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Author: Leonard Folgarait
Publisher:
ISBN: 9780300218015
Category : Art criticism
Languages : en
Pages : 0
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Book Description
In 1909, renowned artist Pablo Picasso (1881-1973) embarked on a series of stylistic experiments that had a dramatic effect on modern art. This book examines the ways in which Picasso's art of 1909 intertwines and engages with the larger intellectual framework of his time and sheds light on how the writings of Gertrude Stein, the philosophy of Henri Bergson, the theories of Albert Einstein, and even American comic strips played a role in the development of Picasso's unique artistic style. With an insightful, interdisciplinary approach that focuses on how European society was grappling with the larger issues of how to conceptualize, write about, and visualize a rapidly modernizing culture, Painting 1909 presents a methodical exploration of Picasso's stylistic choices and proposes new reasons for the development of radical modernist art that led to Cubism and, eventually, absolute abstraction.
Author: Leonard Folgarait
Publisher:
ISBN: 9780300218015
Category : Art criticism
Languages : en
Pages : 0
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Book Description
In 1909, renowned artist Pablo Picasso (1881-1973) embarked on a series of stylistic experiments that had a dramatic effect on modern art. This book examines the ways in which Picasso's art of 1909 intertwines and engages with the larger intellectual framework of his time and sheds light on how the writings of Gertrude Stein, the philosophy of Henri Bergson, the theories of Albert Einstein, and even American comic strips played a role in the development of Picasso's unique artistic style. With an insightful, interdisciplinary approach that focuses on how European society was grappling with the larger issues of how to conceptualize, write about, and visualize a rapidly modernizing culture, Painting 1909 presents a methodical exploration of Picasso's stylistic choices and proposes new reasons for the development of radical modernist art that led to Cubism and, eventually, absolute abstraction.
Author: Gertrude Stein
Publisher: French List
ISBN: 9780857425850
Category : Artists
Languages : en
Pages : 0
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Book Description
Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.
Author: Tobias Günter Natter
Publisher:
ISBN: 9783836546126
Category : Art
Languages : en
Pages : 0
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Book Description
A century after his death, Egon Schiele continues to stun with his contorted lines, distorted bodies, and eroticism. This XXL-sized book features the complete catalogue of his paintings from 1909-1918. Nearly 600 illustrations are presented, many of them newly photographed, alongside expert insights and Schiele's personal writings in this...
Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
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Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: RoseLee Goldberg
Publisher:
ISBN: 9780500271315
Category : Group work in art
Languages : en
Pages : 128
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Book Description
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
ISBN: 9780892074990
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.
Author: Geraldine Norman
Publisher: Univ of California Press
ISBN: 9780520033283
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Adrian Stokes
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 650
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Book Description
Author: Jean Stern
Publisher: Rizzoli Publications
ISBN: 0847860590
Category : Art
Languages : en
Pages : 278
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Book Description
Luminous, gorgeously realized landscape paintings made en plein air by members of the California Art Club over the past 100 years. This volume showcases 200 works by California Art Club artists who have focused on the evocative seascapes, charming seaside towns, and beach communities from San Diego to San Francisco, demonstrating a breathtaking range of natural settings suffused with atmosphere, drama, and light. Since the dawn of the twentieth century, California has been home to artists from all over America and Europe who aspired to depict the state’s compelling natural landscapes on canvas. In 1909, these artists founded the California Art Club, which stands today as one of the most esteemed painting societies in the United States. This volume, which follows Skira Rizzoli’s luminous California Light: A Century of Landscapes, presents more of the club’s distinctive and lush plein air painting, an impressionistic style in which painters work outdoors in order to capture the ephemeral moment when the natural lighting of a landscape elevates an already beautiful scene into something sublime. As observed by W.H. Auden, “Thousands have lived without love, not one without water.” We as a species are drawn to the sea—artists perhaps even more so than others, as beautifully evidenced in this book.
