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Author: Andrew Cecil Bradley
Publisher: London : Macmillan, 1909, 1926 printing.
ISBN:
Category : Poetry
Languages : en
Pages : 418
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Book Description
Author: Andrew Cecil Bradley
Publisher: London : Macmillan, 1909, 1926 printing.
ISBN:
Category : Poetry
Languages : en
Pages : 418
Get Book Here
Book Description
Author: A.C. Bradley
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563791
Category : English poetry
Languages : en
Pages : 416
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Book Description
One Of The Best-Known Works Of Bradley, The Present Volume Consists Of Lectures Delivered During The Author S Tenure Of The Chair Of Poetry (1901-1906) At Oxford. The Lectures Approach The Style And Craftsmanship, Views And Theories Of Shakespeare, Wordsworth, Hegel, Shelley And Keats Through An Extended Study Of Their Valuable Works. Lectures Included Herein Are:" Poetry For Poetry S Sake" The Sublime" Hegel S Theory Of Tragedy" Wordsworth" Shelley S View Of Poetry" The Long Poem In The Age Of Wordsworth" The Letters Of Keats" The Rejection Of Falstaff" Shakespeare S Antony And Cleopatra" Shakespeare The Man" Shakespeare S Theatre And AudienceBradley S Work Is Considered A Classical Masterpiece Which Retains Its Interest And Admirers As Yet. It Is A Must-Read Book For Students And Researchers Of English Literature As It Facilitates In-Depth Study Of Valuable Works Of Great Authors Of The Subject.
Author: A C (Andrew Cecil) 1851-1 Bradley
Publisher: Legare Street Press
ISBN: 9781019931158
Category :
Languages : en
Pages : 0
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Book Description
Delivered by one of England's foremost literary critics, the Oxford Lectures on Poetry provide a thoughtful and insightful analysis of poetry as an art form. Bradley explores the complexities of poetic language, the relationship between the poet and the reader, and the cultural and historical context in which poetic works arise. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Paul Muldoon
Publisher: Macmillan + ORM
ISBN: 1429923911
Category : Literary Criticism
Languages : en
Pages : 589
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Book Description
In The End of the Poem, Paul Muldoon, "the most significant English-language poet born since the Second World War" (The Times Literary Supplement), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography—and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other. At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, The End of the Poem is a vigorous and accessible approach to looking at poetry anew.
Author: James Fenton
Publisher: OUP Oxford
ISBN: 9780199261390
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
A major account of modern poetry, from one of its leading figures. James Fenton examines issues of creativity and the 'earning' of success, of judgement, tutorage, rivalry, and ambition. He considers the juvenilia of Wilfred Owen, the 'scarred' lines of Philip Larkin, the inheritance of imperialism, and issues of 'constituency' in Seamus Heaney. The book contains insights into the work of Marianne Moore, Elizabeth Bishop, Sylvia Plath, D. H. Lawrence, and W. H. Auden.
Author: Jorge Luis Borges
Publisher: Harvard University Press
ISBN: 0674008200
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Transcribed from recently discovered tapes, this work stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature. 1 halftone.
Author: Andrew Cecil Bradley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 44
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Book Description
Author: Sir Monier Monier-Williams
Publisher:
ISBN:
Category : Mahābhārata
Languages : en
Pages : 152
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Book Description
Author: Malcolm Guite
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409449362
Category : Art
Languages : en
Pages : 272
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Book Description
Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly. Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do Theology'. Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.
Author: Alice Oswald
Publisher: National Geographic Books
ISBN: 1324005602
Category : Poetry
Languages : en
Pages : 0
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Book Description
A collage of water stories from the Odyssey, reconstructed as a mesmeric and hallucinatory book-length poem by acclaimed poet Alice Oswald. In Memorial, her unforgettable transformation of the Iliad, Alice Oswald breathed new life into myth. In Nobody, she returns to Homer, this time fixing her gaze on a minor character in the Odyssey—a poet abandoned on a stony island—and the sea that surrounds him. Familiar voices drift in and out of the poem; though there are no proper names, we recognize Helios, Icarus, Alcyone, Philoctetes, Calypso, Clytemnestra, Orpheus, Poseidon, Hermes, and the presiding spirit of Proteus, the shape-shifting sea-god. As with all of Oswald’s work, this is poetry that is made for the human voice, but here the language takes on the qualities of another element: dense, muscular, and liquid. Reading Nobody is like watching the ocean; we slip our earthly moorings and follow the circling shoal of sea voices into a mesh of sound and light and water—fluid, abstract, and moving with the wash of waves.
