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Author: Fernando Rios
Publisher: Oxford University Press, USA
ISBN: 0190692278
Category : Music
Languages : en
Pages : 297
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Book Description
"For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
Author: Fernando Rios
Publisher: Oxford University Press, USA
ISBN: 0190692278
Category : Music
Languages : en
Pages : 297
Get Book
Book Description
"For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
Author: Chris Dromey
Publisher: Taylor & Francis
ISBN: 1000896889
Category : Music
Languages : en
Pages : 547
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Book Description
The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.
Author: James Read
Publisher: Rough Guides
ISBN: 9781858288475
Category : Travel
Languages : en
Pages : 460
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Book Description
Author: Fernando E. Rios
Publisher:
ISBN: 9780190692315
Category : Creoles
Languages : en
Pages :
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Book Description
"For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
Author: K.K. Pierscieniak
Publisher: el_Traveler Media
ISBN:
Category : Travel
Languages : en
Pages : 365
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Book Description
There are a bazillion titles on bookstore shelves and more than a few are travel-themed, but let me assure you: the Travelogues are different. These aren't the “got up, had banana pancake for breakfast, before shuffling-off to see some temples” kinds of stories. That’s probably because I’m not your typical fuddy-duddy travel writer. “Real” travel writers are glamorous, but real traveling is all I know. Vacations are when everything is safe and convenient and when you come to expect words like ‘aioli’ on the menu and when every “adventure” can be charged to American Express. Real traveling, on the other hand, is when everything can happen and nothing happens as planned and, whatever happened, mañana it will seem like a damn fine stroke of luck. At its most banal, day-to-day, real traveling is anything but normal and never glamorous. Except, maybe, in retrospect. The reality is that —very often— I have no idea where I’m going, except that I am. Nor how I’m gonna get there, except that I will. All these stories unfold as they may. That’s what these books are about. That’s what makes them different. The Travelogues pick up where traditional travel literature leaves off. They don’t mess around, pretending to describe every experience as if it were the feature in Condé Nast Traveler. They do, however, reveal what it’s really like to travel Out There. They describe everything: the good, the twisted, the ugly, and —occasionally— the sublime. No punches are pulled. It’s all in there. These are all out-of-the-ordinary experiences that lie within reach of ordinary people like you and I. Anyone can go and do those things. You too..., but only if you want to. That’s what the Travelogues are. That’s what “The South” is. Go ahead: discover the new kind of travel writing.
Author: Simon Broughton
Publisher: Rough Guides
ISBN: 9781858286365
Category : Music
Languages : en
Pages : 708
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Book Description
The Rough Guide to World Musicwas published for the first time in 1994 and became the definitive reference. Six years on, the subject has become too big for one book- hence this new two-volume edition. World Music 2- Latin and North America, Caribbean, India, Asia and Pacifichas full coverage of everything from salsa and merengue to qawwali and gamelan, and biographies of artists from Juan Luis Guerra to The Klezmatics to Nusrat Fateh Ali Khan. Features include more than 80 articles from expert contributors, focusing on the popular and roots music to be seen and heard, both live and on disc, and extensive discographies for each country, with biography-notes on nearly 2000 musicians and reviews of their best available CDs. It includes photos and album cover illustrations which have been gathered from contemporary and archive sources, many of them unique to this book, and directories of World Music labels, specialist stores around the world and on the internet.
Author: Pan American Union
Publisher:
ISBN:
Category : America
Languages : en
Pages : 954
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Book Description
Author: Simon Broughton
Publisher:
ISBN:
Category : Ethnomusicology
Languages : en
Pages : 720
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Book Description
Covers the music of seventy different countries and regions--everything from salsa to soukous, cajun to calypso, raï to qawwali. Includes interviews with the key groups and artists, translations of lyrics, and extensive reviews and discographies.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 526
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Book Description
Author: Stuart A. Kallen
Publisher: Greenhaven Publishing LLC
ISBN: 1420511327
Category : Young Adult Nonfiction
Languages : en
Pages : 130
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Book Description
This book covers the history of the music of Latin America. Individual chapters focus on the sounds of the Caribbean, Brazil, South America, and Mexico. Author Stuart A. Kallen includes informative sidebars and numerous quotations from authoritative sources. Students will enjoy this volume for leisure reading and it's an excellent research tool for reports.
