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Author: Eliza Garrison
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
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Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
Author: Eliza Garrison
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
Get Book Here
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
Author: Jeffrey F. Hamburger
Publisher: Giles
ISBN: 9781911282860
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author: Jennifer P. Kingsley
Publisher: Penn State Press
ISBN: 0271077646
Category : Art
Languages : en
Pages : 489
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Book Description
Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.
Author: Laura Wangerin
Publisher: University of Michigan Press
ISBN: 0472131397
Category : History
Languages : en
Pages : 245
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Book Description
Laura E. Wangerin challenges traditional views of the Ottonian Empire’s rulership. Drawing from a broad array of sources including royal and imperial diplomas, manuscript illuminations, and histories, Ottonian kingship and the administration of justice are investigated using traditional historical and comparative methodologies as well as through the application of innovative approaches such as modern systems theories. This study suggests that distinctive elements of the Ottonians’ governing apparatus, such as its decentralized structure, emphasis on the royal iter, and delegation of authority, were essential features of a highly developed political system. Kingship and Justice in the Ottonian Empire provides a welcome addition to English-language scholarship on the Ottonians, as well as to scholarship dealing with rulership and medieval legal studies. Scholars have recognized the importance of ritual and symbolic behaviors in the Ottonian political sphere, while puzzling over the apparent lack of administrative organization, a contradiction between what we know about the Ottonians as successful rulers and their traditional characterization as rulers of a disorganized polity. Trying to account for the apparent disparity between their political and military achievements, cultural and artistic efflorescence, and relative dynastic stability, which seemingly accompanied a disinterest in writing law or creating a centralized hierarchical administration, is a tension that persists in the scholarship. This book argues that far from being accidental successes or employing primitive methods of governance, the Ottonians were shrewd rulers and administrators who exploited traditional methods of conflict resolution and delegated jurisdictional authority to keep control over their vast empire. Thus, one of the important things that this book aims to accomplish is to challenge our preconceived notions of what successful government looks like.
Author: Jaume Aurell i Cardona
Publisher: Cambridge University Press
ISBN: 1108840248
Category : History
Languages : en
Pages : 355
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Book Description
The first systematic study of the practice of royal self-coronations from late antiquity to the present.
Author: Alexa Sand
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
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Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
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Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Henry Mayr-Harting
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 596
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Book Description
The seminal work, originally published in two seperate clothbound volumes, is now made available in a revised one-volume edition, both in hardback and in paperback. It brings to light an aesthic passage of European history which has never before received full-scale treatment in English. It explains, historically and with a rich body of illustrations, the origins and momentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideaology were interwined in Ottonian culture from about 950 to 1050. Besides dealing with the great imperials books such as the Gospels of Otto III and the Pericopes Book of Henry II, as well as other splendid liturgical manuscripts, the author also writes with penetrating insight about the great art-loving bishops such as Egbert of Trier and Bernard of Hildesheim, whose aims ans personalitites are express in the books they commissioned. In addition, the most important art centres of the Ottonian Empire - Reichenau, Cologne, Fulda and Corvey - are discussed in detail.
Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637081
Category : Literary Criticism
Languages : en
Pages : 740
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Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
