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Author: John F. Moffitt
Publisher: McFarland
ISBN: 0786452269
Category : Art
Languages : en
Pages : 322
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Book Description
While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object--such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary--possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.
Author: John F. Moffitt
Publisher: McFarland
ISBN: 0786452269
Category : Art
Languages : en
Pages : 322
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Book Description
While the Renaissance is generally perceived to be a secular movement, the majority of large artworks executed in 15th century Italy were from ecclesiastical commissions. Because of the nature of primarily basilica-plan churches, a parishioner's view was directed by the diminishing parallel lines formed by the walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point. As applied to ecclesiastical artwork, the Catholic Vanishing Point (CVP) was deliberately situated upon or aligned with a given object--such as the Eucharist wafer or Host, the head of Christ or the womb of the Virgin Mary--possessing great symbolic significance in Roman liturgy. Masaccio's fresco painting of the Trinity (circa 1427) in the Florentine church of Santa Maria Novella, analyzed in physical and symbolic detail, provides the first illustration of a consistently employed linear perspective within an ecclesiastical setting. Leonardo's Last Supper, Venaziano's St. Lucy Altarpiece, and Tome's Transparente illustrate the continuation of this use of liturgical perspective.
Author: Steven F.H. Stowell
Publisher: BRILL
ISBN: 9004283927
Category : History
Languages : en
Pages : 418
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Book Description
Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
Author: Javier Berzal de Dios
Publisher: University of Toronto Press
ISBN: 1487503881
Category : Architecture
Languages : en
Pages : 216
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Book Description
Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period's philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.
Author: Maureen C. Miller
Publisher: Routledge
ISBN: 1317144511
Category : History
Languages : en
Pages : 396
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Book Description
This book of eleven essays by an international group of scholars in medieval studies honors the work of Barbara H. Rosenwein, Professor emerita of History at Loyola University Chicago. Part I, “Emotions and Communities,” comprises six essays that make use of Rosenwein’s well-known and widely influential work on the history of emotions and what Rosenwein has called “emotional communities.” These essays employ a wide variety of source material such as chronicles, monastic records, painting, music theory, and religious practice to elucidate emotional commonalities among the medieval people who experienced them. The five essays in Part II, “Communities and Difference,” explore different kinds of communities and have difference as their primary theme: difference between the poor and the unfree, between power as wielded by rulers or the clergy, between the western Mediterranean region and the rest of Europe, and between a supposedly great king and lesser ones.
Author: Anthony Bale
Publisher: Reaktion Books
ISBN: 178023001X
Category : History
Languages : en
Pages : 257
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Book Description
In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians. As a result, Christians retaliated with expulsions, riots, and murders that systematically denied Jews the right to religious freedom and peace. Through close readings of a wide range of sources, Bale exposes the perceived violence enacted by the Jews and how the images of this Christian suffering and persecution were central to medieval ideas of love, community, and home. The images and texts explored by Bale expose a surprising practice of recreational persecution and show that the violence perpetrated against medieval Jews was far from simple anti-Semitism and was in fact a complex part of medieval life and culture. Bale’s comprehensive look at medieval poetry, drama, visual culture, theology, and philosophy makes Feeling Persecuted an important read for anyone interested in the history of Christian-Jewish relations and the impact of this history on modern culture.
Author: Stuart Sillars
Publisher: Cambridge University Press
ISBN: 1316381005
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon.
Author: George Corbett
Publisher: Cambridge University Press
ISBN: 1108489419
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.
Author: C.A. Brebbia
Publisher: WIT Press
ISBN: 1784660833
Category : Architecture
Languages : en
Pages : 239
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Book Description
This book contains papers presented at the 1st International Conference on Islamic Heritage Architecture and Art. The papers deal with the design of many types of buildings in Islamic countries and the influence that these structural forms have had in non-Islamic countries. Coverage will also include construction materials. There is much to learn from past experiences to arrive at solutions that are environmentally sound and sustainable in the long term. As conventional energy resources become scarce, the Islamic design heritage can offer invaluable lessons on how to deal with difficult and extreme environments in an efficient manner. Traditional architecture and urban environment in most Islamic countries is now being eroded by overemphasis on global type of architecture and city planning. As a consequence, many regions are losing their identity. The Conference will aim to review these developments in the light of what the classical Islamic urban designs and architectures have to offer modern society. There will also be coverage of conservation techniques appropriate to the materials and structural forms used. Topics covered include: Architectural heritage; Archaeological studies; Historical aspects; The Islamic urban environment; Types of buildings (e.g., Mosques and minarets; Mausolea; Citadels and fortifications, Baths and caravanserais; Bridges and dams; Cisterns and quants; Earth-sheltered architecture; Irrigation systems; Wind towers); Climate adaptability; Arches and vaults; Domes and squinches; Double shell dome; Geometry and orientation; The use of light; Design and nature; Vernacular architecture; Construction materials (e.g., Masonry and mortars; Wood, Metals; Tiles, Adobe); Structural analysis; Earthquake resistant structures; Calligraphy, painting and patterns; Architectural conservation. The contents will be of interest to all researchers, practitioners and government employees actively involved with Islamic Heritage Architecture.
Author: Katharine D. Scherff
Publisher: Taylor & Francis
ISBN: 1000852822
Category : Art
Languages : en
Pages : 211
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Book Description
Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
Author: David Grumett
Publisher: Oxford University Press
ISBN: 0198767072
Category : Religion
Languages : en
Pages : 335
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Book Description
This work surveys and identifies the most important liturgical and theological texts from the biblical, Patristic, medieval, Reformation, and modern periods in order to understand how the Eucharist has shaped, and been shaped by, texts, ritual, and doctrine.
