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Author: Susan Bourdet
Publisher: North Light Books
ISBN: 9781581804584
Category : Art
Languages : en
Pages : 0
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Book Description
A guide to painting birds and flowers in watercolor, discussing tools, prepration, color, and application skills; explaining how to find and use ideas from nature; examining basic and specific watercolor techniques; and including four detailed step-by-step demonstrations.
Author: Susan Bourdet
Publisher: North Light Books
ISBN: 9781581804584
Category : Art
Languages : en
Pages : 0
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Book Description
A guide to painting birds and flowers in watercolor, discussing tools, prepration, color, and application skills; explaining how to find and use ideas from nature; examining basic and specific watercolor techniques; and including four detailed step-by-step demonstrations.
Author: Susan D. Bourdet
Publisher:
ISBN:
Category : Nature (Aesthetics)
Languages : en
Pages : 0
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Book Description
Author: Susan Bourdet
Publisher: Penguin
ISBN: 1600615481
Category : Art
Languages : en
Pages : 128
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Book Description
Transform your paintings from ordinary to extraordinary - with light! Want to paint light-filled watercolors that reach out and draw viewers in? In this book, award-winning watercolorist and teacher Susan Bourdet shows you how. Through simple concepts and detailed step-by-step demonstrations, Susan demystifies the process of successfully depicting light in watercolor. You'll learn how to: • Create convincing light effects and rich shadows • Depict different light angles and times of day • Render light on a variety of subjects, from feathers and fur to flowers, water and textures • Take reference photos with exciting light and combine them into a believable composition that speaks to your viewers It's all the information you'll need to capture the magic of light in your watercolors! Includes 23 step-by-step demonstrations!
Author: Henry Miller
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 136
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Book Description
New and expanded edition of the title, first published in 1960.
Author: Asher Ethan Miller
Publisher: Metropolitan Museum of Art
ISBN: 1588394840
Category : Painting, French
Languages : en
Pages : 50
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Book Description
Author: Maxine Masterfield
Publisher:
ISBN: 9780823038671
Category : Art
Languages : en
Pages : 144
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Book Description
This best-seller reveals the secrets of capturing the essence of a scene using abstract techniques, from pouring inks and adding opaque lines to using crinkled wax paper as resists and collaging paintings together.
Author: Stuart Lingo
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 310
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Book Description
Federico Barocci was among the most admired painters in sixteenth-century Italy, but the distinctive nature of his compelling altarpieces and their historical importance have never been fully understood. This important study relates Barocci's achievements to transformations in the theory and practice of painting during an era in which pictorial developments generated deep tensions for ecclesiastical art. Barocci was celebrated as one of the only painters whose religious works combined the sensuous allure increasingly desired in modern art with profound devotion. Through a close study of Barocci's work and of documents ranging from letters to art theory, Stuart Lingo reconstructs how the painter accomplished his artistic and cultural miracle. In so doing, he offers new insights into critical artistic issues in the late Renaissance, from the cultural significance of stylistic choices to the early development of analogies between painting and music as affective arts.
Author: Clark Little
Publisher: Ten Speed Press
ISBN: 1984859781
Category : Photography
Languages : en
Pages : 241
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Book Description
Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.
Author: Dalia Judovitz
Publisher: U of Minnesota Press
ISBN: 081666529X
Category : Art
Languages : en
Pages : 318
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Book Description
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fueland springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
Author: Ben Lewis
Publisher: Ballantine Books
ISBN: 1984819267
Category : Art
Languages : en
Pages : 384
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Book Description
An epic quest exposes hidden truths about Leonardo da Vinci’s Salvator Mundi, the recently discovered masterpiece that sold for $450 million—and might not be the real thing. In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings, and sheikhs. Ben Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Amsterdam, Moscow, and New Orleans; to the galleries, salerooms, and restorer’s workshop as the painting slowly, painstakingly emerged from obscurity. The vicissitudes of the highly secretive art market are charted across six centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, in which we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth. Praise for The Last Leonardo “The story of the world’s most expensive painting is narrated with great gusto and formidably researched detail in Ben Lewis’s book. . . . Lewis’s probings of the Salvator’s backstory raise questions about its historical status and visibility, and these lead in turn to the fundamental question of whether the painting is really an autograph work by Leonardo.”—Charles Nicholl, The Guardian “As the art historian and critic Ben Lewis shows in his forensically detailed and gripping investigation into the history, discovery and sales of the painting, establishing the truth is like nailing down jelly.”— Michael Prodger, The Sunday Times
