Operas and Ballad Operas, 1700-1750 & Nineteenth Century Plays, 1800-1850 PDF Download
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Author: Pickering & Chatto
Publisher:
ISBN:
Category : Ballad opera
Languages : en
Pages : 52
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Book Description
Author: Pickering & Chatto
Publisher:
ISBN:
Category : Ballad opera
Languages : en
Pages : 52
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Book Description
Author: University of California, Los Angeles. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1074
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Book Description
Author: University of California (System). Institute of Library Research
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 876
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Book Description
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 978
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Book Description
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 136
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Book Description
Author: Fredric M. Litto
Publisher: Kent, Ohio] : Kent State University Press
ISBN:
Category : Education
Languages : en
Pages : 518
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Book Description
Author: Inglis Freeman Bell
Publisher: University of Washington Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
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Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1144
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Book Description
Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 0520254260
Category : Art
Languages : en
Pages : 712
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Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
