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Author: Joel Schwindt
Publisher: Routledge
ISBN: 1000431339
Category : Music
Languages : en
Pages : 243
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Book Description
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.
Author: Joel Schwindt
Publisher: Routledge
ISBN: 1000431339
Category : Music
Languages : en
Pages : 243
Get Book Here
Book Description
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.
Author: Jenny C Mann
Publisher: Princeton University Press
ISBN: 0691219249
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
A revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquence In ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge. Mann explores how Ovid's version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language's ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age. Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
Author:
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Category : Books
Languages : en
Pages : 664
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Book Description
Author: Michael Cadnum
Publisher: Open Road Media
ISBN: 1504019679
Category : Juvenile Fiction
Languages : en
Pages : 92
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Book Description
A poet journeys into the underworld to rescue his bride His name is Orpheus, and he is the greatest poet on Earth. With his lyre, he can make music so beautiful it causes the gods to weep, but they are not who he wants to impress. Orpheus has been in love with Eurydice ever since the first time he heard her voice, and to win her love he sings the most beautiful songs in history. On the day of their wedding, when Orpheus feels happiness just within his grasp, Eurydice is bitten by a snake and dies. The groom is heartbroken, but undaunted. He will rescue his beloved—even if he must battle death itself. Orpheus’s path is fraught with untold dangers, but he presses on—and a tragic yet beautiful love story emerges from this radical reworking of an ancient tale.
Author: Steadman Klondike
Publisher:
ISBN: 9780999497869
Category : Music
Languages : en
Pages : 176
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Book Description
This book is about how children can learn to understand themselves and their own internal motivators to make the challenging process of becoming a musician a joyful journey. If we can teach children to engage in learning music in ways that work for them, we will have given them one of the most powerful assets of all: self-knowledge.
Author: Joan Holub
Publisher: Simon and Schuster
ISBN: 1442481587
Category : Juvenile Fiction
Languages : en
Pages : 256
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Book Description
When Orpheus, a charming mortal musician, arrives at Mount Olympus Academy, he asks Persephone to help reunite him with his lost love, Eurydice, but trying to manipulate the rules of the underworld puts her at odds with her boyfriend Hades.
Author:
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ISBN:
Category : Books
Languages : en
Pages : 852
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Book Description
Author: Paulo de Assis
Publisher: Leuven University Press
ISBN: 9462702020
Category : Music
Languages : en
Pages : 480
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Book Description
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.
Author: Wouter J. Hanegraaff
Publisher: Cambridge University Press
ISBN: 0521196213
Category : Body, Mind & Spirit
Languages : en
Pages : 479
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Book Description
The neglected history of how intellectuals since the Renaissance have approached ideas of the occult which challenged biblical religion.
