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Author: Patricia Hills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
"Painting Harlem Modern is a long overdue study that will likely become the definitive work on this seminal figure in American art."--Mary Ann Calo, Colgate University "A thorough--and long overdue--critical assessment of the remarkable span of Jacob Lawrence's work, Painting Harlem Modern offers new and valuable insight into how Harlem shaped art, and how art shaped Harlem. And as if Lawrence, art, and Harlem weren't enough, Patricia Hills also explores the creation of modern black identity. This book is a major contribution not only to African American art history but to African American history in general."--Henry Louis Gates Jr., author of In Search of Our Roots: How 19 Extraordinary African Americans Reclaimed Their Past "Patricia Hills, one of the academy's foremost historians of American art, has now directed her energies toward the evocative paintings of the twentieth-century artist/chronicler Jacob Lawrence, and with remarkable results. Viewing Lawrence's Harlem as the Parnassus of African American arts and letters and, related to this, the conceptual site where the painter created his own template for a socially grounded modernism, Hills calls for a reevaluation of this pivotal artist and for a sustained interrogation of his complex, visually layered pictures. For her critical and erudite intercession, art history should be forever indebted."--Richard J. Powell, author of Cutting a Figure: Fashioning Black Portraiture "The triumphant result of years of exhaustive scholarship, Hills's book emerges as the definitive treatment of the life and work of one of America's great artists. Lucidly written and deftly illustrated, it is an essential text for specialists and an enjoyable education for anyone interested in Jacob Lawrence and modern American art."--Orlando Patterson, Harvard University
Author: Patricia Hills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
Get Book Here
Book Description
"Painting Harlem Modern is a long overdue study that will likely become the definitive work on this seminal figure in American art."--Mary Ann Calo, Colgate University "A thorough--and long overdue--critical assessment of the remarkable span of Jacob Lawrence's work, Painting Harlem Modern offers new and valuable insight into how Harlem shaped art, and how art shaped Harlem. And as if Lawrence, art, and Harlem weren't enough, Patricia Hills also explores the creation of modern black identity. This book is a major contribution not only to African American art history but to African American history in general."--Henry Louis Gates Jr., author of In Search of Our Roots: How 19 Extraordinary African Americans Reclaimed Their Past "Patricia Hills, one of the academy's foremost historians of American art, has now directed her energies toward the evocative paintings of the twentieth-century artist/chronicler Jacob Lawrence, and with remarkable results. Viewing Lawrence's Harlem as the Parnassus of African American arts and letters and, related to this, the conceptual site where the painter created his own template for a socially grounded modernism, Hills calls for a reevaluation of this pivotal artist and for a sustained interrogation of his complex, visually layered pictures. For her critical and erudite intercession, art history should be forever indebted."--Richard J. Powell, author of Cutting a Figure: Fashioning Black Portraiture "The triumphant result of years of exhaustive scholarship, Hills's book emerges as the definitive treatment of the life and work of one of America's great artists. Lucidly written and deftly illustrated, it is an essential text for specialists and an enjoyable education for anyone interested in Jacob Lawrence and modern American art."--Orlando Patterson, Harvard University
Author: Patricia Hills
Publisher: University of California Press
ISBN: 0520305507
Category : Art
Languages : en
Pages : 367
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Book Description
Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.
Author: Allon Schoener
Publisher:
ISBN:
Category : History
Languages : en
Pages : 292
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Book Description
Long before Harlem became one of the trendiest neighbourhoods in the red-hot property market of Manhattan, it was a metaphor for African American culture at its richest. This is the classic record of Harlem life during some of the most exciting and turbulent years of its history, a beautiful - and poignant - reminder of a powerful moment in African American history. Includes the work of some of Harlem's most treasured photographers, extraordinary images are juxtaposed with articles recording the daily life of one of New York's most memorialised neighbourhoods.
Author: Tanya Barson
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Published on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010.
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
Author: William H. Johnson
Publisher: University of Washington Press
ISBN: 9780295991481
Category : Art
Languages : en
Pages : 0
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Book Description
Published on the occasion of the exhibition organized by the Smithsonian Institution Traveling Exhibition Service and Morgan State University, opening September 2011.
Author: Caroline Goeser
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 384
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Book Description
Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.
Author: Chinghsin Wu
Publisher: University of California Press
ISBN: 0520299825
Category : Art
Languages : en
Pages : 247
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Book Description
This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.
Author: Wil Haygood
Publisher: Rizzoli Publications
ISBN: 0847863123
Category : Art
Languages : en
Pages : 250
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Book Description
Winner of the James A. Porter and David C. Driskell Book Award for African American Art History, I Too Sing America offers a major survey on the visual art and material culture of the groundbreaking movement one hundred years after the Harlem Renaissance emerged as a creative force at the close of World War I. It illuminates multiple facets of the era--the lives of its people, the art, the literature, the music, and the social history--through paintings, prints, photography, sculpture, and contemporary documents and ephemera. The lushly illustrated chronicle includes work by cherished artists such as Romare Bearden, Allan Rohan Crite, Palmer Hayden, William Johnson, Jacob Lawrence, Archibald Motley, and James Van Der Zee. The project is the culmination of decades of reflection, research, and scholarship by Wil Haygood, acclaimed biographer and preeminent historian on Harlem and its cultural roots. In thematic chapters, the author captures the range and breadth of the Harlem Reniassance, a sweeping movement which saw an astonishing array of black writers and artists and musicians gather over a period of a few intense years, expanding far beyond its roots in Harlem to unleashing a myriad of talents upon the nation. The book is published in conjunction with a major exhibition at the Columbus Museum of Art.
Author: Sharon F. Patton
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
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Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
