Author: John Block Friedman
Publisher: Syracuse University Press
ISBN: 9780815628255
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
Orpheus in Middle Ages
Author: John Block Friedman
Publisher: Syracuse University Press
ISBN: 9780815628255
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
Publisher: Syracuse University Press
ISBN: 9780815628255
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
Ovid in the Middle Ages
Author: James G. Clark
Publisher: Cambridge University Press
ISBN: 1107002052
Category : History
Languages : en
Pages : 385
Book Description
This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.
Publisher: Cambridge University Press
ISBN: 1107002052
Category : History
Languages : en
Pages : 385
Book Description
This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.
My Gay Middle Ages
Author: A. W. Strouse
Publisher: punctum books
ISBN: 0615830005
Category : Biography & Autobiography
Languages : en
Pages : 87
Book Description
In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval. "Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, a la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it-they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius") TABLE OF CONTENTS // The Most Famous Medievalist in the World - My Boethius - Memory Houses - The President of the Medieval Academy Made Me Cry - My Medieval Romance - The Formation of a Persecuting Society - The Medieval Heart is Like a Penis - Jilted Again - My Orpheus - Medieval Literacy - My Cloud of Unknowing - The Post-Medieval Unconscious - Coda: The Dedication"
Publisher: punctum books
ISBN: 0615830005
Category : Biography & Autobiography
Languages : en
Pages : 87
Book Description
In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval. "Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, a la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it-they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius") TABLE OF CONTENTS // The Most Famous Medievalist in the World - My Boethius - Memory Houses - The President of the Medieval Academy Made Me Cry - My Medieval Romance - The Formation of a Persecuting Society - The Medieval Heart is Like a Penis - Jilted Again - My Orpheus - Medieval Literacy - My Cloud of Unknowing - The Post-Medieval Unconscious - Coda: The Dedication"
Seeing Sodomy in the Middle Ages
Author: Robert Mills
Publisher: University of Chicago Press
ISBN: 022616912X
Category : Art
Languages : en
Pages : 421
Book Description
Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, the author demonstrates that sodomy had a rich, multimedia presence in the period - and that a flexible approach to questions of terminology sheds new light on the many forms this presence took.
Publisher: University of Chicago Press
ISBN: 022616912X
Category : Art
Languages : en
Pages : 421
Book Description
Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, the author demonstrates that sodomy had a rich, multimedia presence in the period - and that a flexible approach to questions of terminology sheds new light on the many forms this presence took.
Sir Orfeo: Ein Englisches Feenmärchen Aus Dem Mittelalter
Author: Oscar Zielke
Publisher: Wentworth Press
ISBN: 9780469405370
Category : Foreign Language Study
Languages : en
Pages : 144
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9780469405370
Category : Foreign Language Study
Languages : en
Pages : 144
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Music, Body, and Desire in Medieval Culture
Author: Bruce W. Holsinger
Publisher: Stanford University Press
ISBN: 9780804740586
Category : Music
Languages : en
Pages : 500
Book Description
Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
Publisher: Stanford University Press
ISBN: 9780804740586
Category : Music
Languages : en
Pages : 500
Book Description
Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
The Monstrous Races in Medieval Art and Thought
Author: John Block Friedman
Publisher: Syracuse University Press
ISBN: 9780815628262
Category : History
Languages : en
Pages : 332
Book Description
Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.
Publisher: Syracuse University Press
ISBN: 9780815628262
Category : History
Languages : en
Pages : 332
Book Description
Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.
Orpheus, the Metamorphoses of a Myth
Author: John Warden
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 258
Book Description
A Book of Middle English
Author: J. A. Burrow
Publisher: John Wiley & Sons
ISBN: 1118697359
Category : Literary Criticism
Languages : en
Pages : 451
Book Description
This essential Middle English textbook, now in its third edition, introduces students to the wide range of literature written in England between 1150 and 1400. New, thoroughly revised edition of this essential Middle English textbook. Introduces the language of the time, giving guidance on pronunciation, spelling, grammar, metre, vocabulary and regional dialects. Now includes extracts from 'Pearl' and Chaucer's 'Troilus and Criseyde'. Bibliographic references have been updated throughout. Each text is accompanied by detailed notes.
Publisher: John Wiley & Sons
ISBN: 1118697359
Category : Literary Criticism
Languages : en
Pages : 451
Book Description
This essential Middle English textbook, now in its third edition, introduces students to the wide range of literature written in England between 1150 and 1400. New, thoroughly revised edition of this essential Middle English textbook. Introduces the language of the time, giving guidance on pronunciation, spelling, grammar, metre, vocabulary and regional dialects. Now includes extracts from 'Pearl' and Chaucer's 'Troilus and Criseyde'. Bibliographic references have been updated throughout. Each text is accompanied by detailed notes.
Myth, Montage, & Visuality in Late Medieval Manuscript Culture
Author: Marilynn Desmond
Publisher: University of Michigan Press
ISBN: 9780472031832
Category : History
Languages : en
Pages : 372
Book Description
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Publisher: University of Michigan Press
ISBN: 9780472031832
Category : History
Languages : en
Pages : 372
Book Description
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge