Orientalism in French Classical Drama PDF Download
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Author: Michèle Longino
Publisher: Cambridge University Press
ISBN: 9780521807210
Category : Drama
Languages : en
Pages : 296
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Book Description
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Author: Michèle Longino
Publisher: Cambridge University Press
ISBN: 9780521807210
Category : Drama
Languages : en
Pages : 296
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Book Description
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Author: Paul Hammond
Publisher: BRILL
ISBN: 9004467378
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Author: Pascale Barthe
Publisher: Routledge
ISBN: 1317132661
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Focusing on early Renaissance Franco-Ottoman relations, this book fills a gap in studies of Ottoman representations by early modern European powers by addressing the Franco-Ottoman bond. In French Encounters with the Ottomans, Pascale Barthe examines the birth of the Franco-Ottoman rapprochement and the enthusiasm with which, before the age of absolutism, French kings and their subjects pursued exchanges-real or imagined-with those they referred to as the 'Turks.' Barthe calls into question the existence of an Orientalist discourse in the Renaissance, and examines early cross-cultural relations through the lenses of sixteenth-century French literary and cultural production. Informed by insights from historians, literary scholars, and art historians from around the world, this study underscores and challenges long-standing dichotomies (Christians vs. Muslims, West vs. East) as well as reductive periodizations (Middle Ages vs. Renaissance) and compartmentalization of disciplines. Grounded in close readings, it includes discussions of cultural production, specifically visual representations of space and customs. Barthe showcases diplomatic envoys, courtly poets, 'bourgeois', prominent fiction writers, and chroniclers, who all engaged eagerly with the 'Turks' and developed a multiplicity of responses to the Ottomans before the latter became both fashionable and neutralized, and their representation fixed.
Author: Edward Forman
Publisher: Scarecrow Press
ISBN: 0810874512
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.
Author: Michele Longino
Publisher: Routledge
ISBN: 1317585968
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Examining the history of the French experience of the Ottoman world and Turkey, this comparative study visits the accounts of early modern travelers for the insights they bring to the field of travel writing. The journals of contemporaries Jean-Baptiste Tavernier, Jean Thévenot, Laurent D’Arvieux, Guillaume-Joseph Grelot, Jean Chardin, and Antoine Galland reveal a rich corpus of political, social, and cultural elements relating to the Ottoman Empire at the time, enabling an appreciation of the diverse shapes that travel narratives can take at a distinct historical juncture. Longino examines how these writers construct themselves as authors, characters, and individuals in keeping with the central human project of individuation in the early modern era, also marking the differences that define each of these travelers – the shopper, the envoy, the voyeur, the arriviste, the ethnographer, the merchant. She shows how these narratives complicate and alter political and cultural paradigms in the fields of Mediterranean studies, 17th-century French studies, and cultural studies, arguing for their importance in the canon of early modern narrative forms, and specifically travel writing. The first study to examine these travel journals and writers together, this book will be of interest to a range of scholars covering travel writing, French literature, and history.
Author: Ashley M. Williard
Publisher: U of Nebraska Press
ISBN: 1496220242
Category : History
Languages : en
Pages : 310
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Book Description
Ashley M. Williard argues that early Caribbean reconstructions of masculinity and femininity sustained occupation, slavery, and nascent ideas of race.
Author: Bernadette Höfer
Publisher: Routledge
ISBN: 1317073878
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Bernadette Höfer's innovative and ambitious monograph argues that the epistemology of the Cartesian mind/body dualism, and its insistence on the primacy of analytic thought over bodily function, has surprisingly little purchase in texts by prominent classical writers. In this study Höfer explores how Surin, Molière, Lafayette, and Racine represent interconnections of body and mind that influence behaviour, both voluntary and involuntary, and that thus disprove the classical notion of the mind as distinct from and superior to the body. The author's interdisciplinary perspective utilizes early modern medical and philosophical treatises, as well as contemporary medical compilations in the disciplines of psychosomatic medicine, neurobiology, and psychoanalysis, to demonstrate that these seventeenth-century French writers established a view of human existence that fully anticipates current thought regarding psychosomatic illness.
Author:
Publisher: BRILL
ISBN: 9004504818
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.
Author: Christopher Braider
Publisher: Routledge
ISBN: 1351955969
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
Author: Derval Conroy
Publisher: Springer
ISBN: 1137568488
Category : Political Science
Languages : en
Pages : 218
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Book Description
Ruling Women is a two-volume study devoted to an analysis of the conflicting discourses concerning government by women in seventeenth-century France. In this second volume, Configuring the Female Prince in Seventeenth-Century French Drama, Conroy analyzes over 30 plays published between 1637 and 1691, examining the range of constructions of queenship that are thrown into relief. The analysis focuses on the ways in which certain texts strive to manage the cultural anxiety produced by female rule and facilitate the diminution of the uneasy cultural reality it represents, while others dramatize the exercise of political virtue by women, explode the myth of gender-differentiated sexual ethics, and suggest alternative constructions of gender relations to those upheld by the normative discourses of sexual difference. The approach is underpinned by an understanding of theatre as fundamentally political, a cultural institution implicated in the maintenance of, and challenge to, societal power relations. Innovative and stimulating, Conroy’s work will appeal to scholars of seventeenth-century drama and history of ideas, in addition to those interested in the history of women in political thought and the history of feminism.
