which it was represented during particular periods. By bringing together and analysing a wider range of sources from the duration of the zone’s existence, this study offers a rich and nuanced account of how the area was perceived and used by successive generations of Parisian novelists (including Zola and Flaubert), poets, songwriters, artists, photographers, film-makers, politicians and town-planners. More generally, it aims to raise awareness of a neglected aspect of Parisian cultural history while pointing to links between current and past perceptions of the city’s periphery.
Publisher: Routledge
ISBN: 1317021738
Category : History
Languages : en
Pages : 312
Book Description
Since the mid-1970s, the colloquial term zone has often been associated with the troubled post-war housing estates on the outskirts of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris from the 1840s to the 1940s. This unusual territory, although marginal in a social and geographical sense, came to occupy a central place in Parisian culture. Previous studies have focused on its urban and social history, or on particular ways in which it was represented during particular periods. By bringing together and analysing a wider range of sources from the duration of the zone’s existence, this study offers a rich and nuanced account of how the area was perceived and used by successive generations of Parisian novelists (including Zola and Flaubert), poets, songwriters, artists, photographers, film-makers, politicians and town-planners. More generally, it aims to raise awareness of a neglected aspect of Parisian cultural history while pointing to links between current and past perceptions of the city’s periphery.
Benezit Dictionary of British Graphic Artists and Illustrators
Author: Stephen Bury
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Publisher: Oxford University Press, USA
ISBN: 0199923051
Category : Art
Languages : en
Pages : 1341
Book Description
This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Light and Movement in Watercolour
Author: Jake Winkle
Publisher: Batsford Books
ISBN: 1849948607
Category : Art
Languages : en
Pages : 281
Book Description
Jake Winkle's loose, fresh and spontaneous style of painting is very popular. His paintings are full of light and movement and a key feature of his technique is that he doesn't work in the traditional way of light to dark but by placing the darks first. In Light and Movement in Watercolour, his first book, he demonstrates how to paint watercolours in a loose, direct way by step-by-step demonstrations and practical projects. Watercolours are often spoiled by a desire to be entirely truthful to the subject matter, which can lead to a painting that is overworked and tight. Jake's loose approach avoids those problems. He looks at subject simplification and shows how to focus on shapes rather than objects and, by painting what you see and not what you know, demonstrates how to capture the essence of the scene with freshness and clarity. The main topics in this book are: Understanding Watercolour; Building Confidence; What to Paint; Shapes, Tones and Colours; Dark to Light and Freshness and Clarity. Jake considers each topic in detail and shows the reader how to create paintings that glow with life, interest and spontaneity.
Publisher: Batsford Books
ISBN: 1849948607
Category : Art
Languages : en
Pages : 281
Book Description
Jake Winkle's loose, fresh and spontaneous style of painting is very popular. His paintings are full of light and movement and a key feature of his technique is that he doesn't work in the traditional way of light to dark but by placing the darks first. In Light and Movement in Watercolour, his first book, he demonstrates how to paint watercolours in a loose, direct way by step-by-step demonstrations and practical projects. Watercolours are often spoiled by a desire to be entirely truthful to the subject matter, which can lead to a painting that is overworked and tight. Jake's loose approach avoids those problems. He looks at subject simplification and shows how to focus on shapes rather than objects and, by painting what you see and not what you know, demonstrates how to capture the essence of the scene with freshness and clarity. The main topics in this book are: Understanding Watercolour; Building Confidence; What to Paint; Shapes, Tones and Colours; Dark to Light and Freshness and Clarity. Jake considers each topic in detail and shows the reader how to create paintings that glow with life, interest and spontaneity.
Paris in Watercolour
Author: Geoff Kersey
Publisher: Ready to Paint
ISBN: 9781844485352
Category : Art
Languages : en
Pages : 0
Book Description
The Ready to Paint series provides six tracings for readers to pull out and transfer on to watercolour paper. There is one for each of the five step-by-step demonstrations, plus a bonus tracing of the inspirational painting in the Introduction section. Geoff Kersey is an expert draughtsman and his skilful drawings of famous Paris scenes provide the basis for five detailed and realistic paintings. The clear step-by-step photographs explain the painting process in great depth and make it easy for readers to reproduce all of the projects, which include iconic scenes such the Eiffel Tower, the Arc de Triomphe and a Montmartre Caf .
Publisher: Ready to Paint
ISBN: 9781844485352
Category : Art
Languages : en
Pages : 0
Book Description
The Ready to Paint series provides six tracings for readers to pull out and transfer on to watercolour paper. There is one for each of the five step-by-step demonstrations, plus a bonus tracing of the inspirational painting in the Introduction section. Geoff Kersey is an expert draughtsman and his skilful drawings of famous Paris scenes provide the basis for five detailed and realistic paintings. The clear step-by-step photographs explain the painting process in great depth and make it easy for readers to reproduce all of the projects, which include iconic scenes such the Eiffel Tower, the Arc de Triomphe and a Montmartre Caf .
1000 Watercolours of Genius
Author: Viicttoriia Charlles
Publisher: Parkstone International
ISBN: 168325449X
Category : Art
Languages : en
Pages : 1111
Book Description
Publisher: Parkstone International
ISBN: 168325449X
Category : Art
Languages : en
Pages : 1111
Book Description
"Art, Theatre, and Opera in Paris, 1750-1850 "
Author: Richard Wrigley
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288
Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288
Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.
Kandinsky Watercolours
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
The Great Parade
Author: Pierre Théberge
Publisher: Yale University Press
ISBN: 0300103751
Category : Art
Languages : en
Pages : 432
Book Description
A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
Publisher: Yale University Press
ISBN: 0300103751
Category : Art
Languages : en
Pages : 432
Book Description
A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
The Purchase of the Past
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Krøyer and Paris
Author: Mette H. Lehmann
Publisher: Aarhus Universitetsforlag
ISBN: 8772198974
Category : Art
Languages : en
Pages : 338
Book Description
‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general. In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style. Krøyer and Paris has also been published in Danish.
Publisher: Aarhus Universitetsforlag
ISBN: 8772198974
Category : Art
Languages : en
Pages : 338
Book Description
‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general. In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style. Krøyer and Paris has also been published in Danish.