Author: Thomas DaCosta Kaufmann
Publisher: UNC Press Books
ISBN: 0807829560
Category : Art
Languages : en
Pages : 207
Book Description
"Kaufmann situates Maulbertsch as a fresco painter at a time of transition to easel painting, a colorist at a time when color was not fully appreciated by contemporary observers, and an interpreter of religious themes at a time when secular subjects were becoming more popular. Although he has been dismissed as an eccentric by previous scholars, Kaufmann's analysis shows Maulbertsch involved in the intellectual and aesthetic issues of his day."--BOOK JACKET.
Painterly Enlightenment
Author: Thomas DaCosta Kaufmann
Publisher: UNC Press Books
ISBN: 0807829560
Category : Art
Languages : en
Pages : 207
Book Description
"Kaufmann situates Maulbertsch as a fresco painter at a time of transition to easel painting, a colorist at a time when color was not fully appreciated by contemporary observers, and an interpreter of religious themes at a time when secular subjects were becoming more popular. Although he has been dismissed as an eccentric by previous scholars, Kaufmann's analysis shows Maulbertsch involved in the intellectual and aesthetic issues of his day."--BOOK JACKET.
Publisher: UNC Press Books
ISBN: 0807829560
Category : Art
Languages : en
Pages : 207
Book Description
"Kaufmann situates Maulbertsch as a fresco painter at a time of transition to easel painting, a colorist at a time when color was not fully appreciated by contemporary observers, and an interpreter of religious themes at a time when secular subjects were becoming more popular. Although he has been dismissed as an eccentric by previous scholars, Kaufmann's analysis shows Maulbertsch involved in the intellectual and aesthetic issues of his day."--BOOK JACKET.
Art and Religion in Eighteenth-Century Europe
Author: Nigel Aston
Publisher: Reaktion Books
ISBN: 1861898452
Category : Art
Languages : en
Pages : 346
Book Description
Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century. The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well. An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.
Publisher: Reaktion Books
ISBN: 1861898452
Category : Art
Languages : en
Pages : 346
Book Description
Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century. The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well. An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.
The Habsburgs
Author: Paula Sutter Fichtner
Publisher: Reaktion Books
ISBN: 1780233140
Category : History
Languages : en
Pages : 351
Book Description
The death of Archduke Franz Ferdinand in Sarajevo in 1914 not only sparked the beginning of World War I—it also initiated the beginning of the end of the six-hundred-year-old Habsburg dynasty, which fell apart when the war ended, changing Europe forever. But how did the Habsburgs come to play such a decisive role in the fate of the continent? Paula Sutter Fichtner seeks to answer this question in this comprehensive account of the longest-lived European empire. Tracing the origins of the house of Habsburg to the tenth century, Fichtner identifies the principal characters in the story and explores how they were able to hold together such a culturally diverse and multiethnic state for so many centuries. She takes account of the intertwining of culture, politics, and society, revealing the strategies that enabled the dynasty’s extraordinarily long life: its dazzling mix of cultural propaganda, public performances, and cunning political maneuvering. She points out the irony that one of the crowd-pleasing performances that had enabled the Habsburg success—visiting beds of the injured—led to Ferdinand’s death and the empire’s downfall. Breathing fresh life into the history of the Habsburg reign, this accessible and authoritative history charts one of the pivotal foundation stories of modern Europe.
Publisher: Reaktion Books
ISBN: 1780233140
Category : History
Languages : en
Pages : 351
Book Description
The death of Archduke Franz Ferdinand in Sarajevo in 1914 not only sparked the beginning of World War I—it also initiated the beginning of the end of the six-hundred-year-old Habsburg dynasty, which fell apart when the war ended, changing Europe forever. But how did the Habsburgs come to play such a decisive role in the fate of the continent? Paula Sutter Fichtner seeks to answer this question in this comprehensive account of the longest-lived European empire. Tracing the origins of the house of Habsburg to the tenth century, Fichtner identifies the principal characters in the story and explores how they were able to hold together such a culturally diverse and multiethnic state for so many centuries. She takes account of the intertwining of culture, politics, and society, revealing the strategies that enabled the dynasty’s extraordinarily long life: its dazzling mix of cultural propaganda, public performances, and cunning political maneuvering. She points out the irony that one of the crowd-pleasing performances that had enabled the Habsburg success—visiting beds of the injured—led to Ferdinand’s death and the empire’s downfall. Breathing fresh life into the history of the Habsburg reign, this accessible and authoritative history charts one of the pivotal foundation stories of modern Europe.
