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Author: Debra Burchett-Lere
Publisher: Getty Publications
ISBN: 1606065831
Category : Art
Languages : en
Pages : 162
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Book Description
The next title in the respected Artist’s Materials series offers groundbreaking analysis of Sam Francis’s working methods and materials American artist Sam Francis (1923–1994) brought vivid color and emotional intensity to Abstract Expressionism. He was described as the “most sensuous and sensitive painter of his generation” by former Guggenheim Museum director James Johnson Sweeney, and curator Howard Fox called him “one of the acknowledged masters of late-modern art.” Francis’s works, whether intimate or monumental in scale, make indelible impressions; the intention of the artist was to make them felt as much as seen. At the age of twenty, Francis was hospitalized for spinal tuberculosis and spent three years virtually immobilized in a body cast. For physical therapy he was given a set of watercolors, and, as he described it, he painted his way back to life. The exuberant color and expression in his paintings celebrated his survival; his five-decade career was an energetic visual and theoretical exploration that took him around the world. Francis’s idiosyncratic painting practices have long been the subject of speculation and debate among conservators and art historians. Presented here for the first time in this volume are the results of an in-depth scientific study of more than forty paintings from the late 1940s to early 1990s, which reveal new discoveries about his creative process, inventive techniques, and specially formulated paints and binders. The data provides a key to the complicated evolution of the artist’s work and informs original art historical interpretations.
Author: Debra Burchett-Lere
Publisher: Getty Publications
ISBN: 1606065831
Category : Art
Languages : en
Pages : 162
Get Book Here
Book Description
The next title in the respected Artist’s Materials series offers groundbreaking analysis of Sam Francis’s working methods and materials American artist Sam Francis (1923–1994) brought vivid color and emotional intensity to Abstract Expressionism. He was described as the “most sensuous and sensitive painter of his generation” by former Guggenheim Museum director James Johnson Sweeney, and curator Howard Fox called him “one of the acknowledged masters of late-modern art.” Francis’s works, whether intimate or monumental in scale, make indelible impressions; the intention of the artist was to make them felt as much as seen. At the age of twenty, Francis was hospitalized for spinal tuberculosis and spent three years virtually immobilized in a body cast. For physical therapy he was given a set of watercolors, and, as he described it, he painted his way back to life. The exuberant color and expression in his paintings celebrated his survival; his five-decade career was an energetic visual and theoretical exploration that took him around the world. Francis’s idiosyncratic painting practices have long been the subject of speculation and debate among conservators and art historians. Presented here for the first time in this volume are the results of an in-depth scientific study of more than forty paintings from the late 1940s to early 1990s, which reveal new discoveries about his creative process, inventive techniques, and specially formulated paints and binders. The data provides a key to the complicated evolution of the artist’s work and informs original art historical interpretations.
Author: Gabrielle Selz
Publisher: Univ of California Press
ISBN: 0520420675
Category : Biography & Autobiography
Languages : en
Pages : 381
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Book Description
The first in-depth biography of Sam Francis, the legendary American abstract painter who broke all the rules in his personal and artistic life. Light on Fire is the first comprehensive biography of Sam Francis, one of the most important American abstract artists of the twentieth century. Based on Gabrielle Selz’s unprecedented access to Francis’s files, as well as private correspondence and hundreds of interviews, this book traces the extraordinary and ultimately tragic journey of a complex and charismatic artist who first learned to paint as a former air-corps pilot encased for three years in a full-body cast. While still a young man, Francis saw his color-saturated paintings fetch the highest prices of any living artist. His restless desire resulted in five marriages and homes on three continents; his entrepreneurial spirit led to founding a museum, a publishing company, a reforestation program and several nonprofits. Light on Fire captures the art, life, personality, and talent of a man whom the art historian and museum director William C. Agee described as a rare artist participating in the “visionary reconstruction of art history,” defying creative boundaries among the likes of Jackson Pollock, Mark Rothko, and Willem de Kooning. With settings from World War II San Francisco to postwar Paris, New York, Tokyo, and Los Angeles, Selz crafts an intimate portrait of a man who sought to resolve in art the contradictions he couldn’t resolve in life.
