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Author: Todd Martin
Publisher: Bloomsbury Publishing
ISBN: 1474298982
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The New Zealand-born writer Katherine Mansfield associated intimately with many members of the Bloomsbury group, but her literary aesthetics placed her at a distance from the artistic works of the group. With chapters written by leading international scholars, Katherine Mansfield and the Bloomsbury Group explores this conflicted relationship. Bringing together biographical and critical studies, the book examines Mansfield's relationships – personal and literary – with such major Modernist figures as Virginia Woolf, T.S. Eliot, Aldous Huxley and Walter de la Mare as well as the ways in which her work engaged with and reacted against Bloomsbury. In this way the book reveals the true extent of Mansfield's wider influence on 20th-century modernist writing.
Author: Todd Martin
Publisher: Bloomsbury Publishing
ISBN: 1474298982
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The New Zealand-born writer Katherine Mansfield associated intimately with many members of the Bloomsbury group, but her literary aesthetics placed her at a distance from the artistic works of the group. With chapters written by leading international scholars, Katherine Mansfield and the Bloomsbury Group explores this conflicted relationship. Bringing together biographical and critical studies, the book examines Mansfield's relationships – personal and literary – with such major Modernist figures as Virginia Woolf, T.S. Eliot, Aldous Huxley and Walter de la Mare as well as the ways in which her work engaged with and reacted against Bloomsbury. In this way the book reveals the true extent of Mansfield's wider influence on 20th-century modernist writing.
Author: T. S. Eliot
Publisher: Macmillan + ORM
ISBN: 0374719209
Category : Poetry
Languages : en
Pages : 1216
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Book Description
The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.
Author: Andrew F. Humphries
Publisher: Springer
ISBN: 3319508113
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This book discusses D. H. Lawrence’s interest in, and engagement with, transport as a literal and metaphorical focal point for his ontological concerns. Focusing on five key novels, this book explores issues of mobility, modernity and gender. First exploring how mechanized transportation reflects industry and patriarchy in Sons and Lovers, the book then considers issues of female mobility in The Rainbow, the signifying of war transport in Women in Love, revolution and the meeting of primitive and modern in The Plumed Serpent, and the reflection of dystopian post-war concerns in Lady Chatterley’s Lover. Appealing to Lawrence, modernist, and mobilities researchers, this book is also of interest to readers interested in early twentieth century society, the First World War and transport history.
Author: Stefania Michelucci
Publisher: McFarland
ISBN: 1476674876
Category : Social Science
Languages : en
Pages : 278
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Book Description
As traditional social hierarchies fall away, ever steeper levels of economic inequality and the entrenchment of new class distinctions lend a new glamor to the idea of aristocracy: witness the worldwide popularity of Downton Abbey, or the seemingly insatiable public fascination with the private lives of the British royal family. This collection of new essays investigates the enduring attraction to the icon of the aristocrat and the spectacle of aristocratic society. It traces the ambivalent reactions the aristocracy provokes and the needs (political, ideological, psychological, and otherwise) it caters to in modern times when the economic power of the landed classes have been eroded and their political role curtailed. In this interdisciplinary collection, aristocracy is considered from multiple viewpoints, including British and American literature, European history and politics, cultural studies, linguistics, visual arts, music, and media studies.
Author: Charles Glass
Publisher: Penguin
ISBN: 198487795X
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
A brilliant and poignant history of the friendship between two great war poets, Siegfried Sassoon and Wilfred Owen, alongside a narrative investigation of the origins of PTSD and the literary response to World War I From the moment war broke out across Europe in 1914, the world entered a new, unparalleled era of modern warfare. Soldiers faced relentless machine gun shelling, incredible artillery power, flame throwers, and gas attacks. Within the first four months of the war, the British Army recorded the nervous collapse of ten percent of its officers; the loss of such manpower to mental illness – not to mention death and physical wounds – left the army unable to fill its ranks. Second Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A bourgeoning poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle. Though Owen and Sassoon differed in age, class, education, and interests, both were outsiders – as soldiers unfit to fight, as gay men in a homophobic country, and as Britons unwilling to support a war likely to wipe out an entire generation of young men. But more than anything else, they shared a love of the English language, and its highest expression of poetry. As their friendship evolved over their months as patients at Craiglockhart, each encouraged the other in their work, in their personal reckonings with the morality of war, as well as in their treatment. Therapy provided Owen, Sassoon, and fellow patients with insights that allowed them express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry. Drawing on rich source materials, as well as Glass’s own deep understanding of trauma and war, Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche. Writing beyond the battlefields, to the psychiatric couch of Craiglockhart but also the literary salons, halls of power, and country houses, Glass charts the experiences of Owen and Sassoon, and of their fellow soldier-poets, alongside the greater literary response to modern warfare. As he investigates the roots of what we now know as post-traumatic stress disorder, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.