The Spaces That Never Were in Early Modern Art
Author: Jelena Todorović
Publisher: Cambridge Scholars Publishing
ISBN: 1527538567
Category : Art
Languages : en
Pages : 197
Book Description
Throughout history, the research of space has always been an issue of great interest. Since classical Antiquity, the physical space itself and its imperfect double, the illusionary space used in the visual arts, have been one of the perpetual obsessions of man. However, there are very few studies that question the reality of represented space, and deal with those liminal phenomena that exist on the blurred boundary between reality and imagination. Such spaces were never defined by carefully drawn borders; they were usually outlined by the ephemeral and ever changing barriers. For that very reason, liminal spaces describe those curious worlds confined in gardens and collections, they underpin all those dreams of ideal societies, and construct visions of unobtainable and distant shores. Liminal spaces are the territories not usually found on maps and in atlases, they are not subjected to laws of perspective and elude the usual representations. They are always beyond and behind the established depiction of space. Often, they possess yet another layer of signification, that transforms a mere image of nature into a political manifesto, the lines on precious stones into the shapes of vanished cities, and private art collections into a dream of absolute power. This book explores different representations and forms of liminal spaces, that on the one hand, deeply influenced the history of the early modern imagination, and, on the other, established the models for our own understanding of liminal spatial phenomena.
Publisher: Cambridge Scholars Publishing
ISBN: 1527538567
Category : Art
Languages : en
Pages : 197
Book Description
Throughout history, the research of space has always been an issue of great interest. Since classical Antiquity, the physical space itself and its imperfect double, the illusionary space used in the visual arts, have been one of the perpetual obsessions of man. However, there are very few studies that question the reality of represented space, and deal with those liminal phenomena that exist on the blurred boundary between reality and imagination. Such spaces were never defined by carefully drawn borders; they were usually outlined by the ephemeral and ever changing barriers. For that very reason, liminal spaces describe those curious worlds confined in gardens and collections, they underpin all those dreams of ideal societies, and construct visions of unobtainable and distant shores. Liminal spaces are the territories not usually found on maps and in atlases, they are not subjected to laws of perspective and elude the usual representations. They are always beyond and behind the established depiction of space. Often, they possess yet another layer of signification, that transforms a mere image of nature into a political manifesto, the lines on precious stones into the shapes of vanished cities, and private art collections into a dream of absolute power. This book explores different representations and forms of liminal spaces, that on the one hand, deeply influenced the history of the early modern imagination, and, on the other, established the models for our own understanding of liminal spatial phenomena.
Palaces of Reason
Author: Robin L. Thomas
Publisher: Penn State Press
ISBN: 0271096608
Category : Architecture
Languages : en
Pages : 211
Book Description
Palaces of Reason traces the fascinating history of three royal residences built outside of Naples in the eighteenth century at Capodimonte, Portici, and Caserta. Commissioned by King Charles of Bourbon and Queen Maria Amalia of Saxony, who reigned over the Kingdom of the Two Sicilies, these buildings were far more than residences for the monarchs. They were designed to help reshape the economic and cultural fortunes of the realm. The palaces at Capodimonte, Portici, and Caserta are among the most complex architectural commissions of the eighteenth century. Considering the architecture and decoration of these complexes within their political, cultural, and economic contexts, Robin L. Thomas argues that Enlightenment ideas spurred their construction and influenced their decoration. These modes of thinking saw the palaces as more than just centers of royal pleasure or muscular assertions of the crown’s power. Indeed, writers and royal ministers viewed them as active agents in improving the cultural, political, social, and economic health of the kingdom. By casting the palaces within this narrative, Thomas counters the assumption that they were imitations of Versailles and the swan songs of absolutism, while expanding our understanding of the eighteenth-century European palace more broadly. Original and convincing, Thomas’s book will be of interest to historians of art and architectural history and eighteenth-century studies.
Publisher: Penn State Press
ISBN: 0271096608
Category : Architecture
Languages : en
Pages : 211
Book Description
Palaces of Reason traces the fascinating history of three royal residences built outside of Naples in the eighteenth century at Capodimonte, Portici, and Caserta. Commissioned by King Charles of Bourbon and Queen Maria Amalia of Saxony, who reigned over the Kingdom of the Two Sicilies, these buildings were far more than residences for the monarchs. They were designed to help reshape the economic and cultural fortunes of the realm. The palaces at Capodimonte, Portici, and Caserta are among the most complex architectural commissions of the eighteenth century. Considering the architecture and decoration of these complexes within their political, cultural, and economic contexts, Robin L. Thomas argues that Enlightenment ideas spurred their construction and influenced their decoration. These modes of thinking saw the palaces as more than just centers of royal pleasure or muscular assertions of the crown’s power. Indeed, writers and royal ministers viewed them as active agents in improving the cultural, political, social, and economic health of the kingdom. By casting the palaces within this narrative, Thomas counters the assumption that they were imitations of Versailles and the swan songs of absolutism, while expanding our understanding of the eighteenth-century European palace more broadly. Original and convincing, Thomas’s book will be of interest to historians of art and architectural history and eighteenth-century studies.
