Author: Lady Mary Wroth
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 138

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Author: Lady Mary Wroth
Publisher: Benediction Books
ISBN: 9781849020626
Category :
Languages : en
Pages : 164

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Author: Philip Sidney
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 524

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Author: Lady Mary Wroth
Publisher: Medieval and Renaissance Texts
ISBN: 9780866984515
Category : Fiction
Languages : en
Pages : 0

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Book Description
The first romance written by an Englishwoman, Mary Wroth's Countess of Montgomery's Urania is a literary tour de force in its own right. As the niece of Sir Philip Sidney, Mary Wroth was ideally situated as an observer and reporter of the social, literary, and political milieu of her time. This abridged modern-spelling edition, with a useful introduction and index of characters, makes this work newly accessible to general readers, students, and scholars.

Author: Lady Mary Wroth
Publisher: Edinburgh University Press
ISBN:
Category : Poetry
Languages : en
Pages : 232

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Book Description
This is the first modernized edition of the poems of Lady Mary Wroth. Born circa 1587 and married in 1604, Lady Mary was part of the Queen's entourage at the court of King James I. The poems reproduced here are from Urania, a chivalric romance published in 1621, and Pamphilia to Amphilanthus, a sonnet sequence.

Author: Josephine A. Roberts
Publisher: LSU Press
ISBN: 9780807117996
Category : Poetry
Languages : en
Pages : 276

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Book Description
Although her poems are little know today, Lady Mary Wroth was one of the most accomplished women writers of the English Renaissance. Her poems were circulated among many of the leading authors of her time, including Ben Johnson, who praised her work for its profound understanding of the nature of romantic love. Lady Mary's sonnet cycle, Pamphilia to Amphilanthus, was the first English sequence to be written from a women's perspective. The Countesse of Montgomery's Urania, her romance interspersed with poetry, was one of the first works of prose fiction to be composed by an Englishwoman. In this complete edition of Lady Mary Wroth's verse, Josephine Roberts has brought together and annotated all 192 of the surviving poems, many of which have never been published before. As the eldest daughter of Sir Robert Sidney and Lady Barbara Gamage, Lady Mary took great pride in the Sidney literary heritage. During the years of her marriage she assumed the roles of both poet and patron, an example set for her by her father and her more famous uncle, Sir Philip Sidney. She further followed the precedent of her uncle by choosing for her own work the artistic forms that he had favored -- the sonnet sequence, pastoral romance, and pastoral drama. As a young woman, Lady Mary belonged to Queen Anne's intimate circle, but in the years following her husband's death she suffered a precipitous decline in social status. She violated the social taboos of her age by becoming the mistress of her first cousin, William Herbert, earl of Pembroek, and bearing him two illegitimate children. Her artistic efforts aroused equal controversy when, after the publication of her prose romance, the Urania, several prominent noblemen attacked her for portraying their private lives under the guise of fiction. Despite these obstacles -- and the added burden of the unpaid debts that were the legacy of her disappointing marriage -- Lady Mary maintained an independent spirit and trusted in an ability to make her own decisions. In her prose works she lashed out at the hypocrisies of life at court; in her poetry she wrote of more personal concerns -- the treacherousness of emotion, the eternal elusiveness of love. Rising above well-worn Elizabethan conceits, the best of Lady Mary's poems reveal an ambivalence toward romance and a wise understanding of the vicissitudes of human emotion.

Author: Elaine V. Beilin
Publisher: Princeton University Press
ISBN: 1400858844
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
An introduction to women writers of the English Renaissance which takes up 44 works, many as thumbnail sketches; shows how women's writing was hampered by the assumption that poets were male, by restriction to pious subject matter, by the doctrine that only silent women are virtuous, by criticism that praised women as patrons or muses and ignored their writing, and above all by crippling educational theories. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Stephen Burt
Publisher: Harvard University Press
ISBN: 9780674048140
Category : Literary Criticism
Languages : en
Pages : 472

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"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.

Author: James M. Bromley
Publisher: Cambridge University Press
ISBN: 1139505327
Category : Literary Criticism
Languages : en
Pages : 219

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Book Description
James Bromley argues that Renaissance texts circulate knowledge about a variety of non-standard sexual practices and intimate life narratives, including non-monogamy, anal eroticism, masochism and cross-racial female homoeroticism. Rethinking current assumptions about intimacy in Renaissance drama, poetry and prose, the book blends historicized and queer approaches to embodiment, narrative and temporality. An important contribution to Renaissance literary studies, queer theory and the history of sexuality, the book demonstrates the relevance of Renaissance literature to today. Through close readings of William Shakespeare's 'problem comedies', Christopher Marlowe's Hero and Leander, plays by Beaumont and Fletcher, Thomas Middleton's The Nice Valour and Lady Mary Wroth's sonnet sequence Pamphilia to Amphilanthus and her prose romance The Urania, Bromley re-evaluates notions of the centrality of deep, abiding affection in Renaissance culture and challenges our own investment in a narrowly defined intimate sphere.

Author: Lady Mary Wroth
Publisher: Iter Press
ISBN:
Category : Fiction
Languages : en
Pages : 952

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Book Description
Lady Mary Wroth composed her prose romance "Urania" at the height of the Jacobean debates concerning the nature and status of women. Personal experiences, her own and those of her friends, had made Wroth very much aware of how little voice women had in determining htheirown destinies or even choosing their life partners.