Author: Lady Gregory
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 348
Book Description
Our Irish Theatre
Author: Lady Gregory
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 348
Book Description
Lady Gregory and Irish National Theatre
Author: Eglantina Remport
Publisher: Springer
ISBN: 3319766112
Category : Performing Arts
Languages : en
Pages : 243
Book Description
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
Publisher: Springer
ISBN: 3319766112
Category : Performing Arts
Languages : en
Pages : 243
Book Description
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
Our Irish Theatre: A chapter of autobiography
Author: Lady Gregory
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 185
Book Description
"Our Irish Theatre: A chapter of autobiography" by Lady Gregory. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 185
Book Description
"Our Irish Theatre: A chapter of autobiography" by Lady Gregory. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The Cambridge Companion to Twentieth-Century Irish Drama
Author: Shaun Richards
Publisher: Cambridge University Press
ISBN: 9780521008730
Category : Drama
Languages : en
Pages : 308
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521008730
Category : Drama
Languages : en
Pages : 308
Book Description
Publisher Description
Modern Irish Theatre
Author: Mary Trotter
Publisher: John Wiley & Sons
ISBN: 0745654479
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
Publisher: John Wiley & Sons
ISBN: 0745654479
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
Our Irish theatre
Author: Isabella Augusta Gregory
Publisher:
ISBN:
Category :
Languages : en
Pages : 319
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 319
Book Description
A Century of Irish Drama
Author: Stephen Watt
Publisher: Indiana University Press
ISBN: 9780253214195
Category : History
Languages : en
Pages : 366
Book Description
This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
Publisher: Indiana University Press
ISBN: 9780253214195
Category : History
Languages : en
Pages : 366
Book Description
This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
Our Irish Theatre
Author: Isabella Augusta Gregory
Publisher:
ISBN: 9781492975328
Category :
Languages : en
Pages : 186
Book Description
Our Irish Theatre; A Chapter of Autobiography. 1913. Contents: The theatre in the making.-The blessing of the generations.-Playwriting.-The fight over "The playboy."-Synge.-The fight with the Castle.-"The playboy" in America.-Appendices: Plays produced by the Abbey Theatre Co. and its predecessors, with dates of first performances; "The Nation" on "Blanco Posnet;" "The playboy" in America; In the eyes of our enemies; In the eyes of our friends. Lady Gregory gives us a chapter of autobiography in "Our Irish Theater." She writes the book as an answer to the questions she whimsically imagines her grandson, Richard Gregory, might someday ask about her wanderings and her work -"What were they for, the writing, the journeys, and why did she have an enemy?" So she has put the story down, that we may know her part in the making of the Irish Theater the work of writing the plays and the fight with the Clan-na-Gael over "The Playboy of the Western World." Incidentally she has given us much that is valuable about Synge-much that no one else could give us regarding his struggle for success. The little poem below, which is included in this book was written shortly before the time of his death in 1909 forecasts his passing : "With Fifteen-ninety or Sixteen-sixteen We end Cervantes, Marot, Nashe or Green; Then Sixteen-thirteen till two score and nine Is Crashaw's niche, that honey-lipped divine. And so when all my little work is done They'll say I came in Eighteen-seventy-one, And died in Dublin. What year will they write For my poor passage to the stall of Night?" *** Final thought: This account of the modern movement fostered by Lady Gregory and others aimed to build up an Irish stage and Irish dramatic literature. (and it worked!)
Publisher:
ISBN: 9781492975328
Category :
Languages : en
Pages : 186
Book Description
Our Irish Theatre; A Chapter of Autobiography. 1913. Contents: The theatre in the making.-The blessing of the generations.-Playwriting.-The fight over "The playboy."-Synge.-The fight with the Castle.-"The playboy" in America.-Appendices: Plays produced by the Abbey Theatre Co. and its predecessors, with dates of first performances; "The Nation" on "Blanco Posnet;" "The playboy" in America; In the eyes of our enemies; In the eyes of our friends. Lady Gregory gives us a chapter of autobiography in "Our Irish Theater." She writes the book as an answer to the questions she whimsically imagines her grandson, Richard Gregory, might someday ask about her wanderings and her work -"What were they for, the writing, the journeys, and why did she have an enemy?" So she has put the story down, that we may know her part in the making of the Irish Theater the work of writing the plays and the fight with the Clan-na-Gael over "The Playboy of the Western World." Incidentally she has given us much that is valuable about Synge-much that no one else could give us regarding his struggle for success. The little poem below, which is included in this book was written shortly before the time of his death in 1909 forecasts his passing : "With Fifteen-ninety or Sixteen-sixteen We end Cervantes, Marot, Nashe or Green; Then Sixteen-thirteen till two score and nine Is Crashaw's niche, that honey-lipped divine. And so when all my little work is done They'll say I came in Eighteen-seventy-one, And died in Dublin. What year will they write For my poor passage to the stall of Night?" *** Final thought: This account of the modern movement fostered by Lady Gregory and others aimed to build up an Irish stage and Irish dramatic literature. (and it worked!)
Critical Companion to William Butler Yeats
Author: David A. Ross
Publisher: Infobase Publishing
ISBN: 1438126921
Category : Electronic books
Languages : en
Pages : 673
Book Description
Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
Publisher: Infobase Publishing
ISBN: 1438126921
Category : Electronic books
Languages : en
Pages : 673
Book Description
Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
Perspectives on Contemporary Irish Theatre
Author: Anne Etienne
Publisher: Springer
ISBN: 3319597108
Category : Performing Arts
Languages : en
Pages : 298
Book Description
This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Publisher: Springer
ISBN: 3319597108
Category : Performing Arts
Languages : en
Pages : 298
Book Description
This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.