Palekh and Palekhians PDF Download
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Author: Vadim Shchanit︠s︡in
Publisher:
ISBN:
Category : Fairy tales in art
Languages : en
Pages : 104
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Book Description
Author: Vadim Shchanit︠s︡in
Publisher:
ISBN:
Category : Fairy tales in art
Languages : en
Pages : 104
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Book Description
Author: L. Siegelbaum
Publisher: Springer
ISBN: 1403984549
Category : History
Languages : en
Pages : 292
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Book Description
This fascinating book argues that in Russia the relations between culture and nation, art and life, commodity and trash, often diverged from familiar Western European or American versions of modernity. The essays show how public and private overlapped and shaped each other, creating new perspectives on individuals and society in the Soviet Union.
Author: Gosudarstvennyĭ muzeĭ palekhskogo iskusstva
Publisher: Moscow : "Izobrazitelnoye iskusstvo"
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
Author: Andrew Leslie Jenks
Publisher:
ISBN:
Category :
Languages : en
Pages : 1186
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Book Description
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 400
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Book Description
Author: Andrew Jenks
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 80
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Book Description
Author: Nicholas Charles Pappas
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 414
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Book Description
Author:
Publisher:
ISBN:
Category : Soviet Union
Languages : en
Pages : 644
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Book Description
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 736
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Book Description
Author: Andrew L. Jenks
Publisher:
ISBN: 9780875803395
Category : Art
Languages : en
Pages : 264
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Book Description
What did it mean to be Russian as the imperial era gave way to Soviet rule? Andrew Jenks turns to a unique art form produced in the village of Palekh to investigate how artists and craftsmen helped to reshape Russian national identity. Russia in a Box follows the development of Palekh art over two centuries as it adapted to dramatic changes in the Russian nation. As early as the sixteenth century, the peasant "masters" of Palekh painted religious icons. It was not until Russia's victory over Napoleon in 1814, however, that the village gained widespread recognition for its artistic contributions. That same year, the poet Goethe's discovery of the works of Palekh artists and craftsmen spurred interest in preserving the sacred art. The religious icons produced by Palekh masters in the nineteenth century became a source of Russian national pride. By the 1880s, some artists began to foresee their future as secular artists-a trend that was ensured by the Bolshevik Revolution. Tolerated and sometimes even encouraged by the new regime, the Palekh artists began to create finely decorated lacquered boxes that portray themes from fairy tales and idealized Russian history in exquisite miniatures. A new medium with new subject matter, these lacquered boxes became a new symbol of Russian identity during the 1920s. Palekh art endured varying levels of acceptance, denial, state control, and reliance on market-driven forces. What began as the art form of religious iconic painting, enduring for more than two centuries, was abruptly changed by the revolutionaries. Throughout the twentieth century the fate of Palekh art remained in question as Russia's political and cultural entities struggled for dominance. Ultimately capitalism and the Palekhian masters were victorious, and the famed lacquer boxes continue to be a source of Russian identity and pride.
