Orientalism in Susanna Rowson's "Slaves in Algiers" PDF Download
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Author: Wolfgang Bürkle
Publisher: GRIN Verlag
ISBN: 3638762637
Category : Biography & Autobiography
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz, 10 entries in the bibliography, language: English, abstract: When Susanna Haswell Rowson wrote her play "Slaves in Algiers" in 1794, many people in America and Europe were fascinated by stories about the Orient. The exotic tales from faraway countries with strange animals, hot deserts, magnificent palaces, and captured sailors attracted many readers. It did not matter if the described events were true or not, as long as they provided an exciting story with Oriental scenery. Writers then created their own picture of the Orient, often with exaggerating fantasy. The interesting aspect of Rowson's play is therefore her view of the Oriental people and their culture in contrast to the American people and their culture. She creates a specific picture of the Arabic culture and its people to show the advantages of the American values. It is also notable how she describes the difference of the sexes and their struggle for liberty in a foreign land. Rowson describes in "Slaves in Algiers", with the help of the characters, her opinions on liberty, emancipation, and white slavery in the Orient. Rowson's description of the Orient and the Arabic culture in the drama is her device to show the superiority of American values and the importance of liberty in every society. The historical context and the definition of Orientalism serve as a basis to understand her opinions.
Author: Wolfgang Bürkle
Publisher: GRIN Verlag
ISBN: 3638762637
Category : Biography & Autobiography
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz, 10 entries in the bibliography, language: English, abstract: When Susanna Haswell Rowson wrote her play "Slaves in Algiers" in 1794, many people in America and Europe were fascinated by stories about the Orient. The exotic tales from faraway countries with strange animals, hot deserts, magnificent palaces, and captured sailors attracted many readers. It did not matter if the described events were true or not, as long as they provided an exciting story with Oriental scenery. Writers then created their own picture of the Orient, often with exaggerating fantasy. The interesting aspect of Rowson's play is therefore her view of the Oriental people and their culture in contrast to the American people and their culture. She creates a specific picture of the Arabic culture and its people to show the advantages of the American values. It is also notable how she describes the difference of the sexes and their struggle for liberty in a foreign land. Rowson describes in "Slaves in Algiers", with the help of the characters, her opinions on liberty, emancipation, and white slavery in the Orient. Rowson's description of the Orient and the Arabic culture in the drama is her device to show the superiority of American values and the importance of liberty in every society. The historical context and the definition of Orientalism serve as a basis to understand her opinions.
Author: Malini Johar Schueller
Publisher: University of Michigan Press
ISBN: 9780472087747
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Uncovers the roots of Americans' construction of the "Orient" by examining the work of nineteenth-century authors
Author: Douglas Little
Publisher: Univ of North Carolina Press
ISBN: 0807877611
Category : History
Languages : en
Pages : 462
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Book Description
Douglas Little explores the stormy American relationship with the Middle East from World War II through the war in Iraq, focusing particularly on the complex and often inconsistent attitudes and interests that helped put the United States on a collision course with radical Islam early in the new millennium. After documenting the persistence of "orientalist" stereotypes in American popular culture, Little examines oil, Israel, and other aspects of U.S. policy. He concludes that a peculiar blend of arrogance and ignorance has led American officials to overestimate their ability to shape events in the Middle East from 1945 through the present day, and that it has been a driving force behind the Iraq war. For this updated third edition, Little covers events through 2007, including a new chapter on the Bush Doctrine, demonstrating that in many important ways, George W. Bush's Middle Eastern policies mark a sharp break with the past.