Art and Curiosity Cabinets of the Late Renaissance
Author: Julius von Schlosser
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Haydn’s Sunrise, Beethoven’s Shadow
Author: Deirdre Loughridge
Publisher: University of Chicago Press
ISBN: 022633709X
Category : History
Languages : en
Pages : 302
Book Description
Introduction : audiovisual histories -- From mimesis to prosthesis -- Opera as peepshow -- Shadow media -- Haydn's Creation as moving image -- Beethoven's phantasmagoria -- Conclusion : audiovisual returns
Publisher: University of Chicago Press
ISBN: 022633709X
Category : History
Languages : en
Pages : 302
Book Description
Introduction : audiovisual histories -- From mimesis to prosthesis -- Opera as peepshow -- Shadow media -- Haydn's Creation as moving image -- Beethoven's phantasmagoria -- Conclusion : audiovisual returns
Time and Place
Author: Thomas Dacosta Kaufmann
Publisher: Routledge
ISBN: 1351144588
Category : Art
Languages : en
Pages : 310
Book Description
Authors from Herodotus in antiquity to Vasari in the Renaissance related art and architecture to peoples, nations, regions, cities, and environments. Already with Winckelmann and the origins of discussion of art history in the eighteenth century geography was seen as a powerful determinant of art. In the nineteenth century, the perceived connection between nations or races and art flourished, mainly because of the rise of nationalism. Around 1900 the method of geographical analysis received a modern name, 'Kunstgeographie'. But the ideology of 'Blut and Boden' associated with Nazism and related ideologies brought the geography of art into disrepute. This book proposes to return anew to the approach of artistic geography, which had been largely neglected from the Second World War until recently, and to reevaluate the possibilities it provides through a selection of case studies that discuss the connection between art and its place. The introduction and first essay deal with the historiography of the geography of art. Five essays take up specific questions ranging from France and the Low Countries to Mexico and China. The final three essays consider contemporary and broader theoretical issues concerning art in time and place.
Publisher: Routledge
ISBN: 1351144588
Category : Art
Languages : en
Pages : 310
Book Description
Authors from Herodotus in antiquity to Vasari in the Renaissance related art and architecture to peoples, nations, regions, cities, and environments. Already with Winckelmann and the origins of discussion of art history in the eighteenth century geography was seen as a powerful determinant of art. In the nineteenth century, the perceived connection between nations or races and art flourished, mainly because of the rise of nationalism. Around 1900 the method of geographical analysis received a modern name, 'Kunstgeographie'. But the ideology of 'Blut and Boden' associated with Nazism and related ideologies brought the geography of art into disrepute. This book proposes to return anew to the approach of artistic geography, which had been largely neglected from the Second World War until recently, and to reevaluate the possibilities it provides through a selection of case studies that discuss the connection between art and its place. The introduction and first essay deal with the historiography of the geography of art. Five essays take up specific questions ranging from France and the Low Countries to Mexico and China. The final three essays consider contemporary and broader theoretical issues concerning art in time and place.
Is Art History Global?
Author: James Elkins
Publisher: Taylor & Francis
ISBN: 0415977851
Category : Art
Languages : en
Pages : 474
Book Description
Publisher description
Publisher: Taylor & Francis
ISBN: 0415977851
Category : Art
Languages : en
Pages : 474
Book Description
Publisher description
Complete Guide to Life Drawing
Author: Gottfried Bammes
Publisher: National Geographic Books
ISBN: 1844486907
Category : Art
Languages : en
Pages : 0
Book Description
A complete course, packed with instruction and profusely illustrated. This fantastic book is all you need if you want to start drawing the figure, or if you want to develop your life drawing skills. It is the ultimate reference book, a most inspirational guide and above all it offers everything you ever needed to know, including tips on simple ways to get it right, essential advice on anatomy, help with easy drawing methods and many different examples of the drawn figure. It is important to understand how the body works and detailed sections show hands, feet, faces, limbs and much more.
Publisher: National Geographic Books
ISBN: 1844486907
Category : Art
Languages : en
Pages : 0
Book Description
A complete course, packed with instruction and profusely illustrated. This fantastic book is all you need if you want to start drawing the figure, or if you want to develop your life drawing skills. It is the ultimate reference book, a most inspirational guide and above all it offers everything you ever needed to know, including tips on simple ways to get it right, essential advice on anatomy, help with easy drawing methods and many different examples of the drawn figure. It is important to understand how the body works and detailed sections show hands, feet, faces, limbs and much more.