Author: Richard Vytniorgu
Publisher: Liverpool University Press
ISBN: 1782846018
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Some of H.D.s most oft-quoted lines have to do with the meaning and value of words; they are conditioned to hatch butterflies. Yet rather than seeking merely to understand how H.D. represented the meaning and value of words, this volume uses the butterfly hatch as a metaphor for thinking more broadly about the capacity of literary experience to hatch transformed persons butterflies in quest of wisdom in university English studies. Dislodging H.D. from her usual modernist context, this book positions her as a thinker and reads her autobiographical prose and recently published work of the 1940s for its ability to offer new insights into such pertinent and interconnected areas as literary contexts, imagination, and personal and social transformation. H.D. has, in her own words, always been uncanonically seated, resistant to rigid classification; the texture of her work celebrates internal, existential resonances that evidence the emergence of personality. The author capitalizes on this facet of H.D.s work and uncanonically seats her in conversation with the neglected literary theorist, Louise Rosenblatt (19042005), whose transactional contribution uniquely fuses critical theory, politics, philosophy, and educational vision. This book synthesizes the work of H.D. and Rosenblatt to create an emergent personalist theory of literary experience in the quest for wisdom, crystallizing links between philosophical anthropology, aesthetics, pedagogy, and the politics of human relations. Benefiting from access to unpublished material housed at Columbia, New York, and Yale universities, Vytniorgu combines analysis and theorizing to offer a significant, pedagogically-inflected intervention in literary studies, arguing that university English studies must incorporate critical and pedagogical vantages which open a window on wisdom as well as knowledge.
Author: Carole Seymour-Jones
Publisher: Anchor
ISBN: 1400076285
Category : Biography & Autobiography
Languages : en
Pages : 736
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Book Description
By the time Vivienne Eliot was committed to an asylum for what would be the final nine years of her life, she had been abandoned by her husband T.S. Eliot and shunned by literary London. Yet Vivienne was neither insane nor insignificant. She generously collaborated in her husband’s literary efforts, taking dictation, editing his drafts, and writing articles for his magazine, Criterion. Her distinctive voice can be heard in his poetry. And paradoxically, it was the unhappiness of the Eliots’ marriage that inspired some of the poet’s most distinguished work, from The Family Reunion to The Waste Land. This first biography ever written about Vivienne draws on hundreds of previously unpublished papers, journals and letters to portray a spontaneous, loving, but fragile woman who had an important influence on her husband’s work, as well as a great poet whose behavior was hampered by psychological and sexual impulses he could not fully acknowledge. Intriguing and provocative, Painted Shadow gracefully rescues Vivienne Eliot from undeserved obscurity, and is indispensable for anyone wishing to understand T.S. Eliot, Vivienne, or the world in which they traveled.
Author: Mark Hussey
Publisher: Bloomsbury Publishing
ISBN: 1408894432
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
'Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over – a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell
Author: J. Redmond
Publisher:
ISBN: 9780391006485
Category : Literary Criticism
Languages : en
Pages : 616
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Book Description
Author: Christopher A Snyder
Publisher: Simon and Schuster
ISBN: 1643131095
Category : History
Languages : en
Pages : 326
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Book Description
The story of F. Scott Fitzgerald's creation of Jay Gatsby—war hero and Oxford man—at the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot. A diverse group of Americans came to Oxford in the first quarter of the twentieth century—the Jazz Age—when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character—Jay Gatsby—shortly after his and Zelda’s visit to Oxford. Fitzgerald’s creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford. Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War to the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. Archival material covering Scholars who came to Oxford during Trinity Term 1919—when Jay Gatsby claims he studied at Oxford—enables the narrative to illuminate a detailed portrait of what a “historical Gatsby” would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford—an impressive array of artists including W.B. Yeats, Virginia Woolf, Aldous Huxley, and C.S. Lewis.