Author: Tamara Sonn
Publisher: Oxford University Press
ISBN: 0190054158
Category : Religion
Languages : en
Pages : 377
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Book Description
Orientalism is the term applied to scholarship that reduces Islam and Muslims to stereotypes of ignorance and violence in need of foreign control. It has been used to rationalize Europe's colonial domination of most of the Muslim world and continued American-led interventions in the post-colonial period. In the past 30 years it has been represented by claims that a monolithic Islam and equally monolithic West are distinct civilizations, sharing nothing in common and, indeed, involved in an inevitable clash from which only one can emerge the winner. Most recently, it has appeared in Alt Right rhetoric. Anti-Muslim sentiment, measured in public opinion polls, hate crime statistics, and legislation, is reaching record levels. Since John Esposito published his first book nearly 40 years ago, he has been guiding readers beyond such politically charged stereotypes. The essays in this volume highlight the contributions of scholars from a variety of disciplines who, like -- and often inspired by -- John Esposito, recognize the misleading and politically dangerous nature of Orientalist polarizations. They present Islam as a multi-faceted and dynamic tradition embraced by communities in globally interconnected but substantially diverse contexts over the centuries. The contributors follow Esposito's lead, stressing the profound commonalities among religions and replacing Orientalist discourse with holistic analyses of the complex historical phenomena that affect developments in all societies. In addition to chapters focusing on diversity among Muslims and interfaith relations, this collection includes chapters assessing the secular bias at the root of Orientalist scholarship, and contemporary iterations of Orientalism in the form of Islamophobia.
Author:
Publisher: BRILL
ISBN: 9004429905
Category : Religion
Languages : en
Pages : 843
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Book Description
Christian-Muslim Relations. A Bibliographical History 16 (CMR 16) covering North America, South-East Asia, China, Japan and Australasia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 16, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabe Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel.
Author: Matthew H. Pangborn
Publisher: Routledge
ISBN: 0429784341
Category : History
Languages : en
Pages : 440
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Book Description
This study engages with the emerging field of energy humanities to provide close readings of several early American oriental-observer tales. The popular genre of orientalism offered Americans a means to critique new ideas of identity, history, and nationality accompanying protoindustrialization and a growing consumerism. The tales thus express a complex self-reflection during a time when America’s exploitation of its energy resources and its engagement in a Franco-British world-system was transforming the daily life of its citizens. The genre of the oriental observer, this study argues, offers intriguing glimpses of a nation becoming strange in the eyes of its own inhabitants.
Author: Daniel Martin Varisco
Publisher: University of Washington Press
ISBN: 0295741643
Category : Social Science
Languages : en
Pages : 530
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Book Description
The late Edward Said remains one of the most influential critics and public intellectuals of our time, with lasting contributions to many disciplines. Much of his reputation derives from the phenomenal multidisciplinary influence of his 1978 book Orientalism. Said's seminal polemic analyzes novels, travelogues, and academic texts to argue that a dominant discourse of West over East has warped virtually all past European and American representation of the Near East. But despite the book's wide acclaim, no systematic critical survey of the rhetoric in Said's representation of Orientalism and the resulting impact on intellectual culture has appeared until today. Drawing on the extensive discussion of Said's work in more than 600 bibliographic entries, Daniel Martin Varisco has written an ambitious intellectual history of the debates that Said's work has sparked in several disciplines, highlighting in particular its reception among Arab and European scholars. While pointing out Said's tendency to essentialize and privilege certain texts at the expense of those that do not comfortably it his theoretical framework, Varisco analyzes the extensive commentary the book has engendered in Oriental studies, literary and cultural studies, feminist scholarship, history, political science, and anthropology. He employs "critical satire" to parody the exaggerated and pedantic aspects of post-colonial discourse, including Said's profound underappreciation of the role of irony and reform in many of the texts he cites. The end result is a companion volume to Orientalism and the vast research it inspired. Rather than contribute to dueling essentialisms, Varisco provides a path to move beyond the binary of East versus West and the polemics of blame. Reading Orientalism is the most comprehensive survey of Said's writing and thinking to date. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.
Author: Marwan M. Obeidat
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112401530
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
The series Islamkundliche Untersuchungen was founded in 1969 by the Klaus Schwarz Verlag. Since then, it has become one of the most important venues for publications in Islamic and Middle Eastern Studies. Its more than 350 volumes cover a wide range of topics from the history, culture and societies of the Middle East and North Africa as well as neighboring regions in central, south and southeast Asia.
Author: Christian DuComb
Publisher: University of Michigan Press
ISBN: 0472123017
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race. Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.
Author: Roaa Ali
Publisher: Taylor & Francis
ISBN: 1040103898
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
This book is a ground-breaking collection on contemporary Arab theatre. Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage. This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.
