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Author: David M. Bergeron
Publisher: University of Georgia Press
ISBN: 0820338435
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Pageantry in the Shakespearean Theater focuses on political, social, and aesthetic issues to reveal the enormous influence of civic celebration on Renaissance theater. Ranging across Shakespeare's canon and including the work of his fellow playwrights, this collection of twelve essays considers tournaments, royal entries, Lord Mayor's Shows, funeral processions progress entertainments, court masques, and more.
Author: David M. Bergeron
Publisher: University of Georgia Press
ISBN: 0820338435
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Pageantry in the Shakespearean Theater focuses on political, social, and aesthetic issues to reveal the enormous influence of civic celebration on Renaissance theater. Ranging across Shakespeare's canon and including the work of his fellow playwrights, this collection of twelve essays considers tournaments, royal entries, Lord Mayor's Shows, funeral processions progress entertainments, court masques, and more.
Author: Hugh Macrae Richmond
Publisher: A&C Black
ISBN: 9780826477767
Category : Literary Criticism
Languages : en
Pages : 590
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Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Author: Andrew J. Power
Publisher: Cambridge University Press
ISBN: 1107016193
Category : Drama
Languages : en
Pages : 357
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Book Description
In Late Shakespeare, 1608-1613, leading international Shakespeare scholars provide a contextually informed approach to Shakespeare's last seven plays.
Author: Michael Hattaway
Publisher: Cambridge University Press
ISBN: 9780521775397
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Publisher Description (unedited publisher data) Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1351815121
Category : Literary Criticism
Languages : en
Pages : 672
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Book Description
Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.
Author: Jennifer Woodward
Publisher: Boydell & Brewer Ltd
ISBN: 0851157041
Category : History
Languages : en
Pages : 286
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Book Description
English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court.
Author: James Alsop
Publisher: Taylor & Francis
ISBN: 1040035442
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage. Just as zombies, ghouls, and the undead in modern media often stand in for present-day concerns, early modern writers frequently imagined living death in complex ways that allowed them to address contemporary anxieties. These include fresh bleeding bodies (and body parts), ghostly Lord Mayors, and dying characters who must carefully choose their last words – or have those words chosen for them by the living. As well as offering fresh interpretations of well-known plays such as Middleton’s The Lady’s Tragedy and Webster’s The White Devil, this innovative study also sheds light on less well-known works such as the anonymous The Tragedy of Locrine, Marston’s Antonio’s Revenge, and Munday’s mayoral pageants Chruso-thriambos and Chrysanaleia. The author demonstrates that wherever characters in early modern drama appear to straddle the line between this world and the next, it is rarely a simple matter of life and death. This book will be of great interest to students, scholars, and practitioners in theatre and performance studies, and cultural and social studies.
Author: Wilson Richard Wilson
Publisher: Edinburgh University Press
ISBN: 1474411339
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
In Worldly Shakespeare Richard Wilson proposes that the universalism proclaimed in the name of Shakespeare's playhouse was tempered by his own worldliness, the performative idea that runs through his plays, that if 'All the world's a stage', then 'all the men and women in it' are 'merely players'. Situating this playacting in the context of current concerns about the difference between globalization and mondialisation, the book considers how this drama offers itself as a model for a planet governed not according to universal toleration, but the right to offend: 'But with good will'. For when he asks us to think we 'have but slumbered' throughout his offensive plays, Wilson suggests, Shakespeare is presenting a drama without catharsis, which anticipates post-structuralist thinkers like Jacques Rancire and Slavoj A iA ek, who insist the essence of democracy is dissent, and 'the presence of two worlds in one'.Living out his scenario of the guest who destroys the host, by welcoming the religious terrorist, paranoid queen, veiled woman, papist diehard, or puritan fundamentalist into his play-world, Worldly Shakespeare concludes, the dramatist instead provides a pretext for our globalized communities in a time of Facebook and fatwa, as we also come to depend on the right to offend 'with our good will'.
Author: S. P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644686
Category : Drama, Medieval
Languages : en
Pages : 301
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Book Description
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eleven new articles and reviews of twelve books.
Author: Gary Schmidgall
Publisher: University Press of Kentucky
ISBN: 9780813117065
Category : Drama
Languages : en
Pages : 252
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Book Description
Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating.
