Other Times; Or The Monks of Leadenhall PDF Download
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Author: Thomas Gaspey
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
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Author: Thomas Gaspey
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
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Author: Lady Morgan (Sydney)
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 318
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Author: F Claudius Armstrong
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
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![The English Catalogue of Books: v. [1]. 1835-1863 PDF](https://books.google.com/books/content/images/frontcover/AhIIAAAAQAAJ?fife=w80-h100)
Author: Sampson Low
Publisher:
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Category : English literature
Languages : en
Pages : 934
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Author: Gary Kelly
Publisher: Routledge
ISBN: 1351221337
Category : Literary Criticism
Languages : en
Pages : 494
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Book Description
Presents a representative body of Romantic and early Victorian crime literature. This work contains ephemeral material ranging from gallows broadsides to reports into prison conditions. It is suitable for those studying Literature, Romantic and Victorian popular culture, Dickens Studies and the History of Criminology.
![Catalogue of Andrews' new British and foreign circulating library. [With] Supplementary catalogue [and] Catalogue de livres français et italiens PDF](https://books.google.com/books/content/images/frontcover/ijIIAAAAQAAJ?fife=w80-h100)
Author: J. Andrews
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
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Author: Kamilla Elliott
Publisher: JHU Press
ISBN: 1421407175
Category : Literary Criticism
Languages : en
Pages : 353
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Traditionally, kings and rulers were featured on stamps and money,the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver's licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature's best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work. -- Jerrold E. Hogle, University of Arizona
Author: Woolwich and District Antiquarian Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 752
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Author:
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Category : Great Britain
Languages : en
Pages : 846
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Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 934
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Book Description
Volumes for 1898-1968 include a directory of publishers.
