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Author:
Publisher:
ISBN: 9789004097155
Category : Sanskrit philology
Languages : de
Pages : 230
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Book Description
Author:
Publisher:
ISBN: 9789004097155
Category : Sanskrit philology
Languages : de
Pages : 230
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Sanskrit philology
Languages : en
Pages : 256
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Book Description
Author: Jonathan Katz
Publisher: BRILL
ISBN: 9789004097155
Category : Social Science
Languages : en
Pages : 240
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Book Description
These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.
Author: Katz
Publisher: BRILL
ISBN: 9004646086
Category : Language Arts & Disciplines
Languages : en
Pages : 236
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Book Description
These articles concern the role of the Sanskrit tradition in the performing arts in India. They consider the relations between theory and practice in music and dance with particular reference to the Sanskrit textual tradition of musicology.
Author: James Kippen
Publisher: Routledge
ISBN: 1351564722
Category : Music
Languages : en
Pages : 284
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Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
Author: Marc Perlman
Publisher: Univ of California Press
ISBN: 9780520930490
Category : Music
Languages : en
Pages : 330
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Book Description
The gamelan music of Central Java is one of the world's great orchestral traditions. Its rich sonic texture is not based on Western-style harmony or counterpoint, but revolves around a single melody. The nature of that melody, however, is puzzling. In this book, Marc Perlman uses this puzzle as a key to both the art of the gamelan and the nature of musical knowledge in general. Some Javanese musicians have suggested that the gamelan’s central melody is inaudible, an implicit or "inner" melody. Yet even musicians who agree on its existence may disagree about its shape. Drawing on the insights of Java’s most respected musicians, Perlman shows how irregularities in the relationships between the melodic parts have suggested the existence of "unplayed melodies." To clarify the differences between these implicit-melody concepts, Unplayed Melodies tells the stories behind their formulation, identifying each as the creative contribution of an individual musician in a postcolonial context (sometimes in response to Western ethnomusicological theories). But these stories also contain evidence of the general cognitive processes through which musicians find new ways to conceptualize their music. Perlman’s inquiry into these processes illuminates not only the gamelan’s polyphonic art, but also the very sources of creative thinking about music.
Author: Nirupama Chaturvedi
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 344
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Book Description
This study is an analysis of the presentation of sculptures as fulfilling the dictates of postures defined in the various dance treatises. It also embodies an interlink of textual literary and archaeological sources to prove convincingly the unity of inner and outer in the India tradition
Author:
Publisher:
ISBN:
Category : Sanskrit philology
Languages : en
Pages : 172
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Book Description
Author: Radhavallabh Tripathi
Publisher:
ISBN:
Category : Sanskrit language
Languages : en
Pages : 328
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Book Description
Author: Shahab Sarmadee
Publisher:
ISBN:
Category : Authors, Indic
Languages : en
Pages : 738
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Book Description
Bio-bibliographical survey of all accessible important writings on music, dance and theater. Volume 1 covers the social and cultural evolution up to 1399 A.D. Volume 2 covers the era from 1399 A.D.
