Painting, Photography, Drawing. From Africa and Its Diaspora PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Painting, Photography, Drawing. From Africa and Its Diaspora PDF full book. Access full book title Painting, Photography, Drawing. From Africa and Its Diaspora by Elisa Pierandrei. Download full books in PDF and EPUB format.
Author: Elisa Pierandrei
Publisher: Self Publishing
ISBN: 1804317535
Category : Biography & Autobiography
Languages : en
Pages : 102
Get Book Here
Book Description
The Italian journalist Elisa Pierandrei reflects on the present situation of the visual arts in Africa and the African diaspora through a selection of her articles and interviews that for the most have previously been published by various online media outlets. In her new e-book, she guides the reader along the stories of 12 contemporary artists (Helina Metaferia, Lunga Ntila, Benjamin Deguenon, Massinissa Selmani, among others) and 3 old masters (Ibrahim El-Salahi, Mohammed Melehi, and more) who are either originally from Africa or are of African descent. These stories are sometimes told in the form of magazine articles; others are told through interviews and editorials complete with images of the artworks. While always being creative without forgetting tradition and history, this new generation of artists brings the reader on a brief but fascinating walk through the world of African visual art and culture. This volume constitutes an ideal continuation of the work that Pierandrei began in 2011 on the verge of the Arab Spring in Cairo, when she investigated a new form of radical artistic expression, graffiti and street art from the 25 January Revolution, which became the subject of her first e-book. The foreword is by Russel Hlongwane.
Author: Elisa Pierandrei
Publisher: Self Publishing
ISBN: 1804317535
Category : Biography & Autobiography
Languages : en
Pages : 102
Get Book Here
Book Description
The Italian journalist Elisa Pierandrei reflects on the present situation of the visual arts in Africa and the African diaspora through a selection of her articles and interviews that for the most have previously been published by various online media outlets. In her new e-book, she guides the reader along the stories of 12 contemporary artists (Helina Metaferia, Lunga Ntila, Benjamin Deguenon, Massinissa Selmani, among others) and 3 old masters (Ibrahim El-Salahi, Mohammed Melehi, and more) who are either originally from Africa or are of African descent. These stories are sometimes told in the form of magazine articles; others are told through interviews and editorials complete with images of the artworks. While always being creative without forgetting tradition and history, this new generation of artists brings the reader on a brief but fascinating walk through the world of African visual art and culture. This volume constitutes an ideal continuation of the work that Pierandrei began in 2011 on the verge of the Arab Spring in Cairo, when she investigated a new form of radical artistic expression, graffiti and street art from the 25 January Revolution, which became the subject of her first e-book. The foreword is by Russel Hlongwane.
Author: Valentijn Byvanck
Publisher: Snoeck
ISBN: 9780945802358
Category : Aesthetics
Languages : en
Pages : 0
Get Book Here
Book Description
"Looking Both Ways: Art of the Contemporary African Diaspora" considers the work of artists from North, South, East, and West Africa who live and work in Western countries, including Belgium, France, Germany, the Netherlands, Portugal, the United Kingdom, and the United States. As its title indicates, "Looking Both Ways" refers to the artists' practice of looking at the psychic terrain between Africa and the West, a terrain of shifting physical contexts, aesthetic ambitions, and expressions. It examines the relationship between physical contexts, emotional geographies, ambition, and freedom of expression while focusing on the increasing globalization of the African Diaspora. "Looking Both Ways" is not a survey, but rather an intimate consideration of the work of twelve artists: Fernando Alvim, Ghada Amer, Oladªlª Bamgboyª, Allan deSouza, Kendell Geers, Moshekwa Langa, Hassan Musa, N'Dilo Mutima, Wangechi Mutu, Ingrid Mwangi, Zineb Sedira, and Yinka Shonibare.
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 1350140333
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
World is Africa brings together more than 30 important texts by Eddie Chambers, who for several decades has been an original and a critical voice within the field of African diaspora art history. The texts range from book chapters and catalogue essays, to shorter texts. Chambers focuses on contemporary artists and their practices, from a range of international locations, who for the most part are identified with the African diaspora. None of the texts are available online and none have been available outside of the original publication in which they first appeared. The volume contains several new pieces of writing, including a consideration of the art world 'fetishization' of the 1980s, as the manifestation of a reluctance to accept the majority of Black British artists as valid individual practitioners, choosing instead to shackle them to exhibitions that took place three decades ago. Another new text re-examines the 'map paintings' of Frank Bowling, the Guyana-born artist who was the subject of a major retrospective at Tate Britain in 2019. The third introduces the little-known record sleeve illustrations of Charles White, the American artist who was the subject of a major retrospective in 2018 at major galleries across the US. Among the other new texts is a critical reflection on the patronage the Greater London Council extended to Black artists in 1980s London. World is Africa makes a valuable contribution to the emerging discipline of black British art history, the field of African diaspora studies and African diaspora art history.
Author: Celeste-Marie Bernier
Publisher: Oxford University Press
ISBN: 1781382670
Category : Art
Languages : en
Pages : 323
Get Book Here
Book Description
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.
Author: Bonhams 1793 Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Mark Sealy
Publisher:
ISBN: 9789053309322
Category : Africa
Languages : en
Pages : 0
Get Book Here
Book Description
Produced in conjunction with the FotoFest Biennial 2020 exhibition, the African Cosmologies book will feature essays by leading scholars in the fields of contemporary art, photography, and cultural studies. Images of installations, photography, film, and video works by artists will highlight the range of interdisciplinary approaches that are represented in the Biennial exhibition. African Cosmologies: Photography, Time, and the Other is co-edited by Autograph ABP Director, Mark Sealy MBE, and FotoFest Executive Director, Steven Evans.--Fotofest International
Author: Kobena Mercer
Publisher: Duke University Press
ISBN: 082237451X
Category : Art
Languages : en
Pages : 299
Get Book Here
Book Description
Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
Author: Bonhams (Firm : 2001)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Carol Tulloch
Publisher: Bloomsbury Publishing
ISBN: 1474262864
Category : Social Science
Languages : en
Pages : 281
Get Book Here
Book Description
It is broadly recognized that black style had a clear and profound influence on the history of dress in the twentieth century, with black culture and fashion having long been defined as 'cool'. Yet despite this high profile, in-depth explorations of the culture and history of style and dress in the African diaspora are a relatively recent area of enquiry. The Birth of Cool asserts that 'cool' is seen as an arbiter of presence, and relates how both iconic and 'ordinary' black individuals and groups have marked out their lives through the styling of their bodies. Focusing on counter- and sub-cultural contexts, this book investigates the role of dress in the creation and assertion of black identity. From the gardenia corsage worn by Billie Holiday to the work-wear of female African-Jamaican market traders, through to the home-dressmaking of black Britons in the 1960s, and the meaning of a polo-neck jumper as depicted in a 1934 self-portrait by African-American artist Malvin Gray Johnson, this study looks at the ways in which the diaspora experience is expressed through self-image. Spanning the late nineteenth century to the modern day, the book draws on ready-made and homemade fashion, photographs, paintings and films, published and unpublished biographies and letters from Britain, Jamaica, South Africa, and the United States to consider how personal style statements reflect issues of racial and cultural difference. The Birth of Cool is a powerful exploration of how style and dress both initiate and confirm change, and the ways in which they expresses identity and resistance in black culture.
Author: Gitti Salami
Publisher: John Wiley & Sons
ISBN: 1444338374
Category : Art
Languages : en
Pages : 650
Get Book Here
Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