Author: Perry Ogden
Publisher:
ISBN: 9780500510346
Category : Art
Languages : en
Pages : 120
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Book Description
This is a photographic portrait of painter Francis Bacon's south London studio in the days following his death. A visual statement of Bacon's frenetic life and work. 60 photos.
Author: Ben Ware
Publisher: National Geographic Books
ISBN: 050097098X
Category : Art
Languages : en
Pages : 0
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Book Description
The latest book in a series that seeks to illuminate Francis Bacon’s art and motivations and open up fresh and stimulating ways of understanding his paintings. Francis Bacon was one of the most important artists of the twentieth century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: first, that Bacon is an existential painter, depicting an absurd and godless world; and second, that he is an antirepresentational painter, whose primary aim is to expose his work directly to the spectator’s “nervous system.” Francis Bacon draws together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Georg Hegel, Sigmund Freud, Jacques Lacan, Theodor Adorno, and Martin Heidegger, and situate his work in the broader contexts of modernism and modernity. The result is a timely and thought- provoking collection that will be essential reading for anyone interested in Bacon, modern art, and contemporary aesthetics.
Author: Francis Alÿs
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
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Book Description
This is an illustrated survey of Francis Alys's entire career. It includes interviews and essays by leading international writers. It also presents descriptions of Alys's work by the man himself, as well as responses from a wide range of critics and commentators."
Author: Roxane Orgill
Publisher: Candlewick Press
ISBN: 0763669547
Category : Juvenile Nonfiction
Languages : en
Pages : 61
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Book Description
A collection of poems recounts the efforts of Esquire magazine graphic designer Art Kane to photograph a group of famous jazz artists in front of a Harlem brownstone.
Author: Francie Latour
Publisher: Groundwood Books Ltd
ISBN: 1773060422
Category : Juvenile Fiction
Languages : en
Pages : 24
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Book Description
Every winter, a young girl flies to Haiti to visit her Auntie Luce, a painter. The moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains. The girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush. Includes an author’s note and a glossary.
Author: Francis Greenacre
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Author: Martin Harrison
Publisher: National Geographic Books
ISBN: 0500296502
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated look at the sources behind the paintings of Francis Bacon. Francis Bacon famously found inspiration in photographs, film stills, and images from the media. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon’s most important paintings and triggered decisive turning points in the artist’s stylistic development. Key influences—including the masters Diego Velázquez, Nicolas Poussin, and Auguste Rodin; the photographer Eadweard Muybridge; and the film director Sergei Eisenstein—are given close consideration. Bacon’s work is examined in relation to the precedents set by other artists who made use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland, and Patrick Heron. With over 270 color illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of original research, addressing important questions about Bacon’s painting practice and shedding fresh light on his life and work.
Author: Hugh Marlais Davies
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
British artist Francis Bacon (1909-1992), one of the foremost artists of the twentieth century, is known for his expressive figurative paintings. Perhaps Bacon's most famous image - the so-called 'screaming pope' in Study after Velázquez's Portrait of Pope Innocent X (1953) - became the touchstone for the longest series of paintings in his career, the Papal Portraits of 1953.In 1953 'haunted and obsessed by the image...by its perfection,' Bacon sought to reinvent Velázquez's seventeenth-century Portrait of Pope Innocent X (1650) in the paintings that are the focus of this book. Francis Bacon replaced the grand, official state portrait with an intimate, spontaneous 'candid camera' glimpse behind the well-ordered exterior. While the Spanish master Velázquez portayed the pope ex cathedra, Bacon captured him in camera, as if behind a closed door or through a one-way mirror.This series of eight papal portraits, painted during a period of just a few weeks in the summer of 1953, was brought together for the first time by noted Bacon scholar Hugh M. Davies for a 1999 exhibition at the Museum of Contemporary Art, San Diego, along with several other works from the same period, including Sphinx I and two recently found Study after Velázquez paintings from 1950. This book includes a new essay by Davies, discussing the artist's influences and sources of imagery for the series, and a previously unpublished interview that Davies conducted with Bacon in 1973.
